Em Palpos de Aranha

Willie Doyle (Bert Wheeler) and Elmer Dugan (Robert Woolsey) are out-of-work magicians. They are The Great Elmer and Company. They help Jerry Bronson adopt Spanky Milford, but Jerry elopes with his girlfriend leaving Spanky behind with the two magicians. Then they are told that Spanky has inherited a large estate. The trio head out to Banesville, Kentucky. At the train station, Willie and fellow passenger Gloria Wakefield (Mary Carlisle) fall for each other. Unbeknownst to the guys, the Milfords and Wakefields are embroiled in a generational blood feud.

Initially, I am amused by Wheeler and Woolsey and the kid. The kid is a bit too bratty and not quite cute enough. The glass breaking is a funny gag at first, but it gets more annoying over time. The guys never really get beyond mildly amusing. I don't hate these guys, but I'm not really laughing either.

Bert Wheeler and Robert Woolsey get themselves stuck with little Spanky McFarland. They're a couple of itinerant magicians and the last thing they need is a kid. But this might be a pot of gold because Spanky just could be the heir of the Milford estate in Kentucky.

But what the boys don't know is that in passing themselves off as Milfords as well, they're inheriting an old mountain feud with another clan called the Wakefields. Made even worse by the fact that poor Bert has fallen for Mary Carlisle the daughter of Wakefield family patriarch Noah Beery, Sr.

The boys are pretty resourceful though and the last twenty minutes or so with them, Willie Best and Spanky holding off a horde of Wakefields is pretty funny. Sad to say though that Willie Best's portrayal of Buckshot probably keeps Kentucky Kernels from having been shown too much on television for years.

Although Kentucky Kernels is funny, I'd see Abbott&Costello's Comin' Round the Mountain. A similar story without the racism.

Any enjoyment you get from KENTUCKY KERNELS will depend on whether or not you can view the film in the context of its time and accept all of the foolishness with that in mind. Otherwise, it's not a particularly rewarding way to view Wheeler and Woolsey. Surely, their reputation was based on better material than this.

The thin plot has the boys adopting SPANKY McFARLAND from an orphanage run by MARGARET DUMONT. He's a cute little bundle but has a penchant for breaking glass at every opportunity--and the script gives him plenty of excuses. Unfortunately, most of the gags are the kind of one-liners that must have killed vaudeville, delivered in brisk style but corny nevertheless.

LUCILLE LaVERNE shows up as an old dowager (she was the voice for The Wicked Queen in Disney's "Snow White"), and MARY CARLISLE is the love interest for one of the boys. The politically correct will be insulted by the WILLIE BEST racial humor in scenes where the boys go south.

Strictly a product of its time, ending in a skirmish between a Hatfield and McCoy type of family feud.

Kentucky Kernels (1934)

*** (out of 4)

George Stevens directs this Wheeler and Woolsey film where the two take an adopted boy (Spanky from Our Gang) back to his relatives in Kentucky but soon finds themselves in a feud between two families. It's been hit and miss with me and these W&W films but this one here is clearly the best I've seen. The comedy ranges towards jokes about rednecks and some rather politically incorrect stuff but the duo brings some great comic timing and the added bonus of Spanky makes this a damn good comedy. There's some wonderful gags including a horse accidentally drinking moonshine and another scene where W&W try and talk themselves out of a speeding ticket. The jokes aimed at the Southern families work very well and Spanky steals the show with each scene that he's in. The running joke is that he likes to break windows so there's plenty of that going on. There's also a large shoot out at the end, which looks to have more bullets flying than any of Warner's gangster pictures. The film borrows a lot of Keaton's Our Hospitality but works well on its own.

Kentucky Kernels is another Wheeler/Woolsey comedy, where they decide to adopt Spanky (the same Spanky McFarland from the "Our Gang" show.) They go down south to visit the Colonel (Noah Beery) and Aunt Hannah ( Lucille LaVerne ) and meet up with the lovely Gloria Wakefield (Mary Carlisle) and the feuding Milfords. The plot is kind of all over the place, but we do get a good dose of Wheeler and Woolsey's standup comedy act along the way. Cast includes Willie Best ( Sleep N Eat ) as Buckshot; Director George Stevens sure did some of the great ones (A Place in the Sun, Diary of Anne Frank, Gunga Din). Some other interesting film connections - Viewers will spot Margaret Dumont (as Mrs. Baxter, head of the Children Welfare League), who made all those movies with the Marx Brothers. Writers Kalmar and Ruby had also written material for the Marx Brothers. Also, Mary Carlisle and Noah Beery's brother Wallace were both in Grand Hotel in 1932. Fun comedy, but pretty wacky and zany. Made at the beginning cusp of the production code in 1934, there are quite a few scenes and jokes that show two men are living together, sleeping in the same bed, keeping house, and adopting a child... pretty far ahead of its time!