A Deusa da Primavera

I can't believe I didn't see "The Goddess of Spring" before now. It is truly wonderful and unique, and I would definitely would have liked it as a kid, as I adore animation and classical music. The animation here is stunning, the upper world is so tranquil and like a paradise. Even better are the hell sequences, with dark background contrasts and a somewhat creepy atmosphere. The music is absolutely outstanding, the lyricality of the classical music of the upper world, and the sinister, perhaps even distorted Cab Calloway-inspired jazz music of hell. Then the characters, the secondary characters are sweet and endearing, not with unique personalities like the Seven Dwarfs in "Snow White" but sweet enough. Persephone is so gorgeous and pure, and Hades? In a good way he is truly diabolical, with towering presence, sinister appearance and a resonant Wagnerian-like bass voice. Overall, I loved this Silly Symphony. 10/10 Bethany Cox

As the Snow White Platinum DVD notes, The Goddess of Spring served mostly as practice for the Disney animators on how to properly animate humans for Snow White & the Seven Dwarfs. Not only did they improve on animating humans, I thought they also greatly improved on drawing backgrounds, animals, and the dwarf-like creatures that appeared in The Goddess of Spring. While The Goddess of Spring is an animated short with a much smaller budget, the difference between the dwarfs in this cartoon and Snow White are as different as night and day. The dwarfs in Goddess of Spring were all drawn the same with no unique personalities, whereas Snow White's dwarfs are all unique in both appearance and personality.

I've also read that people were impressed with how well the hell sequences were drawn in Goddess of Spring. I have to admit that I wasn't really impressed when I saw it. I thought the sequences were too bland and a little too bright for a depiction of hell. I was actually more impressed with the hell sequences drawn in 1929's Hell's Bells, one of the first, rare Silly Symphonies drawn by Ub Iwerks.

However, I will say that I did somewhat enjoy the story of Goddess of Spring, which uses mythology to explain why we don't have everlasting spring. The opera style was kind of corny though. I just didn't get the sense that Disney animators concentrated too much on this short, but rather just as practice for Snow White. Nevertheless, I guess Goddess of Spring fulfilled its mission, because Snow White is one of the greatest, most landmark films in the history of cinema.

My IMDb Rating: 5/10

There may be no better example of emergence of cinematic genius than to watch this and then see "Snow White."

This is a study in human modelling, in the context of dwarfs and nature. Its after the style of the Betty Boop work that controlled expectations on the animated screen with a little bit more grace. But it still features thin figures with cartoon movements rather than human ones. It was done as a test for Snow White.

Almost nothing here was used in that later project and its a good thing. There is nothing attractive about it at all.

But I can still see a serious attempt at finding that vocabulary of movements that seems human but isn't, looks natural and warm but is abstract and seems to capture a version of womanhood without referencing sex. Its only hinted here and perfected in a way later. I'm not at all sure if we can know whether in Snow White Walt and company touched something we knew, or whether he created something that we grew into with our ideals and imagination. I believe it is the latter, which makes this experiment more interesting.

Suppose he would have stuck with what he had here. Would we have grown around it and adapted a wholly different vision of innocent perfection?

Ted's Evaluation -- 2 of 3: Has some interesting elements.

PiThis is obviously the story of Hades and Persephone. As the beauty of summer gives way to winter, she is forced to live underground in a sort of hell. There's more to the story, but suffice it to say that this was an explanation for the change of seasons. Spring is a beautiful young woman and Hades is the stereotypical devil (not really the Greek entity). His operatic voice is stunning and his pleasing must be fore eternity. She is always going tor return.

Iprobably only saw this cartoon ONCE and I was probably under FIVE years old. Talk about making an impression, that would have been forty something years ago and I still remember a lot of it - Persephone picking flowers, Hades coming our oft ground on something like a spinning turn table, little devils dancing around singing "Hidey Hades" (maybe actually Mighty Hades?) , Persephony in tears pointing upwards, and Hades retuning her to the upper world on that turntable thing. It was a segment at the end of the Mickey Mouse Club TV show, they would open a drawer and pull out the title of that day's cartoon. I saw it once and though I wanted to see it again, I never did.

Years later I read Edith Hamilton's Mythology - one of my all time favorite books - and there was the story of Hades and Persephone!

I sure wish this would come out on DVD or something.

Disney would make a fortune with a vintage Disney Channel - run to old Mickey Mouse Series, the Silly Symphony cartoons, those fantastic serials like Spin and Marty, Boys of the Western Sea. I have to confess I have not seen the new cable but I would bet it is junk.

And Anettw Funichello can out Mousketeer Brittany Spears any day!!!!