Viver na Morte

This was an entertaining film, right from the get-go, and it seemed to be divided into three segments.

Segment One was a crime story in which the leading character, "Jimmy Dolan" (Douglas Fairbanks Jr.) is shown as a heavyweight champion (at 170 pounds? Well, boxing stories weren't all that realistic on film for many years) who is nothing like his public image. (Hmm...sounds like something familiar, even today). Anyway, a reporter finds out Dolan is not as wholesome as he portrays himself, states he's going to blow the whistle on him and Dolan socks him in the face before he can divulge his "scoop." Unfortunately, the blow kills the man. Without going into other details to ruin it anyone who has not seen this, Dolan winds up on the lam out west in Salt Lake City.

Segment Two is a romance, human--interest story. Loretta Young and Ailine MacMahon are introduced into the film as a young woman-and-aunt who run a ranch for several disable kids who were rescued out of an institution. As things progress, Young falls for Fairbanks, and slowly takes the cynicism out of him. The kids are all pretty entertaining and among them is a very young Mickey Rooney who delivers his lines so naturally you can see why he became a big star at a young age. Anne Shirley is also among the kids.

Segment Three involves a boxing match in which Fairbanks is trying to earn money to help save the ranch for the women and kids. In that segment is a young John Wayne, with a greasy 1950s hairdo! The boxing scenes are almost laughable, but that's okay. We are more interested in what happens than how real it looks. This segment also involves Guy Kibbe, a detective who has been tracking down Fairbanks. I can't say more about him without risking spoiling the ending.

That mixture of crime, suspense, action, romance, drama, family and kids sentiment all make this 87-minute film worth your time.

1933's The Life of Jimmy Dolan, a fine movie, is a good example of how the Motion Picture Production code of July 1934 changed movies, since, for comparison, you have the 1939 remake, They Made Me a Criminal. The big difference is that the remake turns a tough story into sentimental claptrap, making sure that crime does not pay. Douglas Fairbanks Jr. doesn't get the credit he deserves as a star in the Warner Bros. repertory company, but he looks too skinny and upper class for a champion boxer. John Garfield is better cast for the part, especially with his nervous energy. But the 1933 picture is way more realistic and cynical. In the 1933 version of a boxer's life, everyone has hard times, including John Wayne, who gets carried out after trying to go the distance in a boxing contest between amateurs and a pro fighter. Production Code Administrator Breen wouldn't allow crime to pay at all, liked a white bread world and would have stopped Warner Bros. from re-releasing The Life of Jimmy Dolan. That was not a problem, because of the remake. The better movie about the boxer on the lam is the one made in 1933. Gritty movies like The Life of Jimmy Dolan vanished until after the demise of the Production Code in the early 1960s. What movies Hollywood would have made if not for rigid censorship for over 25 years is an unanswerable question. Warner Bros. pre-code sound movies indicate that older movies made before censorship have dated a lot better than much of the drivel released during the Breen censorship period.

Despite the miscasting of Douglas Fairbanks, Jr. as prizefighter and Light Heavyweight Champion Jimmy Dolan, The Life of Jimmy Dolan makes for good entertainment. After all, a film where you can see Douglas Fairbanks, Jr., Loretta Young, John Wayne, and Mickey Rooney in the same film is worth catching.

I'm a big fan of Douglas Fairbanks, Jr. who to me always epitomized class and elegance. And because of that, try as he might, he just doesn't come across as a pugilist. John Garfield would have faired no better taking on Fairbanks's kind of roles.

In those early days John Wayne was starring in his own B westerns, but occasionally he would support in another film. The Life of Jimmy Dolan gives you a rare glimpse of the Duke, not as the Duke. He plays an amateur fighter who is with the on-the-run Fairbanks. His scene is in the arena dressing room with Fairbanks as he's trying to psyche himself up for the upcoming bout.

Mickey Rooney plays one of the kids at the ranch run by Loretta Young and her aunt Aline McMahon. In They Made Me a Criminal the ranch was a camp for city kids, in The Life of Jimmy Dolan it is for kids who have infantile paralysis. It was originally started by Young's father who was a doctor and he's passed on, leaving her with kids and a mortgage. Of course in seeking screen properties for the Dead End Kids while they were under Warner Brothers contract, someone had the good idea to dust this one off which they already owned. The Dead End Kids are a little older than the youths here.

Loretta Young does well in her part and I'm convinced she probably helped John Wayne get the part he got. She and her sisters were friendly with the Duke and his first wife. He did a couple of films with Loretta in their salad days. They never worked together once Wayne hit it big in Stagecoach.

Even with the Code restrictions that They Made Me a Criminal had to operate under, I think it is better than The Life of Jimmy Dolan, because of the casting. But they really should be viewed side by side for comparison.

I love Turner Classic Movies for programming old, less-than-classic movies like this nearly forgotten 1933 Warner Bros. chestnut. While channel surfing, I came across this one and was drawn in by the charming, natural performances of Loretta Young, Douglas Fairbanks Jr. and the children. I won't rehash the plot because it's been done in other reviews. It's astonishing to see the familiar faces, sometimes unbilled, playing supporting roles in this one. I instantly recognized Aline MacMahon, Lyle Talbot, Edward Arnold, Guy Kibbee (excellent) and child stars Mickey Rooney, Anne Shirley and Allen "Farina" Hoskins. And then there's John Wayne in an early non-Western role as a boxer. Rooney and Hoskins were veterans by this time, effortless scene stealers who could wring tears as easily as laughs. I wasn't familiar with child actor David Durand and he's quietly charming as a crippled boy. It's amazing how satisfying a simple, beautifully-crafted movie made for pennies compared to today's CGI-laden millon-dollar blockbusters can be. I'm just grateful that the programmers at TCM refuse to allow little treasures like "The Life of Jimmy Dolan" to gather dust in a can on a vault shelf. And this was just one movie in a day filled with other early Thirties treasures from the Hollywood assembly line. Long live TCM!

"The Life of Jimmy Dolan," made in 1933, was remade later as "They Made Me a Criminal." This precode version is a good film starring Douglas Fairbanks, Jr., Loretta Young, Guy Kibbee, Lyle Talbot, and Aline McMahon, and is notable for its early appearances by John Wayne and Mickey Rooney (who already had seven years as an actor under his belt). The underrated Fairbanks, who doesn't look like a boxer, is the champ Jimmy Dolan, who gets drunk, accidentally kills a reporter, and takes off when his manager is mistaken for him in a burning car. He ends up on a farm for sick children run by the beautiful Young, who was about 20 when this was made, and Aline MacMahon. He becomes accustomed to the life there, falls for the Young character, and when the farm needs $2,000, he considers going back into the ring.

The nice thing about precode is you're never sure how a film will end. This movie has a toughness about it but also a poignancy.

"The Life of Jimmy Dolan" joins "The Emperor's Candlesticks" and "Remember Last Night" as having longevity water somewhere on the set. Fairbanks, Jr. lived to the age of 90; Loretta Young to 87; Aline MacMahon to 92; Lyle Talbot to 94, and Mickey Rooney, approaching 90, is still with us as of this writing. So you have your "Rebel Without a Cause" and "Blood & Sand," where everyone died young, and films like this. Go figure.