O Prisioneiro de Zenda

A retiring English country gentleman, Rassendyll, is mistaken for his distant cousin, King Rudolph of Ruritania. When the king is taken hostage by his jealous brother, Black Michael, Rassendyll agrees to act as the king in the coronation ceremony.

It takes a long time for this version of 'The Prisoner of Zenda' to get moving. The first hour or so is stodgy and less than riveting film-making, and then it gradually picks up momentum, and the last half hour packs a decent punch, especially action-wise. But all in all, a rather more lackluster, even crude entertainment than I had expected after the exhilarating 'Four Horsemen of the Apocalypse', also by Rex Ingram.

The script is largely at fault, with the scenes so disjointedly put together that it does not in long stretches make a lot of sense. It has the makings of some interesting psychological insights, but does not explore them. I would have made more - MUCH more - out of the fact that for a long while Black Michael seems a pretty decent fellow, genuinely in love with Antoinette and understandably preoccupied about leaving the fate of his country to his feeble-minded brother. But Ingram makes nothing of it and seems curiously uninspired.

The youngish Lewis Stone is an earnest Rassendyll/Rudolph, and sort of holds his own in the climactic sword-fight with, among others, Ramon Novarro. And now we are getting somewhere. This is Novarro's film. He was hardly a star when it was made, and his role does not take up a lot of screen time, but Novarro eats up the scenery with his monocled, slick diabolism. "While you're unhung, Rentzau, hell lacks its master!", Stone says, and right he is. Novarro is pure evil, and a delight to watch.

Rudolf V, the King of Ruritania, has been kidnapped by Black Michael, his evil half-brother, and locked in the dungeon of the fortress of Zenda on the eve of his coronation. By a wild twist of fate, it falls upon a look alike distant cousin, the Englishman Rassendyll, to impersonate the king and effect his rescue before either one or both of them are killed by Black Michael or his henchman, Rupert of Hentzau. With two beautiful women complicating matters, and danger lurking at every turn, how can THE PRISONER OF ZENDA possibly be saved?

It is unfortunate that this fine silent film is completely overshadowed by its 1937 talkie remake starring Ronald Colman. It is also unfair. Silent films & talkies are two different art forms and should not be put into competition against each other. Each art form is perfect in its own way. And so it is with the 1922 PRISONER OF ZENDA. Excitingly produced, with excellent production values & good acting, this movie stands on its own merits and on its own feet.

Those familiar with Lewis Stone only as a fine character actor during his talkie career at MGM may be surprised to see him here as a romantic lead, and in a swashbuckler no less. But he is very good in his dual roles of Rudolf & Rassendyll. Strangely, at times he closely resembles Colman, but this is a coincidence no one could anticipate.

This was also the breakout picture for Ramon Novarro. Born to a large wealthy family in Mexico, he had arrived in California as a 15-year old looking to become a singer. That led him into dancing & finally to acting and the movies. Working incredibly hard for years, and largely supporting his family (driven North by Revolution) he finally caught the eye of director Rex Ingram. In ZENDA, the 22-year old Novarro plays rascally Rupert, who, with his little beard & moustache & face wreathed in constant cigarette smoke, looks quite sardonic. He does very well with the unsympathetic character. Playing a mid-European, Novarro begins a career which would have him acting every sort of ethnic role, from Hebrew, to Polynesian, to Chinese.

The rest of the cast all lend able support: Stuart Holmes as the wicked Black Michael; Alice Terry as the beautiful Princess Flavia; Barbara La Marr as the lovely Antoinette de Mauban, desperately in love with Michael; and Robert Edeson & Malcolm McGregor as two staunchly loyal officers of the king. Little comedian Snitz Edwards has a small role as a funny butler.

Expensive silent film of a king who is marked for assassination. He switches identities with a look alike (both played by Lewis Stone) who takes his place at his coronation. But the real king is kidnapped. While his followers try to find him, the fake king falls in love with Princess Flava (Alice Terry).

Slow moving but the film looks great. No action...just lots of exagerrated looks and people endlessly talking. The sets, costumes and acting helps. Seeing Stone (who went on to play Judge Hardy in the Andy Hardy movies) so young and being a romantic lead is interesting. He's also very good. Terry is regal and also very good as the princess. Ramon Novarro (still an unknown) plays the evil villain. That's quite a shock--he always played heroes in his later films. He pulls it off though.

So, it's beautiful but I can't totally recommend it.

Can you imagine the perpetually tired Lewis Stone in The Prisoner of Zenda? He has to play the senior advisor to the king, right? He's far too old and patriarchal to play the lead. . . So one would think. Well, in 1922, Lew was neither old, fatherly, nor tired. He played the dual leads, and he was given a brown wig! Full of energy, wonderful expressions to communicate to the audience without words, and the ability to both perform stunts and woo a fair maiden, Lew takes charge and acts like a leading man.

If you've never seen any of the movie versions or read the book, the story is very exciting. Just before a king's coronation, his evil brother plans to drug and kidnap him so that he can't be crowned the king. However, the king's faithful aides find a lookalike, completely by accident, and get him to impersonate the king during the coronation! If you've seen the modern-day comedy Dave, starring Kevin Kline, you'll have a basic understanding of the story.

I've seen three versions of this movie, and while the 1937 version is the best, this one is extremely impressive. It's amazing to see what Hollywood was capable of in 1922: the costumes, the sets, the elaborate action scenes with moats, drawbridges, and swordfights. At almost two hours, this is a lengthy silent movie, and there are quite a lot of title cards for you to read, but if you know the story, you won't be lost. Those who don't like silent movies will be incredibly bored, but if you like the change of pace and different way of storytelling, this is one worth watching, if only to see what Lewis Stone looks like with brown hair. It doesn't feel like it was made so early in the decade; if it had a 1928 timestamp on it, I'd believe it.

I've seen both Rex Ingram's "Scaramouche" and "The Prisoner of Zenda" and by far "Scaramouche" the more entertaining film. This film though, was very fascinating. Lewis Stone acquits himself well as the hero/drukand king and swordfights quite well. Alice Terry made a very beautiful princess. Ramon Novarro played the monocled villain, somewhat unintentionally funny. Barbara La Marr, the closeups of her face, wow! Seeing Valentino's "cousins" from "The Four Horseman of the Acapolyse" in supporting roles was really cool.

However, the Colman/Fairbanks Jr. version is far superior.