Adicionar um enredo no seu idiomaA cavalry officer helps save a family's ranch from land grabbers.A cavalry officer helps save a family's ranch from land grabbers.A cavalry officer helps save a family's ranch from land grabbers.
- Direção
- Roteirista
- Artistas
Nina Quartero
- Anita Garcia
- (as Nena Quartero)
Slim Whitaker
- Jake Morgan
- (as Charles Whitaker)
Sam Appel
- Garcia - Bartender
- (não creditado)
Hank Bell
- Morgan Rider
- (não creditado)
Buck Bucko
- Morgan Rider
- (não creditado)
Roy Bucko
- Morgan Rider
- (não creditado)
Joe Dominguez
- Gonzales Henchman
- (não creditado)
Frank Ellis
- Frank - One of Morgan's Men
- (não creditado)
Jack Evans
- Orderly
- (não creditado)
Avaliações em destaque
Cavalry officer John Wayne fights Spaniards over land rights and over a pretty senorita. Early baby-faced Wayne doesn't do much to hint at what's to come later in his career. Luis Alberni is fun at times. Ruth Hall and Nina Quartero pretty things up. One of a half-dozen B westerns John Wayne made for Leon Schlesinger and WB in the early '30s. These are all watchable but ultimately forgettable. This one's not great and has some particularly spotty stunt work. If you're a John Wayne completist and you want to see all of his films, go right ahead and watch this. Everybody else should probably look elsewhere for something with more meat on the bone.
Man from Monterey, The (1933)
** (out of 4)
"B" Western has Captain John Holmes (John Wayne) being sent by the government to try and explain to some Spanish folks that they must register their land grants or they will end up losing them by them falling into the public domain. Holmes must battle some greedy land stealers who want the most valuable land to fall into the public domain so that they can get it at a better price. This was one of six early films Wayne made for Warner and it's not one of the best. I think it goes without saying that many of the "B" Westerns from this era were very short on plot and many of them didn't differentiate themselves from countless others that were being released. This one here features Wayne with Duke and that's pretty much it. Usually I find myself entertained during these films but that wasn't the case here as I found the story to be interesting but that's about it. The movie didn't contain any good action scenes, the fights were rather boring and the entire subplot with the love story was deadly boring. The most energy comes from some unintentionally funny moments including one sequence where Wayne saves his love interest (Ruth Hall) only to have her jealous, wannabe boyfriend (Donald Reed) stick him up. How Wayne keeps flirting with the woman even though he has a gun on him had me laughing out loud. Even funnier is that the so-called boyfriend keeps getting more and more steamed yet Wayne never seems to notice. Other funny moments come from a troubadour (Luis Alberni) who actually keeps the film moving with his performance. Wayne isn't too bad, although he really doesn't have much to do except stand tall and act tough. Hall isn't too bad as the love interest but the screenplay doesn't do her any favors. Reed is pretty bland as the bad guy, although the unintentional laughs are actually needed here. The story of the land falling into the public domain could have made for an entertaining story but director Wright brings no life or energy to the film and in the end it's just too boring even at only 57-minutes.
** (out of 4)
"B" Western has Captain John Holmes (John Wayne) being sent by the government to try and explain to some Spanish folks that they must register their land grants or they will end up losing them by them falling into the public domain. Holmes must battle some greedy land stealers who want the most valuable land to fall into the public domain so that they can get it at a better price. This was one of six early films Wayne made for Warner and it's not one of the best. I think it goes without saying that many of the "B" Westerns from this era were very short on plot and many of them didn't differentiate themselves from countless others that were being released. This one here features Wayne with Duke and that's pretty much it. Usually I find myself entertained during these films but that wasn't the case here as I found the story to be interesting but that's about it. The movie didn't contain any good action scenes, the fights were rather boring and the entire subplot with the love story was deadly boring. The most energy comes from some unintentionally funny moments including one sequence where Wayne saves his love interest (Ruth Hall) only to have her jealous, wannabe boyfriend (Donald Reed) stick him up. How Wayne keeps flirting with the woman even though he has a gun on him had me laughing out loud. Even funnier is that the so-called boyfriend keeps getting more and more steamed yet Wayne never seems to notice. Other funny moments come from a troubadour (Luis Alberni) who actually keeps the film moving with his performance. Wayne isn't too bad, although he really doesn't have much to do except stand tall and act tough. Hall isn't too bad as the love interest but the screenplay doesn't do her any favors. Reed is pretty bland as the bad guy, although the unintentional laughs are actually needed here. The story of the land falling into the public domain could have made for an entertaining story but director Wright brings no life or energy to the film and in the end it's just too boring even at only 57-minutes.
"The Man From Monterey" was the last of six "B" features that John Wayne (and his horse "Duke") made for Warner Bros. for the 1932-33 season. Warners would get out of the series "B" westerns for a while until they made a series with Dick Foran later on in the 30s.
This story takes place in 1848 California after the state joined the USA. Landowners with old Spanish land grants are being asked to register their properties with the government or else the land will fall into public domain and be there for the taking.
Don Pablo Gonzales (Francis Ford) is trying to discourage fellow landowner Don Jose Castanares (Lafe McKee) from registering his property and then grabbing it for himself. His son Don Luis (Donald Reed) is courting Castanares' daughter Dolores (Ruth Hall) hoping to join the two families (and their properties) through marriage, if all else fails.
Captain John Holmes (Wayne) is sent to see why certain property owners have not registered their land. Naturally, Holmes is headed for the Castanares spread.
In the local town saloon, a wayfaring troubadour named Felipe (Luis Alberni) has a confrontation with Don Luis who has come to see his love sick girl friend Anita Garcia (Nena Quartero). Holmes intervenes and he and Felipe team up together.
On the way to the ranch, Holmes manages to rescue Dolores from a bogus attack on her coach by Don Luis' men designed to make him out a hero in Dolores' eyes.
Holmes manages to convince Don Jose to register his land before the impending deadline. On his way to register, Don Jose is kidnapped and imprisoned by Don Pablo's men. Meanwhile Holmes and Felipe have befriended an American bandit named Jake Morgan (Slim Whitaker) and his men who also plan to move on any unregistered properties.
In the ensuing action to free Don Jose we get to see John Wayne wield a sword. Let's just say that as a swashbuckler, Wayne made a great gunfighter.
The "acting" in this oater is uniformly awful. The attempts at Spanish accents are laughable. Wayne still had a long six years ahead of him in "B" westerns before achieving stardom in John Ford's "Stagecoach" (1939). Coincidently, Francis Ford, John Ford's brother appears in this film. Also in the cast are Chris Pin Martin as Manuel, Don Pablo's foreman and Tom London as Lt. Adams. Ken Maynard and his horse "Tarzan" appear in stock footage from their silent movie days.
This story takes place in 1848 California after the state joined the USA. Landowners with old Spanish land grants are being asked to register their properties with the government or else the land will fall into public domain and be there for the taking.
Don Pablo Gonzales (Francis Ford) is trying to discourage fellow landowner Don Jose Castanares (Lafe McKee) from registering his property and then grabbing it for himself. His son Don Luis (Donald Reed) is courting Castanares' daughter Dolores (Ruth Hall) hoping to join the two families (and their properties) through marriage, if all else fails.
Captain John Holmes (Wayne) is sent to see why certain property owners have not registered their land. Naturally, Holmes is headed for the Castanares spread.
In the local town saloon, a wayfaring troubadour named Felipe (Luis Alberni) has a confrontation with Don Luis who has come to see his love sick girl friend Anita Garcia (Nena Quartero). Holmes intervenes and he and Felipe team up together.
On the way to the ranch, Holmes manages to rescue Dolores from a bogus attack on her coach by Don Luis' men designed to make him out a hero in Dolores' eyes.
Holmes manages to convince Don Jose to register his land before the impending deadline. On his way to register, Don Jose is kidnapped and imprisoned by Don Pablo's men. Meanwhile Holmes and Felipe have befriended an American bandit named Jake Morgan (Slim Whitaker) and his men who also plan to move on any unregistered properties.
In the ensuing action to free Don Jose we get to see John Wayne wield a sword. Let's just say that as a swashbuckler, Wayne made a great gunfighter.
The "acting" in this oater is uniformly awful. The attempts at Spanish accents are laughable. Wayne still had a long six years ahead of him in "B" westerns before achieving stardom in John Ford's "Stagecoach" (1939). Coincidently, Francis Ford, John Ford's brother appears in this film. Also in the cast are Chris Pin Martin as Manuel, Don Pablo's foreman and Tom London as Lt. Adams. Ken Maynard and his horse "Tarzan" appear in stock footage from their silent movie days.
The setting is 1848 and the U.S. government sends Captain John Wayne to the newly conquered territory of California from the Mexican War. His job is to win over the Spanish Dons to register their land grant property with our government or else they'll be declared public domain.
Of course there are some nasty claim jumpers there who are both gringo and Latino ready to foil our hero. One particularly nasty one is another Spanish Don played by Francis Ford. He's got his eyes on his neighbor's property another Don with an attractive daughter, Ruth Hall. If Ford can't get it one way, he'll get it by marrying his son Donald Reed to Hall.
That changes when John Wayne comes on the scene and Hall crushes on him big time. Of course Wayne is riding on Duke the Wonder Horse and Duke once again proves of invaluable assistance in foiling the bad guys.
Best performance in the film goes to Luis Alberni who to foil the bad guys has to get into drag at the wedding scene of Reed and Hall. He's downright hilarious.
This marked the fourth and last film John Wayne did for Warner Brothers with Duke the Wonder Horse. Later on in his career John Wayne was not noted for particular attachment to his horses. They were a tool of the cowboy trade, nothing more in his films. In fact if my memory serves me I can only recall three films in his later years where the horse's had names and therefore horsenalities to him. That would be True Grit, The Shootist and A Lady Takes A Chance. I'm sure if I'm wrong, John Wayne fans will let me know.
Of course John Wayne moved on to Monogram films and Lone Star westerns and the quality of production went down a few pegs. Bigger and better things were in store for him. But what ever happened to Duke the Wonder Horse?
Of course there are some nasty claim jumpers there who are both gringo and Latino ready to foil our hero. One particularly nasty one is another Spanish Don played by Francis Ford. He's got his eyes on his neighbor's property another Don with an attractive daughter, Ruth Hall. If Ford can't get it one way, he'll get it by marrying his son Donald Reed to Hall.
That changes when John Wayne comes on the scene and Hall crushes on him big time. Of course Wayne is riding on Duke the Wonder Horse and Duke once again proves of invaluable assistance in foiling the bad guys.
Best performance in the film goes to Luis Alberni who to foil the bad guys has to get into drag at the wedding scene of Reed and Hall. He's downright hilarious.
This marked the fourth and last film John Wayne did for Warner Brothers with Duke the Wonder Horse. Later on in his career John Wayne was not noted for particular attachment to his horses. They were a tool of the cowboy trade, nothing more in his films. In fact if my memory serves me I can only recall three films in his later years where the horse's had names and therefore horsenalities to him. That would be True Grit, The Shootist and A Lady Takes A Chance. I'm sure if I'm wrong, John Wayne fans will let me know.
Of course John Wayne moved on to Monogram films and Lone Star westerns and the quality of production went down a few pegs. Bigger and better things were in store for him. But what ever happened to Duke the Wonder Horse?
26 Year old John Wayne is Captain Holmes in this short shortie from Warner Brothers. The US guv-ment is trying to convince land-owners to register their land, or it will be declared open land. Holmes has been ordered to get the large ranchers to register their land to avoid property wars, and his first challenge is "Castanares", owner of a very large ranch. Slim Whitaker is "Morgan", who wants to make sure the landowners DON'T register their deed, so they can get the ranch and the land, free of charge. Would be interesting to know the locations, but was probably the director's house or maybe Corriganville in north LA. It's all okay. Wayne is still the young, energetic, wide-eyed kid, on a mission. He's not yet the older, wiser, all-knowing gentleman of an older generation. He comes to the rescue of Dolores ( Ruth Hall ), the don's daughter. and SOMEONE is dressed up in drag, but we're not sure quite who! Kind of a funny bit where Holmes and the good guys are running from room to room to escape the bad guys, and it looks like a scene from Scooby Doo. or maybe the three stooges. and a sword fight breaks out. and Duke the horse goes for help as oats are being burned by the bushel. It's not bad. shows on Turner Classic. directed by Mack Wright. certainly important for john wayne fans.
Você sabia?
- CuriosidadesLeon Schlesinger, who in addition to creating and overseeing the Warner Bros. animation unit, also produced films for the studio's B-western unit. He signed a broad-shouldered young actor named John Wayne partly out of his physical resemblance to Warners' silent-era cowboy star Ken Maynard in order to more easily match the stunts and footage taken from the earlier Maynard silents that were to be inserted into a series of remakes of those films, of which this is one.
- Citações
Captain John Holmes: You know, Felipe, there's something suspicious about all this.
Felipe Guadalupe Constacio Delgado Santa Cruz de la Verranca: Senor, we shall consult the cards. They never fail. Ah, they never fail.
Captain John Holmes: Aw, stick those cards in your...
Felipe Guadalupe Constacio Delgado Santa Cruz de la Verranca: SEÑOR!
Captain John Holmes: ...in your pocket. Come on.
- Cenas durante ou pós-créditosOpening cards:
California -- 1848
The rancho castanares-- near the pueblo Santa Barbara. A vast domain, reaching from the mountains to the sea...
- ConexõesFeatures No Vale da Aventura (1928)
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Kaliforniens riddare
- Locações de filme
- Providencia Ranch, Hollywood Hills, Los Angeles, Califórnia, EUA(location filming per AFI Catalog)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000 (estimativa)
- Tempo de duração
- 57 min
- Cor
- Proporção
- 1.37 : 1
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