AVALIAÇÃO DA IMDb
6,6/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris cou... Ler tudoWhen the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Loretta Andrews
- Chorus Girl
- (não creditado)
Avaliações em destaque
Don't let the title fool you. Fashions or Fashions of 1934 is just inocently fun to watch. Considering that it was made in the middle of the depression, it gave American's what they were looking for--humor, a love story and a considerable amount of extremely sexy costumes (pre-censor). As always, William Powell is at his best and Bette Davis, is well, Bette Davis--younger and more innocent but absolutely stunningly beautiful. Powell's performance is always enhanced by supporting actors--in this case Frank McHugh who has played his comedic side kick in several other movies. The direction is excellent--good continuity tells an simple but excellent story. Fun to watch--in 1934 or today.
A previous reviewer called this film "dated". I'm always rather amused by such a comment. Of course it's dated--the film was made in 1933! That's precisely what makes it so charming. It's a slice of Americana, circa 1933, that you are unlikely to find in any other way. The music, the fashions, the decor, even Busby Berkely's over-the-top, wonderful production number all add up to a fantastic glimpse of our past. The art deco sets alone are worth the price of admission (which on TCM is free!). Throw in some marvelously talented actors who may not have been doing their best work--but they were entertaining just the same--and you have a simply marvelous little piece of cinematic magic. And that tune--"Spin a Little Web of Dreams"--I can't get it out of my head!
It's a caper in the fashion industry. The awesome, charming William Powell, as the forger and faker who moves from one scheme to another, and one country to another. Bette Davis is Lynn, his sidekick. Davis was just getting going in show biz, and would quickly move into some bigger roles. The hilarious Frank McHugh and Hugh Herbert are both along for comedic laughs. and of course... Busby Berkeley directing some huge, gigantic song and dance routine involving TONS of dancers ( as usual). there's a love (triangle) story in amonst the goings on in the fashion world. Which gir will end up with which guy? and which guy will end up with which business? shenanigans that wouldn't be allowed for much longer, under that dreaded stronger film code that would be installed pretty soon after this. it's pretty good. Director Dieterle has an interesting story on wikipedia.
Old time Hollywood doesn't come much slicker than this- a fast talking Powell, a fast moving screenplay, lots of scantily clad girls, and plenty of snappy dialogue. All add up to a WB topper, and catch that Busby Berkeley choreographed show stopper. Have ostrich plumes ever been used to greater dance effect than with Berkeley's artistic eye. Then too, guys, the chorines are about as near-nude as even pre-Code would allow. And that's along with parades of statuesque ladies modeling the year's high fashions. It's also Bette Davis as a near ingenue in her pre-feisty phase. Still, I could have done without two gag men (McHugh & Herbert) furnishing what amounts to unnecessary comedy relief, the snappy dialogue already supplying as much as needed.
Overall, Powell dominates the speedy proceedings showing his rare talent for charm and presence. Then too, the plot's an engaging one as Powell moves effortlessly from one slick fashion scam to the next. But you may need a scorecard to keep up. Also, check out IMDB's trivia for interesting production facts, like what Davis objected to in her part.
All in all, it's pre-Code Hollywood at its most liberated and engaging, so don't pass it up. Plus, the colorful results are a can't-miss for fans of Powell like me.
Overall, Powell dominates the speedy proceedings showing his rare talent for charm and presence. Then too, the plot's an engaging one as Powell moves effortlessly from one slick fashion scam to the next. But you may need a scorecard to keep up. Also, check out IMDB's trivia for interesting production facts, like what Davis objected to in her part.
All in all, it's pre-Code Hollywood at its most liberated and engaging, so don't pass it up. Plus, the colorful results are a can't-miss for fans of Powell like me.
A user before called it dated, a user after that said of course it's dated it's from 1933. I am always amused by those comments.
I think some people don't understand what 'dated' means. Dated means it's tired, old, boring and has no teeth. Which is exactly the OPPOSITE from this kind of film!
It's PRE CODE : the dancing is provocative, the gals are prostitutes and guys are gangsters + the music numbers are fresh young loud and simply alive! So what on earth are you talking about people??
This movie is glamour and sleaze and that's what you want from a 30s!
You want to watch something dated? Try a Von Sternberg/Dietrich film.
This a great one.
I think some people don't understand what 'dated' means. Dated means it's tired, old, boring and has no teeth. Which is exactly the OPPOSITE from this kind of film!
It's PRE CODE : the dancing is provocative, the gals are prostitutes and guys are gangsters + the music numbers are fresh young loud and simply alive! So what on earth are you talking about people??
This movie is glamour and sleaze and that's what you want from a 30s!
You want to watch something dated? Try a Von Sternberg/Dietrich film.
This a great one.
Você sabia?
- CuriosidadesTwo things are notable: the only time the studio glamorized Bette Davis (she hated it) and a stupendous Busby Berkeley number where women's belly-buttons are prominently featured (under the code they would disappear for almost 25 years).
- Erros de gravaçãoAfter the trio leaves the Bouquinistes (book sellers) along the Seine, the matte background previously showing Notre Dame Cathedral is no longer there.
- ConexõesEdited into Busby Berkeley and the Gold Diggers (1969)
- Trilhas sonorasSpin a Little Web of Dreams
(1934) (uncredited)
Music by Sammy Fain
Lyrics by Irving Kahal
("Broken Melody" is part of this song)
Played during the opening credits, at the end and often in the score
Sung by Verree Teasdale and chorus in the Paris revue
Sung and danced by chorus girls during the large production number
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- How long is Fashions of 1934?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Modas de 34
- Locações de filme
- Paris, França(establishing shots - archive footage)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 317.000 (estimativa)
- Tempo de duração1 hora 18 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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