Black Moon

This is a tense and exciting little film. I was surprised how quickly and effectively the movie manages to ratchet up the tension without wasting time on endless setup, giving us just enough to know the characters and get involved with the situation. There is a very effective and ominous tone struck with the opening frames and nicely developed as the cast heads to an island that is cut off from help. Good performances and cinematography help greatly; for once we have a juvenile who is not annoying and smart leads in Fay Wray and Jack Holt. Dorothy Burgess does a good job with a complicated part. This plays like a forerunner to Val Lewton's classic I Walked with a Zombie, though there are no zombies present here. Worth catching the beautiful print on TCM.

At a time (1934) when horror films filled the screen with Universal's neck-biters and plodding giants, there's this little voodoo obscurity from Columbia studios. It's a genuine oddity, more closely related to the great Val Lewton atmospheric series of the 40's than the genres of the 30's. Seems an upper-class lady (Burgess) returns to Haiti following a voodoo curse placed upon her as a child. Going with her are her husband (Holt), nanny (Wray), and daughter (Collins). The island is a dark place and soon the lady begins acting strangely. Is it the bygone curse or some other malign influence.

I'm not surprised that Lewton's I Walked With A Zombie (1943) references this film in its screenplay (IMDB). There are many parallels, especially in mood and setting. Moon, however, lacks the coherence and general impact of the later film. Nonetheless, there are many unsettling moments—the first voodoo ceremony where Burgess twists and leaps to the accompaniment of a resounding drum beat. In fact, the crowd scenes featuring natives in synchrony to the incessant beat are especially effective. However, the story itself never really gels into a riveting whole. Perhaps that's because the focus shifts too often, splitting the story into threads that tend to scatter the suspense.

Still, the movie's definitely worth catching up with, and may even surprise viewers considering its general obscurity.

Until only a few months ago, I had never even heard of this one – despite the involvement of director Roy William Neill (THE BLACK ROOM [1935]) and the era's foremost "Scream Queen" Fay Wray! Interestingly, it supplies the logical bridge between the distinctive Gothic and psychological backdrops of the two most notable early voodoo-related films – namely WHITE ZOMBIE (1932) and I WALKED WITH A ZOMBIE (1943). The atmosphere here is similarly thick, without the need to resort to an actual prowling or possessed creature: indeed, having the lady concerned – very well played by Dorothy Burgess – actively believe in the power of voodoo (that is, until she sees the error of her ways on being asked to perform the ultimate sacrifice!), provides the biggest chill in this case! Incidentally, the two central female characters (with Wray being, naturally, the wide-eyed heroine) not only create the requisite contrast but make up for the rather uninteresting male lead – burly Jack Holt! Perhaps not a classic of the genre, then, but a perfect example of "a film that has fallen through the cracks"; in fact, the copy I acquired is a hazy VHS-sourced recording of an old TCM screening.

In my unhealthy quest to see every available Fay Wray film, I picked up a copy of this off of Ebay, and I was very happy I did.

The Good: The film has a very dark mood to it, very much like the later film, "I Walked with a Zombie". Settings and locations are similar, and there are scenes and sets that look a lot like that later film. The overall feeling of doom is here, and the climactic scene is very well done. The scenes of the voodoo ceremonies really shine in this film, and although not a true horror flick, this satisfies with some eerie shots and creepy touches.

The Bad: I am not a Jack Holt fan. In my opinion he is the weakest part of the film. Also, there were some very good shots in the film. Some odd angles with good lighting. There were times, however, when the direction seemed uninspired and timid with this strong material. Almost like two directors had a hand in it.

Overall this is a fine film that deserves a good cleanup and DVD release.

I'm not sure, but Black Moon may be the first horror film to be set in the West Indies and focus on voodoo. Of course, it would be the Val Lewton/Jacques Tourneur film I Walked With a Zombie that would go on to become the best known early example; but Black Moon is still a worthy effort. The plot focuses on a woman born in the West Indies. She left at the age of two when her parents were sacrificed in a voodoo ritual, but apparently she is under some curse and decides to return to the island. She takes along her husband, nanny, daughter and his secretary and upon returning to the island, is elevated to the level of a God by the locals; which leads to danger for her family. The film was obviously made on a low budget as it all looks very cheap throughout. This improves once the film reaches the West Indies as the location shoots take some of the focus off the cheap looking sets seen earlier on in the film. The film is very slow burning and takes a while to get going, but once it does it's constantly interesting. Director Roy William Neill (who would of course go on to become best known for his Sherlock Holmes films) does well at implementing the atmosphere needed to ensure that the film is successful. It has to be said that there isn't a great deal of tension in the early parts of the film; but this is made up for by the ending which is strong. Overall, I wouldn't quite say that this film is a classic; but it will certainly be of interest for fans of thirties horror.