Notícias

Next month’s Criterion Channel selection is here, and as 2021 winds down further cements their status as our single greatest streaming service. Off the top I took note of their eight-film Jia Zhangke retro as well as the streaming premieres of Center Stage and Malni. And, yes, Margaret has been on HBO Max for a while, but we can hope Criterion Channel’s addition—as part of the 63(!)-film “New York Stories”—opens doors to a more deserving home-video treatment.

Aki Kaurismäki’s Finland Trilogy, Bruno Dumont’s Joan of Arc duology, and Criterion’s editions of Irma Vep and Flowers of Shanghai also mark major inclusions—just a few years ago the thought of Hou’s masterpiece streaming in HD was absurd.

I could implore you not to sleep on The Hottest August and Point Blank and Variety and In the Cut or, look, so many Ernst Lubitsch movies,...

Ramon Novarro, Barbara La Marr, Trifling Women Ramon Novarro Brutal Death Pt.2: Convicted Killer Blames Catholicism Ramon Novarro's extant films for Rex Ingram, The Prisoner of Zenda (1922), in which he plays the sly villain Rupert of Hentzau, and Scaramouche (1923), in the heroic title role, are also well worth a look. I haven't watched The Arab (1924), which has been recently brought back to the United States from foreign archives. My understanding is that the print is incomplete; even so, here's hoping The Arab will soon be restored and shown on TCM. The now lost Ingram-Novarro collaboration Trifling Women (1922) would probably have been a sumptuous treat — cinematographer John F. Seitz's work in that Gothic melodrama seems to have inspired his later chiaroscuro lighting for Billy Wilder's Sunset Blvd. The same goes for the idyllic Where the Pavement Ends (1923), a tale of interethnic romance set on a South Pacific...