Adicionar um enredo no seu idiomaPolice try to solve a murder on board an ocean liner.Police try to solve a murder on board an ocean liner.Police try to solve a murder on board an ocean liner.
- Direção
- Roteiristas
- Artistas
George 'Gabby' Hayes
- Joe, the watchman
- (as George Hayes)
John M. Sullivan
- Watson
- (as John Maurice Sullivan)
Raymond Brown
- Spy Chief
- (não creditado)
Gordon De Main
- Cmdr. Bryson
- (não creditado)
Olaf Hytten
- Grimson's Aide
- (não creditado)
George Nash
- Waiter
- (não creditado)
Harry Schultz
- Aide
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Talky mystery that never really gels. Events concern an ocean liner being tested for remote control. Since a successful test will revolutionize warships and naval warfare, the test is being done in secret. Nonetheless, an unnamed foreign power gets wind of the experiment and gets an undercover agent aboard. But which of the many characters is it, and how many will be murdered before the end.
Cheapo Monogram is constrained to film inside cramped ship-board sets, though oddly we never see the supposed water below. And since there's little action or pacing, the narrative fails to crystallize plot potential. Events tend to meander rather than build. I suspect the problem lies with trying to cram too much of the Wallace novel onto the screen On the other hand, the reveal did surprise me, while showing a good twist on the usual. Too bad that imagination didn't extend to directing and lighting.
Though Beery headlines--probably for marquee reasons--he has little screen time. Instead, rotund Maxwell carries the plot as a self-appointed sleuth. I guess the aged Tilbury is supposed to be comedy relief, likely because lanky Jerry Stewart proves so inept. Too bad her over-acting hits more of a sour note than a funny bone.
Anyway, I didn't dislike the results as much as many others. Still, it's an easily forgettable entry among that decade's slew of cheap whodunnits.
Cheapo Monogram is constrained to film inside cramped ship-board sets, though oddly we never see the supposed water below. And since there's little action or pacing, the narrative fails to crystallize plot potential. Events tend to meander rather than build. I suspect the problem lies with trying to cram too much of the Wallace novel onto the screen On the other hand, the reveal did surprise me, while showing a good twist on the usual. Too bad that imagination didn't extend to directing and lighting.
Though Beery headlines--probably for marquee reasons--he has little screen time. Instead, rotund Maxwell carries the plot as a self-appointed sleuth. I guess the aged Tilbury is supposed to be comedy relief, likely because lanky Jerry Stewart proves so inept. Too bad her over-acting hits more of a sour note than a funny bone.
Anyway, I didn't dislike the results as much as many others. Still, it's an easily forgettable entry among that decade's slew of cheap whodunnits.
This Edgar Wallace murder mystery takes place aboard an ocean liner being piloted automatically, as everyone and his grandmother is trying to get hold of the tube that pilots the ship without benefit of human hands. Ed Maxwell, veteran of the early silver seen, has a decent role as an investigating private eye. He may remind some of Nero Wolfe. Zeffie Tilbury, as Granny Plympton, a familiar face from Little Rascals shorts, was the most annoying character. No mystery here, and dreadfully acted and sound-produced to boot. It feels like a play transferred directly to Hollywood. Some of the performers would appear to have come right from the NY stage.
This is a bit of a curiosity. I don't know much about Noah Beery, but his name on the top of the bill is interesting. He barely appears in the movie. It's about some secret navigation device for piloting ships by remote control. There is an enemy force that is after it and its inventor. On board an ocean liner, where it is being tested, the captain (Beery) becomes deranged and is replaced. Soon a couple murders take place and the captain is seen by people (though he quickly disappears). There is some device where people communicate using a machine where you write in cursive hand. Of course, radio has been invented. This is so silly. There's also a subplot with he romantic aspirations of an old woman who is utterly insufferable. Her being there contributes nothing but the screeching of nails on a blackboard. There is really no plot and in the end I'm not sure anything was resolved. Not really much of a movie.
And that is saying something for these mysteries from the 30s that usually have plots that are so muddled that you are constantly having to rewind to figure out what is going on.
Though Mr. Beery is at the top of the cast list, his onscreen time is minimal - opening and closing scenes. The rest of the cast split the screen time about evenly.
A ship's Captain is relieved of duty for medical reasons. His first officer takes over as Captain while the ship carries out an experiment in remote control by use of special equipment previously installed. A remote land base will take over when in open waters.
Though it appears as if this ship is a passenger cruise liner with many people boarding and waving off with streamers as it leaves dock, it is depicted as a cargo ship as it exits the harbor. The story brings only a few passengers to our attention as it unravels. Mostly it's the Captain(s), crew, and an investigator - along with some short scenes of an unnamed enemy group attempting to sieze control of the ship by means of their own remote system.
There are no notable performances or personalities just an espionage/murder-mystery which reveals itself nicely leaving no loose ends.
The most interesting scenes were those of the experimental equipment. They made noises like those in Henry Frankenstein's laboratory - vaguely resembled them visually. Popping, crackling, buzzing. Also, the iPad-like message transmitter, by which you write your message in handwriting script using a stylus - it appears nearly instantly onscreen at the receiver's end.
Though Mr. Beery is at the top of the cast list, his onscreen time is minimal - opening and closing scenes. The rest of the cast split the screen time about evenly.
A ship's Captain is relieved of duty for medical reasons. His first officer takes over as Captain while the ship carries out an experiment in remote control by use of special equipment previously installed. A remote land base will take over when in open waters.
Though it appears as if this ship is a passenger cruise liner with many people boarding and waving off with streamers as it leaves dock, it is depicted as a cargo ship as it exits the harbor. The story brings only a few passengers to our attention as it unravels. Mostly it's the Captain(s), crew, and an investigator - along with some short scenes of an unnamed enemy group attempting to sieze control of the ship by means of their own remote system.
There are no notable performances or personalities just an espionage/murder-mystery which reveals itself nicely leaving no loose ends.
The most interesting scenes were those of the experimental equipment. They made noises like those in Henry Frankenstein's laboratory - vaguely resembled them visually. Popping, crackling, buzzing. Also, the iPad-like message transmitter, by which you write your message in handwriting script using a stylus - it appears nearly instantly onscreen at the receiver's end.
The story in this B-feature has some fairly interesting developments, and it makes the movie just worth watching despite a very slow pace and some other weaknesses. The acting performances vary in quality from solid to weak, and the production is adequate most of the time. So in most respects it is a typical B-movie of its era, but the story offered some possibilities that might have furnished the basis of a better movie.
The story starts with a liner preparing to test a Professor's device for using remote-control to guide the ship from a laboratory. The experiment is complicated by the captain's nervous breakdown and by an on-board murder. The ship also contains numerous passengers, some with various eccentricities and others with some suspicious characteristics. While the setup could have been taken in a number of different directions, the way it actually develops is probably as good as any.
One of the main things that keeps it from being better is that too many of the key characters never take form, remaining uninteresting and one-dimensional. Likewise, the dialogue never approaches the interest level of the story. And too often, things move very slowly, making it seem longer than the running time.
On the plus side, it maintains the mystery level rather well, and it does hold your attention. The atmosphere is not always maintained, but for much of the time the shipboard setting is used fairly well. More than anything, the remote-control idea is used in a way that was rather creative for its era, and it almost provides enough interest in itself to make you keep watching.
The story starts with a liner preparing to test a Professor's device for using remote-control to guide the ship from a laboratory. The experiment is complicated by the captain's nervous breakdown and by an on-board murder. The ship also contains numerous passengers, some with various eccentricities and others with some suspicious characteristics. While the setup could have been taken in a number of different directions, the way it actually develops is probably as good as any.
One of the main things that keeps it from being better is that too many of the key characters never take form, remaining uninteresting and one-dimensional. Likewise, the dialogue never approaches the interest level of the story. And too often, things move very slowly, making it seem longer than the running time.
On the plus side, it maintains the mystery level rather well, and it does hold your attention. The atmosphere is not always maintained, but for much of the time the shipboard setting is used fairly well. More than anything, the remote-control idea is used in a way that was rather creative for its era, and it almost provides enough interest in itself to make you keep watching.
Você sabia?
- CuriosidadesThe failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film.
- Citações
Prof. Grimson: The - ah - tube controls the energy, which will operate it by radio.
First Officer Cliff Rogers: It's uncanny, Professor.
Prof. Grimson: It's... science.
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Detalhes
- Tempo de duração
- 1 h 2 min(62 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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