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Maybe it's the presence of befuddled Edward Everett Horton, maybe it's the art deco sets, maybe it's rich people being silly but this sweet little motion picture feels very much like one of those lovely daft movies Fred and Ginger would make in a few years' time....but without the singing and dancing.

As an hour of lightweight vintage fun this is perfect! There's absolutely nothing special or memorable about it, there's no deep meaning, in fact you'll probably forget that you've seen it in a couple of days - however if you like that TOP HAT style of sophisticated but ultimately silly humour, you will find this genuinely funny.

Although it looks like an RKO film, it's a Warner Brothers film and if you are familiar with early 30s WB movies you will recognize everyone who pops up here. Genevieve Tobin doesn't often get to play the lead but here she does and she's actually fantastic. I might be a little biased because in this film she looks remarkably like Joan Blondell (who of course was the sexiest woman who ever walked upon the face of the Earth) but posher. There's even that same bath scene from BLONDE CRAZY with Genevieve Tobin being equally as funny and equally as hot!

Warner's films from this era were infamous for being penny-pinching. They were short and not one single millimetre of film could be wasted. There was no time for building up a scene, no time for background, every frame had to be accounted for. This one takes that philosophy to the absolute limit and yet it somehow manages to look really classy. What makes this unlike other WB comedy romances from about the same time such as GOODBYE AGAIN or SMARTY (apart from them starring Joan Blondell, the living goddess herself) is that this doesn't waste a fraction of a second on anything that's not progressing the story. Unlike those other movies, there's no sub-plots, no hint of The Depression, there's no mildly thought-provoking issues; in fact, there's no time to actually think. It's all done in an hour and it works. Guy Kibbee for example looks like he ran over from another set to read his lines and then ran back again but somehow it doesn't feel rushed, just fun.

Just switch your mind off, sit in from of the screen and smile to yourself for an hour.

Genevieve Tobin is happily married to Adolph Menjou, but is happily carrying on an affair with Edward Everett Horton, who is married to Mary Astor, who enjoys Menjou as her other man. When the menage's daughter, Patricia Ellis, falls in love, everyone is very suspicious.

This was released in January of 1934, so it's still pre-code, but it's all so arch and precious that there's no reason to take any of the underpinnings of the situation seriously. This hurts the arch comedy, and were it not for the topnotch cast, it would be very dull indeed. Fortunately, the cast is that good.

This is a must see....if just for the huge stars at their glamorous best. Edward horton must have made a deal with the devil... he doesn't look anywhere near 48. Cutie mary astor at 28, years before maltese falcon. Dashing adolphe menjou, looking younger than 44. Gen Tobin, looking younger than 34. Hugh herbert is in here for comedy. And the steamy plot. Some great filthy double entendres about 14 minutes in, when wifey is on the phone. If this was released in january 1934, they must have been filming in 1933, just as the film production code was being phased in. But they seem to have snuck this past the censors, or the rules weren't being enforced yet. We watch three couples deal with marriage in various levels of happiness. It's mostly light and fluffy, even with the serious subject of cheating on one's spouse. Moves rapidamente. A warner brothers shortie, at 61 minutes. No wasted lines. Directed by bill keighley. Based on the play by thompson buchanan. Had a bunch of plays made into film. Fun. The picture and sound are exceptionally high quality... it must have been a good restoration!

This is a gem of a comedy--very much like a Lubitsch bedroom farce, only with a brisker running time, a lower budget, and some of that early '30s Warners snappiness added in.

Menjou is a great farceur, playing the husband who cheats but is aghast that his wife would consider doing the same. Horton is--well, Horton: the unique dithery fussbudget he always played. Mary Astor shows her gift for comedy here (almost a decade before "The Palm Beach Story") and Genevieve Tobin is a delight. So, too, is young Patricia Ellis--only 18 at the time of the filming but showing great poise. Robert Grieg, also a favorite of Preston Sturges' and known to Marx Brothers fans for his prominent role in "Animal Crackers," steals many a scene as the all-knowing butler. But the film is *really* stolen by Guy Kibbee as the justice of the peace, who only shows up in the last ten minutes but essentially walks off with the whole movie.

Thank goodness for Turner Classic Movies, and for its programmers who run obscure films like this which are so delightful. This film may be from 1934, but it hasn't dated a bit; its wry look at the craziness of love is still relevant.

Oh, the glories of a pre-Hays Code sex comedy. In this hilarious take on infidelity, Genevieve Tobin and Adolphe Menjou have an unusual marriage. Adolphe is having an affair with Genevieve's best friend, Mary Astor, and Genevieve is relentlessly pursued by Adolphe's best friend, Edward Everett Horton. Their teenaged daughter, Patricia Ellis, is under the impression her parents have the perfect marriage, and when the lid gets lifted off, she's shocked.

With fantastic comic timing from the actors, and beautiful costumes worn by the leading ladies, it's a wonder why Easy to Love isn't one of the most famous comedies to come out of the early '30s. Genevieve reminded me of a combination between Joan Blondell and Ruth Chatterton, and since she spent equal time dressed as undressed, it's a wonder why she didn't rocket to stardom-especially after her nude bathtub scene that flustered both her on-screen husband and I'm sure off-screen audiences.

Check this comic romp out if you like similar movies, like Design for Living and The Palm Beach Story. It's very entertaining, and Mary Astor is absolutely adorable, prancing around in halter tops and cold-shoulder dresses decades before they were popular.