Modas de 1934

"Fashions of 1934" is an amusing light comedy starring William Powell and Bette Davis.

Davis looks much more sophisticated than she did in "The Man Who Played God." She's very glamorous and also very good in a film that's mainly fueled by Powell's performance as a con man.

The Powell character goes from con to con, sometimes a con within a con - he can't resist. One of his schemes is to copy fashion sketches from Paris and pass them off as originals.

Another is to sell a surplus of ostrich plumes by featuring them in a musical revue. This gives rise to a great musical number, "Spin a Little Web of Dreams." It's a Busby Berkeley kaleidoscope production. The audience at the musical revue, however, didn't see it as moviegoers did - from above.

This is a fun movie and notable for the actual fashions shown, a good performance by Powell, a spectacular number, and early Davis before she established her screen persona.

Don't let the title fool you. Fashions or Fashions of 1934 is just inocently fun to watch. Considering that it was made in the middle of the depression, it gave American's what they were looking for--humor, a love story and a considerable amount of extremely sexy costumes (pre-censor). As always, William Powell is at his best and Bette Davis, is well, Bette Davis--younger and more innocent but absolutely stunningly beautiful. Powell's performance is always enhanced by supporting actors--in this case Frank McHugh who has played his comedic side kick in several other movies. The direction is excellent--good continuity tells an simple but excellent story. Fun to watch--in 1934 or today.

The plot of this film wanders all over the place, from various schemes of a con man in the fashion world (William Powell) to a few melodramatic romantic interests. The highlight worth waiting for is the ostrich feather musical number choreographed by Busby Berkeley, as well as a smaller number showing fashion designs inspired from historical figures. Until then, Powell is reasonably engaging in pursuing a young woman he's hired to sketch fashions (Bette Davis) as well as an old lover masquerading as an aristocrat in Paris (Verree Teasdale). To the latter, he says he never forgets her "personality" after swatting her behind, which reminded me of the playful euphemism in the 1946 song of the same name by Johnny Mercer. Davis is pretty and very chic, though she's unfortunately underused. It's great to see the fashion elements which appear throughout the film, but the rest of the cast and their various subplots don't add much. Frank McHugh plays a guy who laughs in a silly way in response to anything, including seeing the "filthy" postcards a bookseller is trying to push, and Hugh Herbert is sedate as an ostrich feather supplier who drinks too much. Of course, right? The film was released early enough in 1934 to beat the enforcement of the Production Code, and as a result there are lots of revealing outfits on display, including ostrich feather bikinis which predate the modern bikini by over a decade. Worth watching for the stars, fashion designs, and the musical numbers, but don't expect much more.

A previous reviewer called this film "dated". I'm always rather amused by such a comment. Of course it's dated--the film was made in 1933! That's precisely what makes it so charming. It's a slice of Americana, circa 1933, that you are unlikely to find in any other way. The music, the fashions, the decor, even Busby Berkely's over-the-top, wonderful production number all add up to a fantastic glimpse of our past. The art deco sets alone are worth the price of admission (which on TCM is free!). Throw in some marvelously talented actors who may not have been doing their best work--but they were entertaining just the same--and you have a simply marvelous little piece of cinematic magic. And that tune--"Spin a Little Web of Dreams"--I can't get it out of my head!

It's a caper in the fashion industry. The awesome, charming William Powell, as the forger and faker who moves from one scheme to another, and one country to another. Bette Davis is Lynn, his sidekick. Davis was just getting going in show biz, and would quickly move into some bigger roles. The hilarious Frank McHugh and Hugh Herbert are both along for comedic laughs. and of course... Busby Berkeley directing some huge, gigantic song and dance routine involving TONS of dancers ( as usual). there's a love (triangle) story in amonst the goings on in the fashion world. Which gir will end up with which guy? and which guy will end up with which business? shenanigans that wouldn't be allowed for much longer, under that dreaded stronger film code that would be installed pretty soon after this. it's pretty good. Director Dieterle has an interesting story on wikipedia.