Juiz Priest

Judge Priest (1934)

*** 1/2 (out of 4)

Wonderful film has Will Rogers playing the title role who has his own way of making justice prevail. Set in a small Kentucky town, the judge must battle a wide range of subjects but all of them seem to center around a mysterious man who is charged with assault. I wasn't too thrilled with the previous Rogers/Ford film that I watched but this one here hits all the right marks. Ford's love of Southern loyalty is certainly on full display from start to finish but he also paints a film that isn't really about anything yet it's about everything. Ford paints a terrific and authentic view of the South and even manages to work other items in like patriotic war battles and moving on in time. I think some of the best moments happen between Rogers and a black man named Jeff (Stepin Fetchit) who the judge saved from being hung. The two share several scenes together and their relationship comes off very sweet and human. The performances are all extremely good with Rogers leading the way as the soft spoken judge. Tom Brown and Anita Louise are also very good as Rogers' nephew and his girlfriend. The scene stealer comes from Henry B. Walthall who plays a Reverend with a secret past that comes out during the final courtroom scene. It's forgotten today that at one time Walthall was considered one of the greatest actors out there and his performance here is very thrilling and certainly grabs ones attention.

The movie is not only about the Confederacy, but seems to have been made during the Confederacy. It not only looks like an antique, but also plays like one. From the snail-like pacing to the exaggerated acting to the crude racial stereotypes, it points to a long gone era of film-making and, in the process, shows why that era is long gone. Frankly, I tuned in because I'd never seen humorist Will Rogers in a movie, but I had enjoyed his trenchant iconoclasm, so I guess I had expectations. Now I think he should have stuck to rope twirling and skewering politicians because his Judge Priest is so unrelentingly folksy as to rival the slow-talking Fetchit in knee-deep stereotype. Director Ford was always more comfortable directing caricature than catching nuance, though he could do the latter on occasion. So, it's no surprise that he fairly wallows in the opportunities proffered here. Then too, this romanticized view of the Old South, circa 1890, must have appealed to a director who specialized in romanticizing the past, especially in the so-called winning-of-the-West. In fact, Ford was so enamored with the whitewashed material here, he made it again twenty years later under the title The Sun Shines Bright. In my view, once was more than enough.

'30's comedies aren't exactly known for their subtlety and they mostly consist out of physical humor. This movie forms a great and wonderful exception to this.

This is one great subtle comedy that is mostly funny thanks to its very amusing and extreme stereotyped characters. It of course also really helps that they are being portrayed by some really great actors and are being directed by one great director; John Ford.

Will Rogers was totally great in his role. He seemed very natural with his acting but at the same time managed to play his character in a comical way. He was a greatly talented comedy actor, who was already a popular one during the silent era. He would had continued to play many more comical roles I'm sure, had he not died one year after this movie, in a plane crash piloted by the one-eyed pioneer aviator Wiley Post. Hattie McDaniel also does in this movie what she is best known for, playing a likable maid role. She is best known for her Acedemy Award winning role in "Gone with the Wind", which also made her the first black actor winning the great award.

Even though John Ford began directing movies as early as 1917, it wasn't until the '30's that his career really took off and he gained a real big celebrity status. He also isn't best known for comedies but mostly for his western's, often starring John Wayne. Till this date he is still the director with the most Academy Awards for best directing (4 of them). I think that says already enough about the qualities of this man. With this movie he also really seemed ahead of its time, by picking an all different and very humble approach of the story and comedy.

The story is actually quite simple but oh so great. It actually is quite well layered, even though the movie its simplicity might make you overlook this. It features lots of different element involving the characters in this movie, on both the comical as well as the more dramatic level. I also especially really like how the judge tries to hook up his cousin with his neighbor girl.

The movie also truly benefits from its typical southern atmosphere. The movie is set in a southern town, which shows in the movie its characters, their accents and just overall atmosphere of the entire movie.

This movie was a great pleasant surprise!

9/10

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In the South, Kentucky circa 1890, we meet Judge Priest (played by Will Rogers), laid-back circuit court judge who dresses like Colonel Sanders and has bigger interests than court trials - namely lawn croquet, mint juleps, Confederate veteran social gatherings, taffy pulls, and his new-found friendship with an accused chicken thief (played by Stepin Fetchit) put on trial in his courtroom, who gives the judge tips on fishing for catfish. The judge also enjoys matchmaking for his nephew Rome (Tom Brown), a young man who has just graduated from law school and who is in love with the pretty girl next door in spite of his stuffy mama's protests (seems the girl isn't good enough for the mighty "Kentucky Priest's", mama has her eye on someone else for her son). Soon the film switches gear when our young lawyer gets his first case and defends a local man put on trial.

This film was actually quite a bit better than I was expecting - Will Rogers, whose role dominates this film (aside from Henry B. Walthall, who has a smaller, but important piece here) was more interesting in this than I have seen him in other roles, probably because he comes across as more like himself than a character. Henry B. Walthall, the handsome "Little Colonel" in "The Birth of a Nation", still looks attractive here nearly 20 years later, a real silver fox to my eyes. Hattie McDaniel plays a stereotypical black mammy, singing and hanging laundry and preparing the judge yet another mint julep in most of her scenes, yet comes across with loads of charm. Really quite an interesting film.

In spite of the bonfires war had finished however the ashes and sequels still remain.The war between the states-the Union and Confederacy-was over but its tragedies and comedies haunted every grown man's mind.Taken from the Irvin S. Cobb stories which after main title picture says the following :¨The events were swapped took deep root in my memory and are familiar ghost of my boyhood.There was one man ¨Down Yonder¨I came specially to admire for he seemed typical of the tolerance of that day and the wisdom of that almost vanished generation.I called Judge Priest and I tried to draw reasonably fair likeness of him and his neighbors and the town in which he lived¨.

The film deals a southern Judge(Will Rogers) with good humor ,common sense,jingoist and with a heart of gold who makes many goods deeds,helping to unfortunates and hapless and doing as matchmaker of his nephew(T.Brown) with a beautiful young(Anita Louise).The film is well set during the reconstruction although is eventually hampered by racist stereotypes on the black people characterizations.Biggest film are the musical duet among Will Rogers and Hattie McDaniel and the jokes about the spitting on the pot during trial court celebration. Besides appears Hattie McDaniel in her second greatest role of her career,the first was, of course,Mammy in ¨Gone with the wind¨,she is in a number of ways,superior to most of the white folk surrounding her.She was the first African-American to win an Academy Award.She became the first African-American to attend the Academy Award as a guest,not a servant. Musical direction is by Cryl Mockridge who along with Dudley Nichols are habituals in John Ford movies.A worst remake was realized by Ford's own in 1953¨The sun shines bright¨ with Charles Winninger with little success. Motion picture will like to cinema classics moviegoers