AVALIAÇÃO DA IMDb
7,2/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe vacationing head of a successful shoe company is placed as his rival's trustee, unbeknownst to them.The vacationing head of a successful shoe company is placed as his rival's trustee, unbeknownst to them.The vacationing head of a successful shoe company is placed as his rival's trustee, unbeknownst to them.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Charles E. Evans
- Mr. Haslitt
- (as Charles Evans)
Harry C. Bradley
- Reeves Company Board Member
- (não creditado)
Don Brodie
- Hartland Company Salesman
- (não creditado)
James Bush
- Tommy's Bridge Opponent
- (não creditado)
Wallis Clark
- Mike - the Auditor
- (não creditado)
Clay Clement
- Atkinson - Hartland Company Salesman
- (não creditado)
Edward Cooper
- Jackson - Hartland's Butler
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This obscure "Bette Davis" film is obscure enough that I had never seen it. I had heard that this was another of the minor programmers Davis made towards the beginning of the Warner Brothers career. I had also seen a number of George Arliss films and while I enjoyed them, I always thought Alriss' style of theatrical acting was quite out of date in 1933.
What a pleasant surprise! This was shown on TCM today, and is a cleverly written story about a man helps a rival company out of his problems due to his prior love for the late rival's late wife, and the fact that he met and like her children! This is not a typical Warner Brothers programmer....in many ways it's one of the brightest, most enjoyable Warner Brothers films of the period.
Gee, it would be swell to see Warners put it out on DVD.
What a pleasant surprise! This was shown on TCM today, and is a cleverly written story about a man helps a rival company out of his problems due to his prior love for the late rival's late wife, and the fact that he met and like her children! This is not a typical Warner Brothers programmer....in many ways it's one of the brightest, most enjoyable Warner Brothers films of the period.
Gee, it would be swell to see Warners put it out on DVD.
THE WORKING MAN appointed to watch over the inheritance of a couple of young wastrels, unbeknownst to them, is actually the old tycoon once in love with their late mother.
This is a very well produced little comedy from Vitaphone/Warner Bros., featuring another splendid performance from the old master of character acting, Mr. George Arliss. This was an actor who could fascinate an audience merely by sitting still, letting his face act for him. Here, playing a great shoe manufacturer, Arliss is tremendous fun, whether haranguing his salesmen, or, switching sides, working for his own biggest competitor with equal gusto. It is doubtful that Arliss ever gave anything less than an entertaining cinematic performance. It is a shame that this wonderful actor is nearly forgotten today.
Arliss is given good support by a trio of young actors: Hardie Albright as his stuffy, conceited nephew - The Young Napoleon of Shoes;' as well as Theodore Newton and a very pert & pretty Bette Davis as the spendthrift offspring of his late rival. Miss Davis always credited Mr. Arliss for giving her an important hands-up at this early stage in her screen career.
J. Farrell MacDonald is very down-to-earth as Arliss' fishing buddy in Maine; Edward Van Sloan appears briefly, but effectively, as Arliss' company auditor.
This is a very well produced little comedy from Vitaphone/Warner Bros., featuring another splendid performance from the old master of character acting, Mr. George Arliss. This was an actor who could fascinate an audience merely by sitting still, letting his face act for him. Here, playing a great shoe manufacturer, Arliss is tremendous fun, whether haranguing his salesmen, or, switching sides, working for his own biggest competitor with equal gusto. It is doubtful that Arliss ever gave anything less than an entertaining cinematic performance. It is a shame that this wonderful actor is nearly forgotten today.
Arliss is given good support by a trio of young actors: Hardie Albright as his stuffy, conceited nephew - The Young Napoleon of Shoes;' as well as Theodore Newton and a very pert & pretty Bette Davis as the spendthrift offspring of his late rival. Miss Davis always credited Mr. Arliss for giving her an important hands-up at this early stage in her screen career.
J. Farrell MacDonald is very down-to-earth as Arliss' fishing buddy in Maine; Edward Van Sloan appears briefly, but effectively, as Arliss' company auditor.
Starring a great actor, George Arliss, whose talents are on display throughout this film, The Working Man also features a young Bette Davis, Hardie Albright, and Theodore Newton, all of whom should have become major star vehicles for Warner. In a plot that is unusual, but easy to follow, the best of human nature is brought to the surface and that is always a winner with an audience. This film feels "right" from beginning to end, and all of the people involved in its production deserve credit for an early lighthearted masterpiece. This should be considered a classic in that vein. A must see for any film aficionado or just an entertaining evening watching a movie for the family. This is worthy of the highest ratings.
I just saw this gem on TCM and was completely delighted. The story is clever and well-paced. All the supporting acting is excellent, all the way down to the tiny roles of the cook and maid. It was a treat to see Bette Davis so young and sparkling.
But the greatest pleasure for me was my first chance to closely observe George Arliss. I am glad I learned years ago to watch a really good movie at two levels: to accept the reconstructed or imagined reality of the film and simultaneously to see it as an artistic creation blending acting, set design, photography, music, etc., etc. This split focus allowed me to absolutely believe Arliss' character while at the same time marveling at the ease with which he played the part, particularly since the role involved a secret identity which he moved back and forth between. I can now understand Arliss' once nearly legendary reputation and I will look forward to every other Arliss movie I can find.
Almost as great a pleasure to me was to see a film that revolves around the business world without demonizing it. Our hero is truly "The Working Man", which title has two meanings, referring both to Arliss' character's pretended lowly identity and to his actual position as the hard-working head of a major enterprise. There is one sleazy businessman in the story, but it is clear that he is a rat and an exception and that successful businesses depend on hard-working, foresightful, intelligent, and dedicated men. (And women; I was surprised by a Bette Davis line about all the women doing great things running businesses. In 1933?). Compare this to films and TV of the last 10 or 20 years which are just as likely to show business giants as swindlers, thieves, murderers, etc., or at least as callous megalomaniacs. Arliss's character HAS character, and integrity, and intelligence, and I was glad to see a positive portrait of a great businessman, especially as depicted by a great actor.
So why didn't I give the movie a 10? I can enjoy the now antique music of that era, but I thought it was intrusive at several points. Also, I thought the cleverly interwoven plot threads resolved themselves too abruptly at the end, which strained my belief for the only time in the story. But 9 out of 10 makes it still a great little film, and I'd give George Arliss more than 10 if I could.
But the greatest pleasure for me was my first chance to closely observe George Arliss. I am glad I learned years ago to watch a really good movie at two levels: to accept the reconstructed or imagined reality of the film and simultaneously to see it as an artistic creation blending acting, set design, photography, music, etc., etc. This split focus allowed me to absolutely believe Arliss' character while at the same time marveling at the ease with which he played the part, particularly since the role involved a secret identity which he moved back and forth between. I can now understand Arliss' once nearly legendary reputation and I will look forward to every other Arliss movie I can find.
Almost as great a pleasure to me was to see a film that revolves around the business world without demonizing it. Our hero is truly "The Working Man", which title has two meanings, referring both to Arliss' character's pretended lowly identity and to his actual position as the hard-working head of a major enterprise. There is one sleazy businessman in the story, but it is clear that he is a rat and an exception and that successful businesses depend on hard-working, foresightful, intelligent, and dedicated men. (And women; I was surprised by a Bette Davis line about all the women doing great things running businesses. In 1933?). Compare this to films and TV of the last 10 or 20 years which are just as likely to show business giants as swindlers, thieves, murderers, etc., or at least as callous megalomaniacs. Arliss's character HAS character, and integrity, and intelligence, and I was glad to see a positive portrait of a great businessman, especially as depicted by a great actor.
So why didn't I give the movie a 10? I can enjoy the now antique music of that era, but I thought it was intrusive at several points. Also, I thought the cleverly interwoven plot threads resolved themselves too abruptly at the end, which strained my belief for the only time in the story. But 9 out of 10 makes it still a great little film, and I'd give George Arliss more than 10 if I could.
I'd never seen this film before today, and I thoroughly enjoyed it. Parenthetically, I never saw either of its predecessors, either, which may be why I was surprised at this delightful film.
George Arliss and Bette Davis absolutely charm here. The "farce" approach of this picture adds a tingle of excitement with every near-discovery of the real identities of the characters and their relationships to one another.
While many TCM patrons and film enthusiasts will enjoy this for the pleasurable experience that classic films bring, I'd suggest that it be shared with folks who are relatively new to this area as an introduction to how wonderful classic films can be.
The only gripe I have w/the construction of the film is the way the ending is so quickly and neatly tied up. There was an abrupt resolution without a gradual denouement to allow the audience to enjoy the conclusion longer. Other than that detail, I enjoyed everything else immensely.
I recommend this wholeheartedly to both old viewers and new ones.
Você sabia?
- CuriosidadesShot in only 18 days.
- Erros de gravaçãoWhen Reeves is going over the books with Jenny and Tommy, a column of figures is shown, depicting the firm's losses, and the total shown is $208,000. The actual sum should be $200,000.
- ConexõesRemade as Everybody's Old Man (1936)
- Trilhas sonorasYoung and Healthy
(1933) (uncredited)
Music by Harry Warren
Played during the opening credits and at the end
Also played during the Hartland party
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Working Man
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 193.000 (estimativa)
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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