Chantagem

William Powell and Myrna Loy made fourteen films together; "Evelyn Prentice" was their third, released in 1934.

Powell plays John Prentice, a busy attorney who isn't spending enough time with his wife Evelyn (Loy) and child; he drifts into an affair with a needy client (Rosalind Russell) whom he has successfully defended in a manslaughter case.

Evelyn is being wooed by a so-called poet (Harvey Stephens) who in truth has blackmail in mind. When he presents Evelyn with incriminating letters (though she hasn't had an affair with him, the letters are suggestive), a struggle ensues, and he winds up dead. His girlfriend (Isabel Jewell) is accused.

The acting helps what has now become a familiar story. Myrna Loy is absolutely gorgeous and sympathetic as a lonely wife resisting the attentions of another man; and you know that Powell, despite his philandering, cares for her deeply. Una Merkel is delightful as Evelyn's friend.

Powell and Loy worked so easily together and by all accounts enjoyed their collaborations, keeping up their friendship even after Powell retired. They're always a joy to watch.

This is an absorbing, intelligent picture, bolstered by sensitive performances and adept handling of an adult story. Its fundamentals may be overly familiar, and perhaps a bit too much plot gets in the way of believable, touching characterizations. But you will care about the main characters, whose weaknesses and oversights lead them to the brink of ruin - even if (in a questionable decision by the film makers) they are given the trappings of art deco luxuries, instead of being brought closer to a lifestyle familiar to the audience.

Powell and Loy, alone and together, are fine, as always. Credit Isabel Jewell with a low-key, yet emotionally-charged performance. Jessie Ralph is excellent is one extended scene in which she babbles and equivocates as the tension builds to a quiet frenzy. Una Merkel softens her familiar screen mannerisms to play the character, rather than vice versa.

Not a well-known film, "Evelyn Prentice" is most definitely worth your while.

Decent drama from MGM and director William K. Howard that marked the third teaming of Myrna Loy and William Powell. Powell is John Prentice, a successful workaholic defense attorney who provides well for his wife Evelyn (Loy) and young daughter Dorothy (Cora Sue Collins), but he's never home to share it with them. When Evelyn thinks that John is having an affair, she flirts with having one of her own with charming cad Lawrence (Harvey Stephens). This leads to even more trouble and heartache. Also featuring Una Merkel as Loy's best friend and Rosalind Russell in her film debut.

Loy is very good in this as the emotionally conflicted Evelyn who gets in over her head. Powell underplays the big finale courtroom scenes well. Russell is okay as a client of Powell's who's a little too grateful for his services. Her role could have been expanded, though. The presence of Merkel is always a plus in my book. Of the 3 films with Loy/Powell in 1934, the others being Manhattan Melodrama and The Thin Man, this is the least impressive, but it's still worth a look.

Evelyn Prentice (Myrna Loy) is the neglected wife of a prominent lawyer (William Powell) who briefly takes up with his beautiful client (Rosalind Russell). When Evelyn finds out, she does her own dallying with a conniving poet and playwright (Harvey Stephens) who has a jealous girlfriend (Isabel Jewell). Evelyn's ditsy friend and house guest (Una Merkel) acts as confidant when the dalliance turns disastrous and Evelyn finds herself involved in blackmail and murder. Now, her marriage and the future happiness of her little daughter (Cora Sue Collins) are in jeopardy.

This courtroom mystery could have stood fewer melodramatic contrivances, especially toward the end, but the dialogue and characterizations are strong. Far stronger, however, are the remarkable performances from everyone involved. Myrna Loy's quiet desperation is utterly convincing. Powell, good throughout, is especially deft after discovering a stunning secret during the climactic courtroom trial: without a trace of ham, he genuinely looks as if he is about to keel over from shock, as he is forced to go on. Isabel Jewell, eschewing all phony theatrics, is remarkably good during her testimony at the end. Cora Sue is charming as the little girl. These performances distract us from the occasional creaks and groans in the plot and make the movie worth seeing.

This is a mystery film that, although not quite of the calabre of The Thin Man, builds suspense and intrigue thoroughly. Both William Powell and Myrna Loy are superb, playing characters completely different from those they play in The Thin Man series. They breathe a new life into a common plot. This film may seem slow, but it is certainly worth it.