Adicionar um enredo no seu idiomaIn the depths of the Great Depression and in the waning days of the crumbling Weimar Republic, a poor Berlin youth is torn between loyalty to his unemployed Communist father and his ever-gro... Ler tudoIn the depths of the Great Depression and in the waning days of the crumbling Weimar Republic, a poor Berlin youth is torn between loyalty to his unemployed Communist father and his ever-growing fascination of the Hitler Youth movement.In the depths of the Great Depression and in the waning days of the crumbling Weimar Republic, a poor Berlin youth is torn between loyalty to his unemployed Communist father and his ever-growing fascination of the Hitler Youth movement.
- Direção
- Roteiristas
- Artistas
- Heini Völker
- (as Ein Hitlerjunge)
- Fritz Dörries
- (as Ein Hitlerjunge)
- Ulla Dörries
- (as Ein Hitlermädchen)
- Grundler
- (as Ein Hitlerjunge)
- Kowalski
- (não creditado)
- Ausrufer (barker)
- (não creditado)
- Arzt (doctor)
- (não creditado)
- Althändler (furniture dealer)
- (não creditado)
- Lebensmittelhändler (grocer)
- (não creditado)
Avaliações em destaque
The story moves us because the little protagonist Heini is not seduced by bribes, a public office, sexual blackmail or electoral promises: through his child's eyes he perceives and is moved by symbols, hymns and group singing, he is seduced by uniform and order, in the face of shady chaos at home and the customs of the friends of his father, an unemployed ruffian who, in the course of the plot, begins a process of re-evaluating his own life. Curiously, this process had continuity off screen: the leftist actor Heinrich George ended up convinced by the Führer's strong harangues and joined the ranks of the party.
At this point of history neither George nor anyone imagined the potential for malice and depravity of the Nazis: everything was hope for renewing the country... as it happens every time that the electoral process begins and the people go to polls that hide their real nature as slaughterhouses. A good film, an excellent reminder of the directions by which we can be seduced and taken by moving images.
I was expecting a lot of overt, outrageous political content. I'm told there is some in the dialogue, but I didn't catch it. Rather its strategy seems to be to avoid hectoring directly, and instead to project an idealized vision of a Germany guided by a paternal National Socialist party. Hence the message is conveyed through idyllic campground scenes, for example. This is the goal that young Quex is willing to defend.
One film "Quex" reminded me of somewhat was "Boys Town" (1938) with Mickey Rooney, but, if I really had to draw a comparison, surprisingly enough it would be to Frank Capra's "Mr. Smith Goes to Washington" (1939). There is a scene of our enterprising Hitler Youths organizing themselves -- a little like Mickey and Judy putting on a show -- to turn out a propaganda newspaper in support of their political dreams and aspirations. Do you recall the scene in "Mr. Smith" where Jimmy Stewart's struggle -- Sein Kampf -- against a corrupt and antiquated political system is vindicated through a grassroots campaign organized by a bunch of boys with wagons and a cheap printing press? We know from the later "Why We Fight" series that Frank Capra was intimately familiar with his Nazi cinema. You are free to draw whatever conclusions you'd like.
Rob from England pointed out, that from today's point of view, the Communists in the film with their "beer, food and sex" would seem far more better deal today. Probably so. But that only shows, how the world has declined since the cultural revolution of the late 60-s. Values like moral purity, patriotism and courage must be held high by all. They are the essence of survival for any nation, whatever ideology they may have.
I also think German government should have considerably more trust in their citizens and should lift the ban off of films like this, so they could become available on DVD, and not only in P2P networks, as it is today.
Você sabia?
- CuriosidadesHerbert Norkus, born July 1916, was killed, stabbed six times, by German Communists on 24th January 1932, Berlin, as he delivered Nazi Propaganda leaflets. His martyred death became a role-model for the Hitler Youth, and too, exploited in the Nazi propaganda war machine.
- Citações
Bannführer Kaß: Where were you born?
Vater Völker: In Berlin.
Bannführer Kaß: Where is it?
Vater Völker: Near the Spree.
Bannführer Kaß: Near the Spree, that's right. But where? In what country?
Vater Völker: Well, in Germany, of course.
Bannführer Kaß: In Germany, that's correct. In our Germany. Think about it.
- Cenas durante ou pós-créditosHeini Völker, Ulla, her brother Fritz and all other young characters, especially the Hitler Youth characters are credited as Hitler Youth boy, Hitler Youth girl or The Girls and Boys of the Berlin Hitler Youth.
- Versões alternativasThere is an Italian edition of this film on DVD, distributed by DNA srl, "PARACELSUS (1943) + IL GIOVANE HITLERIANO QUEX (1933)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexõesEdited into Deutschland, erwache! (1968)
- Trilhas sonorasUnsre Fahne flattert uns voran
(Maschlied der Hitlerjugend)
Music by Hans-Otto Borgmann
Lyrics by Baldur von Schirach
Principais escolhas
Detalhes
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1