O País das Tormentas

Tess Skinner, played by Mary Pickford, is the daughter of a squatter living on the land of Elias Graves (David Torrence). Old Graves wants to get rid of the squatters, but his son Frederick (Lloyd Hughes) falls in love with Tess. This is a story of greed, passion and jealousy: another squatter with an eye on Tess frames her father for a murder he himself has committed, Frederick's sister gets pregnant by her boyfriend and gives birth to a child, without her father knowing etc. Etc. There is really a lot going on, but then, with about two hours 'Tess of the Storm Country' is quite a long film. Director John S. Robertson (and Mary Pickford herself, who was a strong influence) therefore had time enough to focus on character development. That pays off: All the persons appearing are in one way or the other interesting, Tess of course first of all. Pickford got into that role with an increadible vigour. She is not just a tomboy (like in many of her other films); she is a wildcat - but at the same time vulnerable and sympathetic (at heart maybe even a bit too good to be true). The plot is complex but due to the excellent direction easy to follow. There are no plot holes whatever, and the whole thing is very well-paced, exciting and suspenseful. The film is also beautifully photographed, though some scenes have unfortunately become quite severely degraded. I watched a copy without any sound; it would be interesting to know what the original music was like (if there was any). All in all a very good film, well-worth watching.

Here is proof of why Mary Pickford was `America's Sweetheart.' In this rather complex drama, Mary plays the young daughter of a squatter that dare to dream of a relationship with the son of one of the `hill-toppers.' The scenes where they steal a kiss and otherwise fall in love are simply delightful. She is even willing to take a bath. That Mary could pull this role off at the age of 30 is simply amazing and somewhat due to her diminutive stature (5').

Tess must face numerous physical and emotional challenges. She does so with spunk not seen in many heroines of the time. Tess packs a wallop and is not shy about fighting with anyone. Why she agrees to help the `hill-topper' daughter is beyond me, but she sacrifices her own happiness in order to keep a deep secret. Pickford's close ups are wonderful.

Danish-born Jean Hersholt is simply wonderful as the villain. The scene in which he manhandles a small baby is enough to make you throw vegetables (or whatever) at the movie screen. If Forrest Robinson (who plays Daddy Skinner) had worn a beard, he would have been a match for the model used in those World War I recruiting posters of Uncle Sam – Wants You!

Although the story is somewhat predictable and slow in the beginning, it is worth the investment in your time to see the piece or pure `Americana.' The film highlights choices available to us all involving making someone else happy and what it is to be a real Christian. Recommended.

Tess of the Storm Country was a Mary Pickford vehicle I had intended to get for some time. I finally found a VHS copy for a reasonable price and got to enjoy it.

Mary gives her typical spunky, innocently sexy portrayal of a wrong-side-of-tracks girl who wins the heart of a rich heir. Only this time the stakes are higher: a false murder charge, an illegitimate child (and ensuing case of mistaken motherhood) and contemplated suicide.

One can see why Pickford wanted to redo this one. The story is a real morality tale, the kind that she loved to star in. The controversial topics aren't always spelled out plainly; a viewer has to pay attention and pick up on hints to catch everything that is being implied on first viewing – although everything is more or less explained in the end.

About the only negative remark I can make would be concerning Jean Hersholt and the dog. Hersholt, whose character, Ben Letts, looks to be about 6-2, 200 pounds (bigger next to Mary, of course!), is sent fleeing in panic when a 60-pound chocolate lab charges toward him! Then, to top it off (or maybe to justify his perplexing fear of the dog), it manages to pin him to the ground and somehow injures him so badly that he is still struggling to get up much later, as a bad storm hits! This is the same lovable lab that sleeps with Frederick (Lloyd Hughes) and cuddles with Mary! Yet Mary later throws boiling water in Ben's face, which barely slows him! OK, I've vented about Ben and the chocolate lab! Other than that, the movie was quite touching and certainly held my attention. Pickford's supporting cast was strong and believable. This is certainly among her better films.

Besides being a good melodrama with some fine moments, the role of Tess offers Mary Pickford quite a showcase, providing some good comic moments, a number of moving scenes, and some tense confrontations. You can see why it was not only one of her most popular roles, but also one of her own favorites. The story is quite involved and sometimes thought-provoking, although there is more than one occasion when it sacrifices believability for cinematic effect.

At the beginning it introduces an interesting assortment of characters, and sets up the conflicts to come between the family of rich, mean-spirited Elias Graves and the poor squatters (including Tess), whom Graves is devoted to driving out. The tumultuous events that follow test their loyalties and perspectives. It does have more implausible or coincidence-laden developments than do most of Pickford's movies, but if you can suspend disbelief on those occasions, it's an entertaining story that makes you care about the characters. It's also quite a bit longer than most of Pickford's features, but that is primarily because there is so much going on; there aren't too many slow spots. In its time it was one of her signature roles, and it's still well worth watching.

America's Sweetheart,' Mary Pickford, played a vast array of characters in her long movie career. In the opening title of 1922's "Tess of the Storm Country," she states her favorite role was playing the daughter of a squatter fisherman, Tess Skinner.

Pickford took the role of Tess twice, originally in the Edwin S. Porter-directed work in 1914, a movie the actress had complained of his pedestrian direction. She was much happier with the second version, partly because of John S. Robertson, who earlier helmed the John Barrymore 1920 'Dr. Jekyll And Mr. Hyde' film. Pickford also cited the advancements of cinematic techniques and technology taking place within the span of 1914 and the current 1922 times, making possible an aesthetic leap in improvement by updating a story she said deserved her second performance. The Grace Miller White 1909 novel received further adaptations in 1932 with Janet Gaynor and in 1960 with Diane Baker.

In the Pickford version, set in Ithaca, New York, a rich man owns property from top of the hill where his mansion sits all the way down to the shores of a big lake. That is where a group of squatters have set up a fishing village smack dab on his land. He's raised two children, now adults, a son who sides with the squatters, played by Lloyd Hughes in his first leading role, and a daughter, with actress Gloria Hope, who's madly in love with a law student. Pickford's spunky performance as Tess attracts the eye of Lloyd, the landowner's son. In real life, Hughes and Hope, meeting for the first time on the set, fell passionately in love and married soon after they finished "Tess of the Storm Country." Unusual for a Hollywood couple, the two remained married until Hughes' death in 1958.

The plot has every melodramatic device known in cinema: love, friendship, greed, murder, attempted kidnapping, an out-of-wedlock birth, sacrifice and a bit of comedy. Pickford's the glue that holds everything together. The actress was extremely happy with the positive reviews "Tess of the Country Storm" received. The accolades were especially appreciated after the disappointing negative ones said about her previous film, 1921's 'Little Lord Fauntleroy,' despite its box office success. 'Tess' was the only film Pickford appeared in 1922.