Hip, Hipie, Hurrah

Traveling hucksters Bert Wheeler and Robert Woolsey sell Dr. Dudley's Flavored Lipsticks from the back of their truck. Thelma Todd and Dorothy Lee also sell lipstick, with the rather more respectable firm of Maiden America Beauty Products.

Through what may be called a misunderstanding, the two businesses merge. A bag of lipstick samples is accidentally switched with a banker's bag of treasury bonds. A couple of detectives set out after Wheeler and Woolsey, who flee and eventually find themselves driving a fast car in a cross country auto race. It never really make sense but the wild climactic car chase is fun.

Wheeler and Woolsey are their usual comic selves - Wheeler more mild-mannered and romantic, Woolsey the cigar smoking blowhard. Their frequent costar Dorothy Lee is fine as the girl who finds goofy Wheeler irresistible. Thelma Todd mostly plays it straight as manager of the lipstick firm - unfortunately her role offers little opportunity for Thelma to show her comic skills.

Fast moving and very silly but the hectic pace does not always equal hilarity.

Ditsy Daisy Maxwell (Dorothy Lee) is warned to sell more lipsticks. She spends her time in her nightie demonstrating lipstick inside the store's window display. It's a hit only for the men. It doesn't help that hustlers, Andy Williams (Bert Wheeler) and Dr. Robert Dudley (Robert Woolsey), are across the street pulling all the attention. Andy falls for Daisy and Daisy falls for the boys' lies. She tells beauty supply owner Miss Frisby (Thelma Todd) who then hires the boys to promote a new flavored lipstick.

This opens with a Ruth Etting song. It is pre-Code by a few months. The girls have some revealing costumes and there are some suggestive humor. Wheeler and Woolsey have faded from cinematic memory. They are a matter of personal taste. They have an old vaudevillian flair which can wear thin quickly. I do find it mildly humorous in a knowing way. This is comedy in an archaeological sense of the word.

This Wheeler&Woolsey film finds the guys selling flavored lipsticks on the street corner to make a buck. People did that sort of stuff in the Depression. They get noticed, first by cops but then by Thelma Todd and one of her salesgirls Dorothy Lee. As usual Lee pairs with Bert while Thelma Todd does some of her best vamping with Bob.

George Meeker works for Todd, but is secretly working for a rival to sabotage her store. When the boys lift some valuable securities accidentally he finds them and sics the cops on them.

The finale is a kind of Grand Prix marathon and Bert and Bob are quite inventive in their methods of overcoming obstacles.

Ruth Etting makes a guest appearance with one song in the beginning, always a treat.

The race and a sequence where they play a on by stealing an office on the fly is similar to what was done in The Sting. Maybe George Roy Hill got the idea from seeing this.

Good fun from W&W.

As an art deco dream, this risqué pre code silliness is an RKO deluxe farce with their in house duo W&W. It all depends on your taste for their shyster/naive antics and you might find their style grating if unaware what to expect. If you know W&W then settle in for the usual gay romp except this time the RKO art direction and set design is a major star as well...esp in the first half. As a story line, well there almost isn't one apart from them trying to get laid and sell flavored lipsticks in a skyscraper. The second half is a ridiculous car chase with cartoon style stunts and yelling. The film opens with a delicious beauty plea by Ruth Etting as the RKO showgirls lounge nude in bubble baths with strategically placed perfume bottles. One later scene is a demolition derby to music of someone's gorgeous deco office... and yet another taste test lip locking surprise features some really rude gags. The costumes on the showgirls out rival the S&M look of LULLABY OF Broadway a year later. Made a year before the censorship code of 1934, HIPS HIPS HOORAY is about as rude and funny as it could be for the time... but today the real star of the film is the RKO set and design department.

HIPS, HIPS, HOORAY! (RKO Radio, 1934), directed by Mark Sandrich, stars the comedy team of Bert Wheeler (the innocent boyish type banana eater) and Robert Woolsey (the one with the horn-rim glasses, cigar and all the wisecracking quips) in another one of their wildest romps. Often classified as their very best comedy, it's certainly their most fast-paced 68 minutes. Aside from puns, wisecracks and cartoonish style antics, there's also Dorothy Lee, the team's frequent co-star, making her return engagement as Wheeler's love interest for the first time since GIRL CRAZY (1932), to make their reunion complete. There's also a musical highlight performed by the third billed "mistress of melody," Ruth Etting, appearing only for a few minutes singing a bright tune set during a radio program.

The plot opens at the struggling enterprise of Maiden America Beauty Products Inc. where Daisy Maxwell (Dorothy Lee), one of its models and sales clerks, is trying to attract customers by demonstrating at the store window. She finds the attention is not on her but on a couple of peddlers across the street, Andy Williams (Bert Wheeler) and "Doc" Dudley (Robert Woolsey), demonstrating flavored lipsticks. Mistaking Daisy's wave as her way of being acquainted, Andy walks over to her and is told she's losing customers because of what they're doing. To help this "swell kid," Andy offers to help sell her products along with theirs, but with a couple of police officers nearby and to keep from getting arrested for soliciting without a license, Andy and Bob give away $24.50 worth of her items instead. Because the company is on the verge of bankruptcy due to Arnold Beauchamp (George Meeker), its crooked manager, siding with Madame Irene (Phyllis Barry), its competitor, Miss Frisby, Daisy's employer, stumbles upon the idea that because of Andy and Doc's "expert salesmanship," that they should merge with the boys, in spite the fact they Andy and Doc aren't what they appear to be. In order to make a good impression with the girls, Doc arranges for Mr. Clark (Spencer Charters), president of the Clark Investment Company, to leave his office at the Banker's Trust Building just long enough for the duel to use his office to discuss business matters with Daisy and Miss Frisby. When caught in the act of song and dance, they all make a hasty retreat, with Doc unwittingly taking Clark's bag of bank securities instead of his own bag of lipstick products. Before the promotional cross country auto race between competitors Maiden America and Madame Irene, situations occur as Andy and Doc find themselves being pursued by a couple of detectives, Epstein (James Burtis) and Sweeney (Matt Briggs), hired by Mr. Clark to locate his missing bank funds. As Andy and Doc discover their error and attempt to return the money, they find the bag has mysteriously disappeared, forcing the boys by doing the same thing.

In typical fashion in most Wheeler and Woolsey comedies, there's musical moments on two songs, mostly reprized throughout the story, with music and lyrics by Bert Kalmar and Harry Ruby. The motion picture soundtrack includes: "Keep Romance Alive" (sung by Ruth Etting); "Just Keep on Doing What You're Doing" (sung/performed by Wheeler, Woolsey, Dorothy Lee and Thelma Todd); "Just Keep on Doing What You're Doing" (reprise); "Keep Romance Alive" (chorus girls/production number); "Keep Romance Alive" (tap dance by Bert Wheeler/comic dance by Robert Woolsey); and "Just Keep on Doing What You're Doing" (closing). While the comedy antics of Wheeler and Woolsey are a mix of hit and miss, best moments occur in the pool room where the balls have minds of their own, along with silly but often amusing race car chase.

While the Wheeler and Woolsey comedies have lacked any sort of attention and cult following in later years of other comedy teams as Laurel and Hardy or Abbott and Costello due to lack of television broadcasts, HIPS! HIPS! HOORAY, and several of their other works, have achieved some rediscovery over the years when distributed to home video and cable television broadcasts on American Movie Classics (prior to 2001) and Turner Classic Movies. This particular one, however, with certain blackouts and brief scenes indicating edited material to tighten structure in plot, retains enough routine entertainment to have viewers "keep on doing what you're doing," by sitting back and enjoying this one. (***)