Uma herdeira mimada que foge de sua família é ajudada por um homem que na verdade é um repórter que precisa de uma história.Uma herdeira mimada que foge de sua família é ajudada por um homem que na verdade é um repórter que precisa de uma história.Uma herdeira mimada que foge de sua família é ajudada por um homem que na verdade é um repórter que precisa de uma história.
- Direção
- Roteiristas
- Estrelas
- Ganhou 5 Oscars
- 14 vitórias e 2 indicações no total
- The Bag Thief
- (não creditado)
- Woman at Auto Camp
- (não creditado)
- Gas Station Attendant
- (não creditado)
- Clark
- (não creditado)
- Wedding Party Guest
- (não creditado)
- Wedding Guest
- (não creditado)
- Bus Driver #1
- (não creditado)
- Henderson
- (não creditado)
- Boy Bus Passenger
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The first film to sweep the major categories in an Oscar ceremony, It Happened One Night spins the story of a young spoiled heiress (Colbert) who marries a shallow, yet dashing aviator. She is then swept off by her father who takes her on a cruise; convinced that time away from each other will cure her infatuation. Instead, she escapes by jumping out of the boat and swimming to shore where she begins her journey from Miami to New York, where her husband awaits. The film quickly turns into an `on the road' flick at this point when she meets up with Clark Gable, a down on his luck reporter who offers to help her for the exclusive rights to her story. Mayhem inevitably ensues as one thing after another goes wrong during their adventure.
I'm a little hesitant to completely agree with the general assessment that It Happened One Night is a screwball comedy. Of course, there were certain moments that were hilarious and overdone (the scene when Gable and Colbert pose as husband and wife to share a cabin for the night is absolutely rich) but the majority of the remaining film is clever romantic comedy with fairly even performances by the principles. Perhaps there is a sliding scale for screwball comedies, with It Happened One Night being a two and a film that I feel personifies the genre, Bringing up Baby, as a five.
Whatever its classification, It Happened One Night is a charming film that backs up its merit as a multiple Oscar winner. It is one of those films that may not be completely profound or deep, but is important nonetheless if anything, for its place in film history.
--Shelly
There were many points in It Happened One Night where the true state of the country was indicated. Homeless people hitching rides on trains seemed perfectly normal. Rather than regard them with apprehension and pity, you smile and wave at them. Another example is the hostile reaction proprietor Zeke's wife had to the fact that her husband had let Peter and Ellie stay the night with promises of being paid. Upon seeing Peter and Ellie's car missing, they rush to the cottage to see if Peter and Ellie are still there. They cannot afford freeloaders.
In another scene, a child's mother has passed out from hunger, because they have no money to buy food. Peter and Ellie have nearly depleted their funds, but decide that the mother and child need money more than they do and give some to them.
Despite these instances, the movie was altogether cheerful in its depiction of the world. In the throes of the stock market crash, this movie signaled the birth of the screwball comedy. At a time when the country needed release, they could find that release and laughter in movies like It Happened One Night. Audiences were amused by scenes in the film, such as the segment in which Peter teaches Ellie how to dunk a donut. Or, when forced to share a room, Peter puts a blanket between his and Ellie's beds and calls it the `wall of Jericho,' which is revisited when the walls of Jericho come tumbling down after Peter and Ellie's marriage. Probably the most famous scene in the film is the hitchhiking sequence, which features Peter standing by the roadside trying to thumb a ride unsuccessfully, finally giving up after more than a dozen cars speed by without paying any heed to his attempts. After he gives up, beaten, Ellie simply lifts her skirt above her knee. The first car that passes stops, as we see extreme close-ups of a foot slamming down on the brakes and a hand applying the hand brake.
A master in his profession, Capra left his mark on the films he directed. With an almost childlike cheerfulness, he maintains a sense of dignity and class. The viewer is left with a feeling of hope for humankind, even if its only that a person's ideals could be used to make such a film. Capra's films are still regarded as masterpieces. It Happened One Night arguably remains to this day unparalleled in screwball comedies. It was one of many movies made during the Depression, a sometimes sad and even lonely time in our history. It gave its audience a chance to escape and forget their troubles for a few moments in time.
9 out of 10 stars
It's a classic tale of the battle of sexes- something that is still so relevant today. We follow the story of spoiled heiress Ellie Andrews (Claudette Colbert), who jumps ship from her father's yacht (literally!) in Florida after an argument with said father (played by Walter Connolly) over her marrying wealthy playboy King Westley (Jameson Thomas) without her father's consent. Ellie is on a mission- to get to New York to King Westley. But how will she do it? That's how Peter Warne (played by a delightfully handsome Clark Gable) comes into the story. Recently fired from his newspaper job, Peter meets Ellie on the Night Bus to New York, and, realizing who she is (Her story is all over the news, after all!), offers to help her get to NY and Westley if she gives him an exclusive story- to win him back his job. And so the fun begins. Colbert and Gable have great chemistry as the mismatched couple thrown together after a series of unusual circumstances. The trip isn't a smooth one- and we are taken on a wild ride with Peter and Ellie, which gives us great scenes such as the doughnut-dunking lesson, Walls Of Jericho and the now-classic hitchhiking scene. The humour is still fresh and fast-paced over 70 years later. Oops, I almost forgot the classic 'no undershirt scene' where Gable sexily gives Colbert a lesson in how a man undresses, to reveal (shock horror!) no undershirt, but a bare chest! This had a bad effect on the sales of men's undershirts, which dropped dramatically after the film's release (One of the first examples of product placement in film). Great supporting characters, particularly the scene-stealing Oscar Shapeley (Roscoe Karns). Of course it has it's faults- all early talkies do. But any faults are outweighed by the great story. Technically, it was well-made for it's time.
IHON won 5 Oscars- Best Picture, Best Director (Frank Capra), Best Actress and Best Actor for Colbert and Gable and Best Adaptation. It deserved all of them. Funnily enough, both Colbert and Gable didn’t want any part in the film at first- I bet they changed their viewpoint after the surprise success and the prestigious Academy Awards they gained for it. It's been said that a number of Disney characters like Bugs Bunny, Yosemite Sam and Pepe LePew were inspired by characters in this film. A classic, a must-see, a great movie.
The cross-country trip on the bus and via other assorted methods is fun to watch, with several nice vignettes that complement the main story line. (The atmosphere on the long bus trip is done especially well.) The plot is of course not meant to be taken too seriously in itself, but it comes in very handy for setting up good characters and comedy.
It all comes across as effortlessly entertaining romantic comedy, with some classic scenes and characters you learn to care for in spite of their mistakes.
Capra also brilliantly gives us a glimpse of the 30's American society, especially focusing on gender and class status. The difference between the upper class rich people and the common ordinary man is shown by their use of language and their non-verbal behaviour. Yet, in a way the film is also ahead of its time. Ellie isn't just some clichéd damsel of the 30s. She is strong-minded, stubborn and smart (albeit slightly naive). She is one who fights for what she wants rather than giving in easily. Perhaps this is also one quality of hers that attracts Peter but at the same time their funny quarrels also indicate that there is a an equality in gender status (which was something women were struggling with in those days).
The characters are very well etched. Peter and Ellie were a lot of fun but I also liked how Alexander Andrews (played excellently by Walter Connolly) was written as the rich father who's got all the money but all he wants for his daughter is her happiness. Clark Gable and Claudette Colbert are great together as they match wits and display warm chemistry.
'It Happened One Night' has become an instant favourite, one that I definitely plan to revisit.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Você sabia?
- CuriosidadesClark Gable gave the Oscar he won for his performance in this movie to a child who admired it, telling him it was the winning of the statue that had mattered, not owning it. The child returned the Oscar to the Gable family after Clark's death.
- Erros de gravaçãoAfter King lands and taxis in the autogyro, apparently the sole occupant, a man is visible in the cockpit crouching down as King walks around and to the rear of the autogyro.
- Citações
Alexander Andrews: Oh, er, do you mind if I ask you a question, frankly? Do you love my daughter?
Peter Warne: Any guy that'd fall in love with your daughter ought to have his head examined.
Alexander Andrews: Now that's an evasion!
Peter Warne: She picked herself a perfect running mate - King Westley - the pill of the century! What she needs is a guy that'd take a sock at her once a day, whether it's coming to her or not. If you had half the brains you're supposed to have, you'd done it yourself, long ago.
Alexander Andrews: Do you love her?
Peter Warne: A normal human being couldn't live under the same roof with her without going nutty! She's my idea of nothing!
Alexander Andrews: I asked you a simple question! Do you love her?
Peter Warne: YES! But don't hold that against me, I'm a little screwy myself!
- ConexõesFeatured in Vinte Milhões de Namoradas (1934)
- Trilhas sonorasWho's Afraid of the Big Bad Wolf
(uncredited)
Written by Frank Churchill and Ann Ronell
Sung a cappella by Clark Gable
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sucedió una noche
- Locações de filme
- Busch Gardens - S. Grove Avenue, Pasadena, Califórnia, EUA(Andrews estate)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 325.000 (estimativa)
- Faturamento bruto mundial
- US$ 16.993
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Proporção
- 1.37 : 1






