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Nosferatu

Título original: Nosferatu, eine Symphonie des Grauens
  • 1922
  • 12
  • 1 h 34 min
AVALIAÇÃO DA IMDb
7,8/10
120 mil
SUA AVALIAÇÃO
POPULARIDADE
3.010
52
Nosferatu (1922)
NOSFERATU.  A chronicle of the Great Death in Wisborg.  The story of Nosferatu is one of gothic horror, sensuality and ultimately, death. Unlike Bram Stokers Dracula, the events in the movie take place, not in London, but in Bremen, Germany during the 183
Reproduzir trailer2:27
1 vídeo
99+ fotos
Fantasia sombriaTerror popularTerror sobrenaturalTerror vampíricoFantasiaHorror

Hutter viaja até aos Cárpatos para vender um castelo cujo proprietário é o Conde Orlock, um vampiro que vai para Bremen e espalha o terror. Quem pode reverter esta situação é Ellen, a esposa... Ler tudoHutter viaja até aos Cárpatos para vender um castelo cujo proprietário é o Conde Orlock, um vampiro que vai para Bremen e espalha o terror. Quem pode reverter esta situação é Ellen, a esposa de Hutter, pois Orlock está apaixonado por ela.Hutter viaja até aos Cárpatos para vender um castelo cujo proprietário é o Conde Orlock, um vampiro que vai para Bremen e espalha o terror. Quem pode reverter esta situação é Ellen, a esposa de Hutter, pois Orlock está apaixonado por ela.

  • Direção
    • F.W. Murnau
  • Roteiristas
    • Bram Stoker
    • Henrik Galeen
  • Artistas
    • Max Schreck
    • Alexander Granach
    • Gustav von Wangenheim
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,8/10
    120 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.010
    52
    • Direção
      • F.W. Murnau
    • Roteiristas
      • Bram Stoker
      • Henrik Galeen
    • Artistas
      • Max Schreck
      • Alexander Granach
      • Gustav von Wangenheim
    • 617Avaliações de usuários
    • 236Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 2 indicações no total

    Vídeos1

    Nosferatu / Vampyr
    Trailer 2:27
    Nosferatu / Vampyr

    Fotos195

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    Elenco principal21

    Editar
    Max Schreck
    Max Schreck
    • Graf Orlok
    Alexander Granach
    Alexander Granach
    • Knock - ein Häusermakler
    Gustav von Wangenheim
    Gustav von Wangenheim
    • Hutter
    • (as Gustav v. Wangenheim)
    Greta Schröder
    Greta Schröder
    • Ellen - seine Frau
    • (as Greta Schroeder)
    Georg H. Schnell
    • Harding - ein Reeder
    • (as G.H. Schnell)
    Ruth Landshoff
    • Ruth - seine Schwester
    Gustav Botz
    • Professor Sievers - der Stadtarzt
    John Gottowt
    John Gottowt
    • Professor Bulwer - ein Paracelsianer
    Max Nemetz
    • Ein Kapitän
    Wolfgang Heinz
    • 1. Matrose
    Albert Venohr
    • 2. Matrose
    Karl Etlinger
    Karl Etlinger
    • Kontrolleur am Kai
    • (não creditado)
    Hans Lanser-Ludolff
    • A magistrate
    • (não creditado)
    Loni Nest
    • Child at Window
    • (não creditado)
    Fritz Rasp
    Fritz Rasp
    • Knocks Mitarbeiter
    • (não creditado)
    Josef Sareny
    • Head Coachman
    • (não creditado)
    Fanny Schreck
    • Krankenschwester im Hospital
    • (não creditado)
    Eric van Viele
    • Matrose 2
    • (não creditado)
    • Direção
      • F.W. Murnau
    • Roteiristas
      • Bram Stoker
      • Henrik Galeen
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários617

    7,8120.3K
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    10

    Avaliações em destaque

    gagewyn

    Good mixture of suspense and action

    I watched the Kartes Video Communications 1984 video cassette version on a 15 inch screen. Titles were in English. Film quality was good. Sound was matched to action. Cropping appeared good, and titles were completely visible. This should give an idea of the technical quality of the release I watched.

    Nosferatu is one of the few silent movies with a significant following today. It deserves a following. The film is a suspense piece. Still it is paced nicely so that it feels tense in the right places but never goes long enough without something happening so as to be boring.

    Visually Nosferatu forms the precedent for the vampire in movies. The main difference is that Count Nosferatu has more affinity with rat than bat. Aside from this the main stream image of the vampire is based heavily on Nosferatu. This film has been as influential on modern vampire mythology as the novel Dracula. It is based on the novel Dracula. Especially disturbing to me personally are NosferatuÕs twisted hands.

    In terms of the filmÕs being silent, this should not put anyone off. The suspense/ horror genre fits well into this medium. I was lucky enough to see a version with music matched to the scenes, but if the copy you are watching has a bad sound track just play some music you like.

    I recommend this film to anyone interested in the horror or suspense films. It is a bit of a cult film, but this does not keep it from being actually good.
    10Quinoa1984

    a truly original Vampire film- a tale of the Gothic legend in Murnau's masterpiece

    Nosferatu is a great horror movie (possibly the first ever according to some accounts), and one of the pinnacles of the German silent era of film-making. Made in the silent age by the German expressionist/auteur FW Murnau, the film has the genuine power to act creepy, odd, alluring, mythic, and beautiful by way of images and music that don't leave your mind once the film is over. It's like someone collected a stash of nightmares and pulled them together with the original Bram Stoker story of Dracula. Max Shreck, in his most notorious role (and apparently the only one really anyone's bothered to see) plays the monstrous Count Orlock, a vampire who comes out at night to tempt the living and, of course, to suck blood. Though this story of Dracula has been numerously repeated (even by the Hollywood version in the early 30s), this film is one of the prime examples of how horror SHOULD be done- dispense with cheap thrills or overloading with exposition.

    A director like Murnau here, who had total artistic control (abeit the film not in circulation for many years), could transform Orlock's world into one of acute, deliberate angles, long deep shadows, and painting with light like some mad artist from the dark ages. One could almost claim that this, alongside Night of the Living Dead, changed the way audiences looked at horror films, that a style and presence could be wrung from characters that bring out the worst fears and dread in common people. Years from now, long into the digital age, there may still be room for of all things a silent, non-talking effort like Nosferatu, where the terror can still be felt through the black and white (sometimes tinted) photography and stark physical performances by Schrek and the others. In short, a film like this is one of the reasons I love to watch horror movies.
    keihan

    My conception of the vampire made celluloid...

    I despise most vampire stories. Not even Florence Stoker's dear departed husband could keep me occupied after the first act in Transylvania in "Dracula". The vampire has been so romanticized as an archetype (particularly during the '90s) that I can't but feel that most horror fans have forgotten exactly what made us afraid of these guys to begin with. Murnau's "Nosferatu" is just such a reminder and, because of that, is the only screen version of "Dracula" that I have ever loved.

    Though Murnau, in the hopes of dodging the copyright bullet, took many liberties with the novel, he actually shot a great part of the film on location (an unusual practice for the time) in the historical Dracula's old stomping grounds: the Carpathian Mountains in Romania. The town, landscapes, and castles were all for real, not just some fancy studio backdrop. To me, it helps convey the tone of authenticity, as you can believe this story being told. As for Max Schreck, no charming, suave seducer is he. With his bald head, bushy eyebrows, rat-like teeth, pointed ears, nails as long as the fingers they are attached to, emaciated build, and stare that seems to come from the bottom of Hell itself, he is the primal, archetypal image of the vampire of legend.

    While some could interpret this tale as a subtext to Nazism or anti-Semetism, at it's core, it's simply the tale of a monster, who brings ruin and death in his wake. That such a tale has managed to survive it's era, considering the obstacles that could have totally removed it from view, is the gain of all who have seen. Eat your heart out, Bela Lugosi.
    didi-5

    superb silent Dracula

    For copyright reasons, Bram Stoker's novel was filmed with the names of the characters changed (Orlok for Dracula, for example) but otherwise the story remains the same: a young man goes on a trip to see a mysterious count in order to sell a house, leaving his bride behind, and finds that the creature he meets is not of this world.

    As the extremely creepy Orlok, Max Schreck is brilliant, with his long fingernails and gaunt appearance. A triumph in early cinematic make-up. Gustav von Wangenheim portrays the confusion of the victim well, as does Greta Schroder as his wife. FW Murnau directed the film with flair, showing us not only shadowed vistas and abandoned castles, but the nature outside (foxes) and miniature worlds evolving under a microscope. This film sits well with his later 'Sunrise' in showing the effect of outside forces on a young couple, as well as being one of the key early horrors in its portrayal of Stoker's anti-hero.

    This version of the Dracula tale remains one of the best, although all have some different perspective on the novel. On the strength of 'Nosferatu' alone, Murnau deserves his place as a true innovator of silent cinema.
    10jhclues

    Max Schreck IS "Nosferatu"

    In 1921, director F.W. Murnau set out to make a horror film based on Bram Stoker's novel, `Dracula,' but was denied the rights to the property by Stoker's estate. Undeterred, however, Murnau merely changed the title to `Nosferatu,' the name of the title character to `Count Orlok,' then proceeded to make what has come to be considered nothing less than a classic of the silent film era. An unsettling film (especially for the times in which it was made), it is a faithful adaptation of Stoker's story, and brings images to the screen, the likes of which at the time, had never before been seen. And although by today's standards much of it may seem relatively tame, there is an innate sense of the sinister about it that is timeless. For the same elements that so unnerved audiences in 1922 when it was released, are equally discomfiting now, most of which is courtesy of Max Schreck, who portrayed Count Orlok. It was the first screen appearance for what is now the most famous vampire in history, and the German character actor Schreck brought an eerie presence to the role that has never been equaled. Bela Lugosi may be considered the definitive Dracula-- his portrayal is certainly the most well known-- but even he could not match the sense of evil that Schreck brought to the character. The scene in which Schreck's shadow is cast on the wall as he slowly negotiates a staircase, emphasizing his misshapen head and elongated fingers and nails, is an image that leaves an indelible impression on the memory, as does Schreck's overall appearance: Lanky, though slightly stooped, with oversized, pointed ears and haunted, sunken eyes. It was Schreck's greatest screen role, and had it not been for a lawsuit by Stoker's estate that prevented wide distribution of the film, it would no doubt have made him a star. The supporting cast includes John gottowt, Alexander Granach, Wolfgang Heinz, Max Nemetz, Gustav von Wangenheim, Ruth Landshoff and Greta Schroder. An air of mystery surrounded the set during the filming of `Nosferatu' that became something of a myth, which began with the fact that Schreck, a method actor, was never seen by cast nor crew without his makeup and in character. And it was further perpetuated when it may have been implied by Murnau that Schreck was actually a vampire playing an actor playing a vampire, all of which goes a long way toward proving that `hype' is nothing new to the entertainment industry. One of the three most highly regarded German directors of the times, Murnau, whose philosophy was that `nothing existed beyond the frame,' directed a number of films, but none achieved the lasting notoriety of `Nosferatu.' For film buffs everywhere, as well as aficionados of silent pictures, this film is a must-see, and a perfect companion piece to the recently released (2000) `Shadow of the Vampire,' the film by E. Elias Merhige that chronicles the making of `Nosferatu.' A comparatively short film-- the restored DVD version runs 81 minutes, the video, 63 minutes-- it will nevertheless provide an entertaining and memorable cinematic experience. This is an example of not only the magic, but the magic at the very core of the movies. I rate this one 10/10.

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    Horror

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The movie was banned in Sweden due to excessive horror. The ban was finally lifted in 1972.
    • Erros de gravação
      (at around 30 mins) When Hutter is writing his letter to Ellen in Count Orlok's castle, the paper that he is meant to be writing on is clearly blank throughout the scene.
    • Citações

      Graf Orlok: Your wife has such a beautiful neck...

    • Versões alternativas
      There are a confusing number of different surviving prints, restorations and alternate versions of Nosferatu. In the main, there are three 'complete' restorations and two incomplete, partially-restored versions. All five are available on DVD, while the latest two restorations, from 1995 and 2006, are also on Blu-ray. In addition there are countless low-quality public domain DVDs with different lengths, running speeds and soundtracks. All are derived from a single print held by the Museum of Modern Art (MoMA). They usually have replacement American intertitles and are always in black and white; the film was originally color tinted throughout and only meant to be seen that way. This comprehensive article explains all of them simply and clearly: Nosferatu: The Ultimate Blu-ray and DVD Guide.
    • Conexões
      Edited into Boo (1932)
    • Trilhas sonoras
      Jeux d'enfants - Galop
      Written by Jack Norworth

      [Plays during the croquet scene in the 2006 restoration]

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    Perguntas frequentes17

    • How long is Nosferatu: A Symphony of Horror?Fornecido pela Alexa
    • How many different versions exist of 'Nosferatu'?

    Detalhes

    Editar
    • Data de lançamento
      • 19 de dezembro de 1922 (Alemanha)
    • País de origem
      • Alemanha
    • Central de atendimento oficial
      • Official Site
    • Idiomas
      • Alemão
      • Inglês
    • Também conhecido como
      • Nosferatu: uma sinfonia de horror
    • Locações de filme
      • Starhrad Castle, Nezbudská Lúcka, Eslováquia(castle in ruins)
    • Empresas de produção
      • Jofa-Atelier Berlin-Johannisthal
      • Prana-Film GmbH
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 48.892
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 34 min(94 min)
    • Mixagem de som
      • Silent
    • Proporção
      • 1.33 : 1

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