O Prisioneiro de Zenda

English traveler and sportsman Lewis Stone (as Rudolf Rassendyll) decides to attend the coronation of distant relative "Rudolf V." of Ruritania (also Lewis Stone, in a dual role), after the recent death of the foreign land's King. But proposed King Stone has a wicked half-brother, who covets the title. Receiving most of his help from charismatic Ramon Novarro (as Rupert of Hentzau), treacherous brother Stuart Holmes (as Grand Duke Michael) plots to poison Mr. Stone and take his place on the throne. But, due to the royal Rudolf's fondness for alcohol, a switch is made. One who senses something rotten in Ruritania is beautiful Alice Terry (as Princess Flavia), who is expected to marry one, but falls in love with another...

"Towards the end of the day, when the soul is weary and the heart longs for its beloved"...

Anthony Hope's classic adventure story gets the MGM treatment, even though the studio mostly called "Metro" by insiders was only M-G- (no Mayer, yet) at the time. Metro's mega-hit "The Four Horsemen of the Apocalypse" (1921) director Rex Ingram and the principle players gathered here stuck with the company; helping set the standard for MGM productions, Metro/MGM competed successfully with older studios. This film advanced careers, most notably helping propel Mr. Novarro to "superstar" status. There are also fine impressions made by veteran Robert Edeson (as Colonel Sapt), bewitching Barbara La Marr (as Antoinette de Mauban) and debuting Malcolm McGregor (as Fritz von Tarlenheim)...

Notable re-makes in 1937 (all talking, with Ronald Colman) and 1952 (in color, with Stewart Granger) are worth seeking out in a "twofer" package from Warner/Turner. They should have added this 1922 version. It's still entertaining, due to swaggering action, good production values and captivating performances. This non-speaking "The Prisoner of Zenda" was the standard silent film era version. It was the #4 "Best Picture" of 1922 according to the annual "Film Daily" poll of critics. Rex Ingram, Lewis Stone, Alice Terry and Ramon Novarro received director and acting accolades. Stone, at his silent best here, essays a small part in the 1952 version; it was one of the last roles for the perennial Metro-contracted actor.

******** The Prisoner of Zenda (7/31/22) Rex Ingram ~ Lewis Stone, Alice Terry, Ramon Novarro, Malcolm McGregor

Rudolf V, the King of Ruritania, has been kidnapped by Black Michael, his evil half-brother, and locked in the dungeon of the fortress of Zenda on the eve of his coronation. By a wild twist of fate, it falls upon a look alike distant cousin, the Englishman Rassendyll, to impersonate the king and effect his rescue before either one or both of them are killed by Black Michael or his henchman, Rupert of Hentzau. With two beautiful women complicating matters, and danger lurking at every turn, how can THE PRISONER OF ZENDA possibly be saved?

It is unfortunate that this fine silent film is completely overshadowed by its 1937 talkie remake starring Ronald Colman. It is also unfair. Silent films & talkies are two different art forms and should not be put into competition against each other. Each art form is perfect in its own way. And so it is with the 1922 PRISONER OF ZENDA. Excitingly produced, with excellent production values & good acting, this movie stands on its own merits and on its own feet.

Those familiar with Lewis Stone only as a fine character actor during his talkie career at MGM may be surprised to see him here as a romantic lead, and in a swashbuckler no less. But he is very good in his dual roles of Rudolf & Rassendyll. Strangely, at times he closely resembles Colman, but this is a coincidence no one could anticipate.

This was also the breakout picture for Ramon Novarro. Born to a large wealthy family in Mexico, he had arrived in California as a 15-year old looking to become a singer. That led him into dancing & finally to acting and the movies. Working incredibly hard for years, and largely supporting his family (driven North by Revolution) he finally caught the eye of director Rex Ingram. In ZENDA, the 22-year old Novarro plays rascally Rupert, who, with his little beard & moustache & face wreathed in constant cigarette smoke, looks quite sardonic. He does very well with the unsympathetic character. Playing a mid-European, Novarro begins a career which would have him acting every sort of ethnic role, from Hebrew, to Polynesian, to Chinese.

The rest of the cast all lend able support: Stuart Holmes as the wicked Black Michael; Alice Terry as the beautiful Princess Flavia; Barbara La Marr as the lovely Antoinette de Mauban, desperately in love with Michael; and Robert Edeson & Malcolm McGregor as two staunchly loyal officers of the king. Little comedian Snitz Edwards has a small role as a funny butler.

"The Prisoner of Zenda" has been filmed about a dozen times...more of less. It's a VERY familiar story to anyone who loves old films. When I heard about this 1922 version coming on Turner Classic Movies, I at first thought it was the original one, though it turns out there was an even earlier version in 1913! Regardless, I was thrilled to finally see a silent version of a story I have long loved. So is this one as wonderful at the 1937 Ronald Colman version? Well, not exactly--but it sure was close.

Another surprise about this one is that is starred Lewis Stone--a guy I'd hardly think of as an action hero! This is the bald Judge Hardy...playing a handsome king! Looking at Stone's hair in the film, I assume he was wearing a wig, as he had A LOT of hair! But he was also quite good in the dual roles of King Rupert as well as his English cousin. Oddly, however, while Stone clearly is THE leading man, Ramon Navarro got top billing--which makes little sense as he's a relatively minor character. No, this is definitely Stone's film.

As far as the plot goes, it's pretty much the familiar story. The new king, Rudolf, is about to be crowned leader of Ruritania. However, his evil but popular brother, Michael, has plans of usurping the throne. First, he drugs Rudolf so he cannot attend the coronation. BUT, coincidentally, a distant cousin is at hand and poses as the king. However, this won't deter Michael, as he's discovered the real king and has taken him prisoner. So, you KNOW another attempt will soon be made on the pretend king's life. Can the evil Michael and his nasty henchmen be defeated? This is a lovingly made silent--with terrific sets and wonderful acting. I particularly loved the king's beloved #1 man--he had such wonderful and soulful eyes. And something unique to the film I really liked--the deadly river and how it plays into the film. Overall, a great silent--and a film that only barely was eclipsed by the great 1937 version (this film is just perfect).

Note: After the FIRST guy gets pulled over the deadly falls, the print's quality degrades VERY quickly. It is very fuzzy and could really use additional restoration.

Rex Ingram was one of the finest directors of the silent era, but unfortunately, he is little remembered today. His most famous film is The Four Horsemen of the Apocalypse, a box office smash in 1920 which put Italian immigrant Rudolph Valentino on the road to full-blown stardom. This 1922 adaptation of The Prisoner of Zenda is one of his better known films among silent movie geeks, but I would not count it among his most outstanding.

There's good scenery and spectacle, and Lewis Stone makes good as the lead. The standout of the cast is without a doubt a young Ramon Novarro as the roguish Rupert of Hentzau. Unfortunately, the rest of the cast is not so memorable. The film is also overlong and the comic relief was mildly painful at best.

Overall, it's watchable, but you'll be better served by watching the 1937 remake. If you want outstanding Ingram, then see Scaramouche or Four Horsemen.

I've seen both Rex Ingram's "Scaramouche" and "The Prisoner of Zenda" and by far "Scaramouche" the more entertaining film. This film though, was very fascinating. Lewis Stone acquits himself well as the hero/drukand king and swordfights quite well. Alice Terry made a very beautiful princess. Ramon Novarro played the monocled villain, somewhat unintentionally funny. Barbara La Marr, the closeups of her face, wow! Seeing Valentino's "cousins" from "The Four Horseman of the Acapolyse" in supporting roles was really cool.

However, the Colman/Fairbanks Jr. version is far superior.