Hip, Hipie, Hurrah

This one doesn't showcase W&W at their best (see "Diplomaniacs" or "Half Shot at Sunrise" for that). The verbal badinage is generally lame, and the sight gags and slapstick are mainly of the "seen 'em before" variety. This is rather unfortunate, since the flick definitely has a dynamite premise. The boys are street hucksters promoting flavored lipstick, but thanks to ever-vivacious Dorothy Lee, manage to link up with a high-class, publicity-seeking cosmetics emporium.

Despite the middling comedy antics, this is a must-see for pre-code aficionados. The opening number, a live radio studio broadcast featuring naked models in bathtubs (their naughty bits discreetly obscured by hair-do's and foreground objects) is pretty eye-popping, as are the minimal outfits sported by the hot-to-trot sales crew in a risqué scene wherein the boys test the product "in vivo". Thelma Todd and famed songstress Ruth Etting are on hand, and the tunes are catchy enough. If you liked "Roman Scandals" and "Murder at the Vanities", by all means check it out.

HIPS, HIPS, HOORAY! (RKO Radio, 1934), directed by Mark Sandrich, stars the comedy team of Bert Wheeler (the innocent boyish type banana eater) and Robert Woolsey (the one with the horn-rim glasses, cigar and all the wisecracking quips) in another one of their wildest romps. Often classified as their very best comedy, it's certainly their most fast-paced 68 minutes. Aside from puns, wisecracks and cartoonish style antics, there's also Dorothy Lee, the team's frequent co-star, making her return engagement as Wheeler's love interest for the first time since GIRL CRAZY (1932), to make their reunion complete. There's also a musical highlight performed by the third billed "mistress of melody," Ruth Etting, appearing only for a few minutes singing a bright tune set during a radio program.

The plot opens at the struggling enterprise of Maiden America Beauty Products Inc. where Daisy Maxwell (Dorothy Lee), one of its models and sales clerks, is trying to attract customers by demonstrating at the store window. She finds the attention is not on her but on a couple of peddlers across the street, Andy Williams (Bert Wheeler) and "Doc" Dudley (Robert Woolsey), demonstrating flavored lipsticks. Mistaking Daisy's wave as her way of being acquainted, Andy walks over to her and is told she's losing customers because of what they're doing. To help this "swell kid," Andy offers to help sell her products along with theirs, but with a couple of police officers nearby and to keep from getting arrested for soliciting without a license, Andy and Bob give away $24.50 worth of her items instead. Because the company is on the verge of bankruptcy due to Arnold Beauchamp (George Meeker), its crooked manager, siding with Madame Irene (Phyllis Barry), its competitor, Miss Frisby, Daisy's employer, stumbles upon the idea that because of Andy and Doc's "expert salesmanship," that they should merge with the boys, in spite the fact they Andy and Doc aren't what they appear to be. In order to make a good impression with the girls, Doc arranges for Mr. Clark (Spencer Charters), president of the Clark Investment Company, to leave his office at the Banker's Trust Building just long enough for the duel to use his office to discuss business matters with Daisy and Miss Frisby. When caught in the act of song and dance, they all make a hasty retreat, with Doc unwittingly taking Clark's bag of bank securities instead of his own bag of lipstick products. Before the promotional cross country auto race between competitors Maiden America and Madame Irene, situations occur as Andy and Doc find themselves being pursued by a couple of detectives, Epstein (James Burtis) and Sweeney (Matt Briggs), hired by Mr. Clark to locate his missing bank funds. As Andy and Doc discover their error and attempt to return the money, they find the bag has mysteriously disappeared, forcing the boys by doing the same thing.

In typical fashion in most Wheeler and Woolsey comedies, there's musical moments on two songs, mostly reprized throughout the story, with music and lyrics by Bert Kalmar and Harry Ruby. The motion picture soundtrack includes: "Keep Romance Alive" (sung by Ruth Etting); "Just Keep on Doing What You're Doing" (sung/performed by Wheeler, Woolsey, Dorothy Lee and Thelma Todd); "Just Keep on Doing What You're Doing" (reprise); "Keep Romance Alive" (chorus girls/production number); "Keep Romance Alive" (tap dance by Bert Wheeler/comic dance by Robert Woolsey); and "Just Keep on Doing What You're Doing" (closing). While the comedy antics of Wheeler and Woolsey are a mix of hit and miss, best moments occur in the pool room where the balls have minds of their own, along with silly but often amusing race car chase.

While the Wheeler and Woolsey comedies have lacked any sort of attention and cult following in later years of other comedy teams as Laurel and Hardy or Abbott and Costello due to lack of television broadcasts, HIPS! HIPS! HOORAY, and several of their other works, have achieved some rediscovery over the years when distributed to home video and cable television broadcasts on American Movie Classics (prior to 2001) and Turner Classic Movies. This particular one, however, with certain blackouts and brief scenes indicating edited material to tighten structure in plot, retains enough routine entertainment to have viewers "keep on doing what you're doing," by sitting back and enjoying this one. (***)

This Wheeler&Woolsey film finds the guys selling flavored lipsticks on the street corner to make a buck. People did that sort of stuff in the Depression. They get noticed, first by cops but then by Thelma Todd and one of her salesgirls Dorothy Lee. As usual Lee pairs with Bert while Thelma Todd does some of her best vamping with Bob.

George Meeker works for Todd, but is secretly working for a rival to sabotage her store. When the boys lift some valuable securities accidentally he finds them and sics the cops on them.

The finale is a kind of Grand Prix marathon and Bert and Bob are quite inventive in their methods of overcoming obstacles.

Ruth Etting makes a guest appearance with one song in the beginning, always a treat.

The race and a sequence where they play a on by stealing an office on the fly is similar to what was done in The Sting. Maybe George Roy Hill got the idea from seeing this.

Good fun from W&W.

The very beginning of this film made it obvious that it must have debuted in early 1934--before the newer and tougher Production Code was adopted. This code prohibited nudity, suggestive material, cursing and many other things that had been prevalent in films up until this point in time. And, when there is a scene featuring many naked women with their naughty bits strategically covered (something that never would have been allowed in late 1934), you might be a bit surprised.

As far as the film goes, it stars Wheeler & Woolsey--two of the very top film comedians of the day who are all but forgotten today. Most of it, I think, is because they tended to rely on corny jokes and the writing of their films was very, very inconsistent. I used to hate their movies but later noticed some of their films were very good--when the material was worthy (such as in "Caught Plastered"). Will this be one of their good vehicles or yet another lame one? In addition to the team, the film features three ladies. One is the very familiar Thelma Todd (though, oddly, with black hair)--who seemed to be EVERYWHERE in comedies during the early thirties--with appearances with Laurel & Hardy, Charley Chase and the Marx Brothers. Ruth Etting (whose life was later chronicled in "Love Me or Leave Me" with Doris Day) also was on hand--mostly to sing. And, not surprisingly, Dorothy Lee is also in the film--as she was in practically all the team's films playing Wheeler's love interest and to sing duets with him.

The boys are cosmetics salesmen--trying to hawk a variety of beauty products. When they accidentally switch bags with an industrialist (switching their cheap lipsticks for a bunch of valuable securities), things heat up a bit! Later, while being chased by detectives, the two end up getting in the middle of an auto race--a very contrived moment to say the least. The rear projection used to make it look like they were driving isn't 100% horrible but why have these cosmetics salesmen involved in a cross-country race?! And what happens to them next just just about defies description and it almost looks like they were making their own version of "The Wizard of Oz"! I've gotta say that this portion of the film is the weirdest and craziest I've ever seen in a Wheeler & Woolsey movie! It's kind of funny, but certainly NOT cerebral--sort of like stuff you might see the Three Stooges doing.

Overall, this is a slightly better than average film for the team--though, this really isn't saying much!! It's reasonably entertaining for anyone who can stand listening to Woolsey's lame quips--and they are pretty lame.

Good---pool scene Bad---too much singing

Two zany scam artists find it's all HIPS, HIPS, HOORAY! when they meet the curvaceous owner of Maiden America Beauty Products and her lovely female employees.

Wheeler & Woolsey (Bert Wheeler is the short guy with curly hair; Robert Woolsey is the bespectacled fellow with the cigar) star in this often hilarious film. The Boys were a perfect comedy duo and their movies are always great fun to watch (here they try to promote flavored lipsticks and get involved in a cross-country auto race, while keeping one jump ahead of the law ). It is indeed a pity that these very talented comics are all but forgotten now.

Cute little Dorothy Lee returns as Wheeler's perennial love interest. The beautiful & tragic Thelma Todd, a very gifted comedienne in her own right, puts the spark in Woolsey's eye.

Movie mavens will spot an unbilled Bobby Watson, who gets one funny line as a Dance Director.

Director Mark Sandrich keeps the plot moving at a frantic pace throughout. Some of the sights & situations push the borders of good taste in this pre-Production Code movie.

The Boys, Miss Lee & Hot Toddy do a wild burlesque of Diaghilev during their performance of `Just Keep On Doing What You're Doing'. Singer Ruth Etting drops by long enough to trill `Keep Romance Alive' at a radio broadcast featuring ungarmented bathing models.

And, yes, those really are frogs climbing out of the race car's radiator...