De Marujo a Comandante

Rudolph Valentino's name would not for long be beneath another player's as it is in Moran Of The Lady Letty. Dorothy Dalton is first billed in this film which casts Rudy as a young playboy who gets Shanghaied aboard a modern day pirate ship skippered by Walter Long.

He's quite the pampered one Rudy is, but some experience with this crew and their evil skipper is enough to toughen anyone up. Later on sound successors to the Valentino image like Robert Taylor and Tyrone Power both of whom did sound remakes of Valentino roles were also deliberately given action material like this to broaden their appeal.

Even without sound Valentino's charisma comes through over 90 years after this film was released. Walter Long who played many a brutish, thuggish villainous role is at his best doing his thing in this film.

Moran Of The Lady Letty is a good introduction to the films of and the legend that was Rudolph Valentino.

On the sailing vessel the Lady Letty, we meet Moran (Dorothy Dalton), a Norwegian tomboy, reared as a seaman, who wears pants and works the ship right alongside the men. In San Francisco on Nob Hill lives rich and handsome Ramon (Valentino), idol of the débutantes, who spends his time throwing house parties and sailing on yachts. One day he's late for one of his yacht parties and gets himself shanghaied by a ship full of sea-outlaws. Forced to become Second Mate on a voyage headed towards Mexico, Ramon seems to take a shine to being shipboard and changes rapidly from dandy to able-bodied seaman, and before you know it he's happily swabbing the decks and looking gorgeous in white sleeveless t-shirt. Meanwhile, sailing in the same waters is the Lady Letty which suddenly catches on fire, and the outlaws go aboard to loot it, coming back with nothing but rum and a "loco sailor" - actually Moran dressed as a boy, brought over by Ramon who tries to keep her hidden away from the evil Captain. Now Ramon seems to develop a crush on Moran, but this may not work out for him - see, she wishes she were born a boy!

This film is packed with lots of shipboard action, fights, etc. - a bit too much for my taste actually. There is also a plot element that seems a little odd to me and that is the fact that Ramon seems so happy being on the ship with bad men who kidnapped him and are committing crimes. I am also not sure I like the match between Valentino and the woman, I kind of like them better as just "mates". The mainly sepia-tinted print shown on TCM looked okay, a tiny bit washed-out here and there but pretty good as a whole, and featured an excellent music score that matched the action well. For me, Valentino is the main reason to see this - he looks stunningly handsome in all of his scenes - sigh! I like Dorothy Dalton too, well cast in her tomboy part. Worth seeing for the beauty of Valentino alone.

I welcome any opportunity to see Valentino, and "Moran of the Lady Letty" from 1922 is Valentino in action, aimed at getting the men interested in him as well as women.

Based on a play, the story concerns a wealthy young playboy, Ramon, with no purpose in life who is shanghaied and put into service on a ship of smugglers. Life on the sea and working turns out to be a good and enjoyable thing for Ramon. One day, the crew sees a boat that has suffered a coal fire and looks empty, so the men climb aboard to steal what they can. They find one crew member alive, who turns out to be a woman, Moran Letty (Dorothy Dalton), the daughter of the burned ship's captain. Ramon protects her from the evil captain (Charles Brinley) and falls in love with her.

Differences in class were the major topic of stories, plays, etc. in the '20s into the early '30s. This is no exception. Seen today, the facial expressions are big and obvious, and the dialogue cards are open to a different interpretation nowadays - Letty has no use for men, doesn't like them, and wished she had been born a man! Dorothy Dalton is exotic-looking and good as Letty, and Valentino is very handsome and effective as Ramon. The film is loaded with stereotypes, including the likable character Chopstick Charlie, played by Japanese actor George Kuwa.

This is all to be expected in an 88-year-old film. We only have a fraction of silent films available when you look at what has been made versus what has been lost. It's not the greatest Valentino film, but don't pass this up if you have a chance to see it.

Valentino does a quite creditable job of portraying a bored San Francisco society swell, whose life is turned upside down when he gets shanghaied by a villainous arms smuggler. His performance is refreshingly naturalistic (for a silent) as he discovers unexpected pleasure in his rough-and-tumble life as a smuggler -- at least, until the more sinister side of his captain's nature emerges. Walter Long makes a good heavy, and Dorothy Dalton is passable as the love interest.

What captivated me, though, were the locations: That harbor chock-full of tall ships, just at the end of the era of commercial viability for sail. And especially the two merchant ships on which most of the action takes place. When you see a sailing ship in a movie it's usually a replica of a warship from the 18th Century or earlier. I found those little details of actual workhorse merchant vessels from the late 1800s/early 1900s -- the zenith of commercial sailing -- fascinating.

For instance, there's a pretty authentic sequence in which the Lady Letty's cargo of coal spontaneously combusts -- a bad enough prospect when you're at sea, but much, much worse when you're at sea on something as inflammable as a ship constructed out of very dry wood. After the captain and a couple of men are overcome by fumes while trying to fight the fire, the remaining crew panics and abandons ship, leaving the captain's daughter behind, easy prey for vultures like Capt. "Slippery" Kitchell.

Whether you're a seafaring history buff or not, this is still an entertaining example of an action film from the heyday of the silents, and for my taste one of Rudolph Valentino's most watchable performances.

"Ramon" (Rudolph Valentino) is a spoilt little rich boy, bored of his life of banal glittering soirées with glamorous wallflowers. Shortly after we meet him, though, he is praying for that peaceable life after he finds himself coming to on a freighter carrying coal. This cargo was notoriously risky as it was prone to catching fire and producing a lethal gas and when, dead on cue, this happens - the cowardly crew abandon the ship leaving him behind. Luckily (or not?) the ship is soon boarded by another crew which leaves him and his surviving shipmate "Moran" (Dorothy Dalton) at the mercy of the ruthless "Capt. Kitchell" (Walter Long) who's aptly nicknamed "Slippery"! What we now realise is that the tomboyish "Moran" isn't actually a boy at all and as if that's not enough to pack into this barely one hour long feature, there's some treasure to be claimed too. Tempers fray and "KItchell" and "Ramon" look set for a bit of fisticuffs. I quite enjoyed this adventure film, if only because it shows Valentino in a more assertive role and Long is really quite effective, too, as the nasty creature who quite plausibly epitomised many of those jobbing sea captains who had scant regard for the laws of salvage or men! Dalton also turns in a plucky contribution and though it's all a little predictable, there are still some entertainingly staged scenes to keep it from sinking.