Bachelor Bait

William Watts (Stuart Erwin) is the pushover clerk at the Marriage License Bureau. His boss fires him after a misunderstood overheard conversation. He starts a dating-marriage matching business. He immediately gets a lot of letters from men. He falls for his secretary Cynthia Douglas (Rochelle Hudson) but sets her up with a wealthy client.

I thought the opening start is interesting. I am going with the bumbling pushover character. He gets fired and the story starts losing me. I'm not that intrigued with his romantic potential which never heats up. The comedy never gets that funny. It runs out of steam.

Mildly amusing film about a mild-mannered man named William Watts (Stuart Erwin) who works at city hall in the marriage license bureau and demonstrates a knack for helping underage couples get married (as we see here, when a very young Anne Shirley shows up in the office with her young man and Watts convinces the young man's father as to the benefits of marriage), but gets himself fired via very silly plot element. Out of work he decides to place an ad, with assistance from his always helpful neighbor Cynthia (Rochelle Hudson), in the newspaper as a matrimonial consultant, offering to get men wives at $5 a pop. Follows an almost instant huge reaction to the ad, after which he meets up with a taxi driver/attorney and they immediately become partners starting "Romance Inc.", a dating service with an office soon PACKED with men and women meeting each other and complaining about inaccurate photos, etc. - a sort of 30s version of online personals, you could call it. When a letter comes from a bumbling Oklahoma millionaire/oilman who wants a wife, Watts takes it upon himself to become personal matchmaker for the man, handpicking Cynthia, now the office secretary and in love with Watts. Which makes one wonder, how come Watts, a man so enamored of the institution of marriage and finding romance for all comers doesn't seem to want a wife for himself?

This film is so-so - mostly amusing in the scenes featuring the ex-wife of the attorney who comes in to Romance Inc. seeking her alimony and ends up chasing after the millionaire oilman throwing one-liners and catty comments right and left as she battles against Cynthia to win him and his dough. Grady Sutton appears as the millionaire, in a role not unlike almost every other role I have ever seen him in, so - no surprise quite well played. Rochelle Hudson is pretty here, but quite dull. The film features a number of familiar character actors in small parts. Worth a peek.

"Bachelor Bait" is a fun and well executed little picture, kind of a gentle B+ level movie. It has good dialogue, well thought-out direction, sharp set decoration and lighting, and a fun cast of characters delivering their lines nicely. With all that, however, it somehow doesn't have anything really great going for it. But it is generally enjoyable and I am glad to have seen it. If you are a film buff of the era, you probably will be glad, too.

Stuart Erwin plays William Watts, a clerk at the Marriage License Bureau who loses his job then starts a matrimonial agency. Watts is an affable guy with an unerring intuition for matching singles.

This good-natured film feels like it was adapted from a short story. The characters are enjoyable and the plot has a pleasant denouement.

Watts' right-hand gal, Cynthia Douglas, is played charmingly by Rochelle Hudson. While Erwin is the cornerstone of the comedy, Hudson is the linchpin that secures the romance.

Some excellent supporting characters help to make this film a pleasant diversion.

The dialog is much sharper than you'd think; it's genuinely funny. Of course, some of it may be funny only in context: when one character asks what another would say, the Stuart Erwin character replies, "Peanuts, almonds, walnuts. . . "--getting around the prohibition about saying "Nuts!" while letting the audience in on the joke. Stuart Erwin is all right as the Average Joe, and although something's clearly lost for modern audiences in watching Rochelle Hudson's facial expressions (like Botox before Botox existed), the secondary characters are good. Pert Kelton ramps up her tough-talking sidekick schtick to become a tough-talking antagonist who'd be a perfect candidate for the matrimonial bureau except that one of the qualifications is that the ideal girl hasn't been touched by human hands. "You've got me there," she cracks. Watch for Berton Churchill's posing for a picture as a crime-fighting (all right, bumbling) district attorney; his expressions are priceless.