AVALIAÇÃO DA IMDb
6,0/10
800
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.
- Direção
- Roteiristas
- Artistas
Buster Crabbe
- Don Jackson
- (as Larry 'Buster' Crabbe)
James B. 'Pop' Kenton
- Caretaker
- (as 'Pop' Kenton)
Roscoe Karns
- Newspaper Reporter
- (cenas deletadas)
Monya Andre
- Second Author
- (não creditado)
Stella Bailey
- New York Beauty Winner
- (não creditado)
William Bailey
- Cement Foreman
- (não creditado)
Malcolm Ball
- Georgia Talent Contestant
- (não creditado)
Lynn Bari
- Beauty Contestant Entrant
- (não creditado)
Avaliações em destaque
Goofy film about two Olympic athletes (Ida Lupino and Buster Crabbe) who are hired to bring some respectability to a fitness magazine that is using sex as its major selling point.
People who want to see an example of some pre-Code raciness will find much to like about this movie. Its overt treatment of sex as something people actually like instead of something covert that must never be mentioned is by itself enough to make this movie stand apart from the more sanitized films of the succeeding decade. But beyond that, it revels in images of the barely dressed human body, male and female, and includes a shot of bare butts in a men's locker room, and a jaw dropper of a production number in which all of the women are wearing sheer athletic tops with their breasts and nipples clearly visible.
Funny enough, for all of its reputation now as being representative of a certain kind of moral looseness in early 30s films, the movie's attitude about sex is as pure as freshly fallen snow.
Grade: B
People who want to see an example of some pre-Code raciness will find much to like about this movie. Its overt treatment of sex as something people actually like instead of something covert that must never be mentioned is by itself enough to make this movie stand apart from the more sanitized films of the succeeding decade. But beyond that, it revels in images of the barely dressed human body, male and female, and includes a shot of bare butts in a men's locker room, and a jaw dropper of a production number in which all of the women are wearing sheer athletic tops with their breasts and nipples clearly visible.
Funny enough, for all of its reputation now as being representative of a certain kind of moral looseness in early 30s films, the movie's attitude about sex is as pure as freshly fallen snow.
Grade: B
The difference between films from their start to the early '30s and the post-1934 era is astounding.
In the '30s, you have femininely dressed women, single, dating, ogling men, and having sex. In the '40s, the clothes are stiff, tailored, the women are single and we're told they are unfulfilled and unhappy. Such was the code, which dictated morals to the movies and possibly to a lot of naive and unsophisticated people across the country. I know because my mother was one.
This film is precode at its most outrageous.
During the 1932 summer Olympics in LA, some con artists (James Gleason, Robert Armstrong, and Gertrude Michael), convince top athletes to endorse their health and fitness magazine.
In order to find the best of the best, as a publicity stunt, they stage an international competition. They send one of the endorsing athletes, Don Jackson (Buster Crabbe) out to find the athletes and get their consent to be part of a magazine spread.
While Don is conveniently out of the country, the cons publish the magazine they really intended to -- a tawdry cheesecake rag with lurid stories and plenty of sex.
When one of the athletes, Barbara (Ida Lupino) finds out what they're up to, she summons Don. To appease him, a deal is made whereby Don is given a farm that he and Barbara can turn into a health farm.
Well, the health farm as far as our erstwhile publishers are concerned is nothing more than a high-class bordello.
This is a fast-moving, fun film with men showing their naked butts, and women drooling over mens' bodies, (with one set of binoculars focused on Crabbe's crotch) and plenty of suggestive clothing.
Robert Armstrong and James Gleason are a couple of old pros and handle the dialogue well. Buster Crabbe was a gorgeous man, almost pretty, who was a two-time Olympic medalist in swimming, but he wasn't much of an actor. He played a lot of comic book heroes like Flash Gordon, Buck Rogers, and Captain Gallant, and did dozens of adventure films and westerns.
This was an early American film for Ida Lupino, who plays a star swimmer. She still has her British accent and sports the style of the day, platinum blonde hair and penciled in eyebrows. She is barely recognizable but she does a fine job.
The question is, was this film ahead of its time or was this the way things were? Well, my opinion is that this is the way things were in places like Hollywood and New York among the film and theater communities. I don't think the whole country was this way, nor do I think in the '40s the whole country was all THAT way. After all, men were going to war and might never see their girlfriends again. It was all somewhere in the middle, though the code would have had us believe differently.
Fun, and really needs to be seen to be believed.
In the '30s, you have femininely dressed women, single, dating, ogling men, and having sex. In the '40s, the clothes are stiff, tailored, the women are single and we're told they are unfulfilled and unhappy. Such was the code, which dictated morals to the movies and possibly to a lot of naive and unsophisticated people across the country. I know because my mother was one.
This film is precode at its most outrageous.
During the 1932 summer Olympics in LA, some con artists (James Gleason, Robert Armstrong, and Gertrude Michael), convince top athletes to endorse their health and fitness magazine.
In order to find the best of the best, as a publicity stunt, they stage an international competition. They send one of the endorsing athletes, Don Jackson (Buster Crabbe) out to find the athletes and get their consent to be part of a magazine spread.
While Don is conveniently out of the country, the cons publish the magazine they really intended to -- a tawdry cheesecake rag with lurid stories and plenty of sex.
When one of the athletes, Barbara (Ida Lupino) finds out what they're up to, she summons Don. To appease him, a deal is made whereby Don is given a farm that he and Barbara can turn into a health farm.
Well, the health farm as far as our erstwhile publishers are concerned is nothing more than a high-class bordello.
This is a fast-moving, fun film with men showing their naked butts, and women drooling over mens' bodies, (with one set of binoculars focused on Crabbe's crotch) and plenty of suggestive clothing.
Robert Armstrong and James Gleason are a couple of old pros and handle the dialogue well. Buster Crabbe was a gorgeous man, almost pretty, who was a two-time Olympic medalist in swimming, but he wasn't much of an actor. He played a lot of comic book heroes like Flash Gordon, Buck Rogers, and Captain Gallant, and did dozens of adventure films and westerns.
This was an early American film for Ida Lupino, who plays a star swimmer. She still has her British accent and sports the style of the day, platinum blonde hair and penciled in eyebrows. She is barely recognizable but she does a fine job.
The question is, was this film ahead of its time or was this the way things were? Well, my opinion is that this is the way things were in places like Hollywood and New York among the film and theater communities. I don't think the whole country was this way, nor do I think in the '40s the whole country was all THAT way. After all, men were going to war and might never see their girlfriends again. It was all somewhere in the middle, though the code would have had us believe differently.
Fun, and really needs to be seen to be believed.
In spite of its fairly high rating I noticed a few extremely negative reviews about this film and all I can say is... You people should get over yourself. Don't they realize it was never intended to be anything more than a sexy little romp with swimming pools and gymnasiums in the background? One thing that has always been true of show business in all it's forms is that sex sells tickets. Nothing has changed since this film was made. This plot which revolves around a magazine that relies on sexy photographs to sell copies is exactly the world we live in today.
Maybe I am wrong but in recent years has it not been true that the magazine called sports illustrated sells more copies of its "swimsuit issue" than any other. At least this film gives the well-built young men equal time with the athletic young women that are featured here. Whenever possible film makers showed actresses with as little clothing as they could get away with but you almost never see a man with his shirt off and considering the physiques of many of the male stars there's a good reason for that. The great actors of that era were mostly famous from the neck up.
Maybe I am wrong but in recent years has it not been true that the magazine called sports illustrated sells more copies of its "swimsuit issue" than any other. At least this film gives the well-built young men equal time with the athletic young women that are featured here. Whenever possible film makers showed actresses with as little clothing as they could get away with but you almost never see a man with his shirt off and considering the physiques of many of the male stars there's a good reason for that. The great actors of that era were mostly famous from the neck up.
Well, what can I say other than YIPPEE! Slipped through just before the may 1934 deadline of the Hayes Code this is almost the superlative risqué extravaganza for sex and nudity in a 1930s movie. One astonishing scene in a mens locker room even has full male nudity! Unheard of outside Nazi beauty films of the later era and certainly an eye-full of sassy rudeness both in picture and dialog. Other posts here will tell you the story but since this film features two of the most beautiful actors ever on screen BUSTER CRABBE and IDA LUPINO (in blonde 'do) and then peppers the screen with gorgeous women and men parading and exercising and grabbing each other...! THE SEARCH FOR BEAUTY is everything you might hope for in a pre-code sex comedy and wow does it deliver! Hilarious rude and deliciously nude rude and funny. And cheer breathtaking Toby Wing dancing on a table in a negligee!
Featuring a literal army of good-looking, scantily-clad young men and women - 1934's "Search For Beauty" was produced during Hollywood's pre-Code period (1929-1934).
This was a unique era in American film-making when censorship barely existed and directors had free reign to make the movies they wanted (and the public demanded) where no subject was taboo, including adultery, murder, and yes, sex.
So, if you enjoy viewing lots of beefcake and/or cheesecake, then, believe me, "Search For Beauty" is a film highlighting a delicious array of eye-candy that is sure to whet anyone's whistle.
This was a unique era in American film-making when censorship barely existed and directors had free reign to make the movies they wanted (and the public demanded) where no subject was taboo, including adultery, murder, and yes, sex.
So, if you enjoy viewing lots of beefcake and/or cheesecake, then, believe me, "Search For Beauty" is a film highlighting a delicious array of eye-candy that is sure to whet anyone's whistle.
Você sabia?
- CuriosidadesBuster Crabbe plays an Olympic swimmer in the film. Before entering acting, Crabbe was a two-time Olympian, a bronze medalist in 1928 and a gold medal winner in 1932.
- Cenas durante ou pós-créditosWith the 30 winners in the International Beauty Contest
chosen from England, Scotland, Ireland, Australia, New Zealand, South Africa, Canada and the United States.
- ConexõesReferenced in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Search for Beauty?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Search for Beauty
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente