O Segredo da Alcova

Gloria Stuart, of "Titanic" fame who was a Universal film actress of the 1930s, here has just turned 21 as of midnight and is having a small birthday party with three men who are vying for her affection and her father, Lionel Atwill in the "Secret of the Blue Room." All are having a good time, when the subject comes up of the blue room. What is the blue room? What so gruesomely ever happened there? It seems it has been locked for years, because several people were mysteriously killed in that room at exactly 1:00 a.m. on separate occasions, including a detective trying to solve the murders before him. When one of them offers to stay in the room to try to solve the mystery and prove his love for Gloria in doing so, he is nowhere to be found. So begins the strange goings-on in this effective little chiller. In fact, I would watch this again, even knowing the culprit. Lionel Atwill made a career of little horror films just like this, maybe even more macabre than this. The film also stars Paul Lukas and Onslow Stevens as two of her suitors, and Robert Barrat is on hand as the butler who seems to act like he knows more about what's going on than the others do. And, Gloria Stuart sings a lovely song near the beginning of the film. For a spooky time on Halloween night, this will definitely fit the bill and you would be more than entertained by Universal's roster of capable stars and the Universal touch of the sinister creepiness of something in the air waiting for you

A bit rusty and dusty, this film made by Universal in 1933 tells of three men infatuated with the daughter of Lionel Atwill who all agree for sake of ego to stay in the mysterious "blue" room, a room where no one has gone into for twenty or so years because of all the terrible things that befell the inhabitants of that room. Gloria Stuart plays the beautiful object of their affection and carefully plays on the sidelines as each man prepares and stays in the blue room. What happens? Well, that would be giving too much away, but what does ensue is a nice, tight mystery for the most part with some credible red herrings and a somewhat plausible and innovative resolution. Lionel Atwill does a fine job in his patriarchal role as does Stuart. Paul Lukas, Onslow Stevens, and the rest of the cast also do fine jobs. Story really moves this film along, and the script is very good for this time period and for a mystery. My print was somewhat faded and I am not sure if a crisper print exists. I hope so. I know it will be sometime - if anytime - for this film to get the proper DVD treatment is deserves.

Not bad little Old Dark House quickie from Universal with a great cast and a "guess you had to be there" plot. A trio of horndogs (Paul Lukas, Onslow Stevens, William Janney) want to marry pretty Gloria Stuart, despite her warbly singing voice. So they decide to have a contest to see who gets her hand. All three men will spend one night in the "blue room," a supposedly haunted room of a spooky old mansion where three murders were committed twenty years earlier. Then the fun starts. In addition to the top talent already mentioned, this one also features Paul Barrat, Lionel Atwill, and Edward Arnold. Pretty good lineup. It's definitely worth a look for classic film fans. Probably won't blow you away or anything but I doubt you'll feel your hour and change was wasted.

This is, what, the fourth classic Universal horror film to start with the same rendition of Swan Lake? "Secret of the Blue Room" revolves around a mansion with a cursed room, were three unsolved murders have occurred over. In order to impress the object of their desire (Third time in a row Gloria Stuart has shown up), three suitors each decide to spend a night in the seemingly haunted room. Murder follows, mysteries are investigated, and red herrings abound.

If this movie was a book, we'd call it a great airport read. It's generally unremarkable and didn't offer anything particularly new, even in 1933. The film is a straight mystery with only marginal horror elements. There's some light Gothic trappings, such as a silhouette shot of the mansion right out of "The Cat and the Canary" and a great scene of Gloria being attacked by a fedora clad villain, who we naturally only see in shadow. The climax takes place in a spider web covered secret dungeon. The cast is good, truthfully. Lionel Atwill, as the girl's father, plays up his natural creepiness. William Janney as the youngest suitor and Paul Lukas, with his strong accent, are both more interesting then your typical Hollywood romantic leads of the time. My favorite performance has to be Edward Arnold as the detective. His uncompromising interrogation techniques make the second half of the movie energetic and fun. Mary the cook provides some amusing comic relief, with her anxious insistence not to be incriminated in the case.

I was sort of surprised to find out the movie isn't based on a stage play, with its small cast and limited locations. It's not a particularly memorable film but it is a decent way to spend an hour, a good example of the sub-genre. Universal was weirdly fond of the story, remaking it twice, in '38 as The Missing Guest and in '44 as Murder in the Blue Room, a musical/comedy. Funnily, each was in black and white meaning we just have to take the movie's word on the titular room's primary color.

This is certainly one of THE classic 'old mansion murder mysteries' that were so popular in the 30s; and it can contend with most of the very best of them. A great challenge for every mystery fan who likes to guess the murderer, because the plot takes so many turns and twists that it's really hard to follow even for a 'murder expert'! The settings are excellent, following the classic scheme of the old, elegant but somehow frightening isolated country house, with solid wooden stairs, long dark corridors with knight's armors in every corner, distinguished old-fashioned furniture - and a dark room with an old DARK mystery...

The cast is magnificent, headed by mystery expert Lionel Atwill, and beautiful Gloria Stuart (who had also played in "The Old Dark House" a year before) as the object of desire for no less than three young men; Edward Arnold, well-known to friends of more down-to-earth gangster movies and comedies, as the blunt detective, Paul Lukas as the suave foreign 'officer and gentleman' - even every bit part was casted just perfectly! In my opinion, an absolute 'must' for any fan of the classic mysteries of the 30s - and a good opportunity for others, who are not too familiar yet with the genre, to get to know it WELL and at its BEST!