Adicionar um enredo no seu idiomaIn their first screen appearance together, Stan plays a penniless dog lover and Oliver plays a crook who tries to rob him and his new paramour.In their first screen appearance together, Stan plays a penniless dog lover and Oliver plays a crook who tries to rob him and his new paramour.In their first screen appearance together, Stan plays a penniless dog lover and Oliver plays a crook who tries to rob him and his new paramour.
Avaliações em destaque
A far different Oliver Hardy, but essentially the same Stan Laurel we know and love did their first short film together The Lucky Dog. The voice and mannerisms that went with the Ollie we know from the talkies just are not there in this short subject.
Stan, a little younger, but the same innocence just gets tossed out of his roominghouse and he and a little pup make friends. Later on a rather bulky crook played by Hardy tries to rob him, but when all you have is a pooch to your name there's not much point. In the end Hardy's very bulk gets him in trouble.
An interesting bit of historical silent film, but the short subject in and of itself is no great shakes. Stan would be doing some nice solo short subjects. Ollie would be a supporting player until Hal Roach teamed him with Stan.
For the fans of Stan and Ollie.
Stan, a little younger, but the same innocence just gets tossed out of his roominghouse and he and a little pup make friends. Later on a rather bulky crook played by Hardy tries to rob him, but when all you have is a pooch to your name there's not much point. In the end Hardy's very bulk gets him in trouble.
An interesting bit of historical silent film, but the short subject in and of itself is no great shakes. Stan would be doing some nice solo short subjects. Ollie would be a supporting player until Hal Roach teamed him with Stan.
For the fans of Stan and Ollie.
This is the very first movie with Laurel & Hardy as a comical duo, even though the two appear as enemies in this movie instead as friends. So I don't really consider this movie as a Laurel & Hardy picture.
The first halve of the movie is the best. Stanley Laurel plays the maim character in the movie and he yet again gets himself into some silly trouble. Ironicaly from the moments Oliver Hardy makes his entrance the movie goes downhill. The movie starts to get incoherent and messy, especially in the final few sequences.
Of course this movie is historically still an interesting to watch, since its the first movie in which Laurel & Hardy appear together in sequences. So for fans this still remains a sort of a must-see. Also fans of the early slapstick humor will still find plenty to enjoy in this movie. The movie is certainly better than the most other slapstick movies, made from the same period. For everyone else this movie probably remains a messy, incoherent silent comedy short that isn't really worth watching.
6/10
http://bobafett1138.blogspot.com/
The first halve of the movie is the best. Stanley Laurel plays the maim character in the movie and he yet again gets himself into some silly trouble. Ironicaly from the moments Oliver Hardy makes his entrance the movie goes downhill. The movie starts to get incoherent and messy, especially in the final few sequences.
Of course this movie is historically still an interesting to watch, since its the first movie in which Laurel & Hardy appear together in sequences. So for fans this still remains a sort of a must-see. Also fans of the early slapstick humor will still find plenty to enjoy in this movie. The movie is certainly better than the most other slapstick movies, made from the same period. For everyone else this movie probably remains a messy, incoherent silent comedy short that isn't really worth watching.
6/10
http://bobafett1138.blogspot.com/
The date of "The Lucky Dog" is uncertain; it has traditionally been given as 1917, but it has been suggested that it may have been shot as late as 1921. Stan Laurel here plays a down-on-his-luck young man who is thrown out of his lodgings for not paying his rent. He is held up by a robber and twice narrowly avoids being run over by a tram. His only friend is a stray dog who befriends him. The dog, however, proves to be his lucky charm, as it is through the dog that he meets a dog-loving young lady. The dog also saves his life from the girl's jealous boyfriend who is plotting to blow him up with the assistance of the robber.
There is nothing specially interesting about the film, which lacks the inventiveness and the slapstick brilliance of many silent shorts from this period, It has, however, become famous because of an accident of history. It was the first film to star both Stan Laurel and Oliver Hardy, although they had not yet become a comedy partnership. In most of their films they play close friends, work colleagues or business partners, but here Ollie plays the robber who holds Stan up and later conspires with the jealous boyfriend. Had these two not gone on to become the famous duo of Laurel and Hardy, this film would doubtless today be forgotten.
There is nothing specially interesting about the film, which lacks the inventiveness and the slapstick brilliance of many silent shorts from this period, It has, however, become famous because of an accident of history. It was the first film to star both Stan Laurel and Oliver Hardy, although they had not yet become a comedy partnership. In most of their films they play close friends, work colleagues or business partners, but here Ollie plays the robber who holds Stan up and later conspires with the jealous boyfriend. Had these two not gone on to become the famous duo of Laurel and Hardy, this film would doubtless today be forgotten.
Context is important. The first time I saw this film, it was part of Image Entertainment's "Lost Films of Laurel and Hardy" DVD series years ago. In that set, the film was presented alongside their repertoire of better-known, far superior work that they produced several years later at the Hal Roach lot as a team. It's important to keep in mind that in this film they are not at Roach, and years ahead of their official teaming.
At this point in his career, Laurel is an up-and-coming vaudeville performer, a veteran of Fred Karno's English music hall troupe and understudy for Charlie Chaplin prior to his film career. He has appeared in relatively few films. Hardy, conversely, is a seasoned and professional film comedian, having spent most of the previous five or six years in hundreds of films, probably all comedies. Often he played the villain, sometimes another supporting role, and, in his "Pudge and Runt" comedies with Billy Ruge, the star.
I just saw "The Lucky Dog" in sequence with many of the other films that either Laurel or Hardy appeared in during that time. In that context, one has to marvel at the amazing coincidence of this film's mere existence. For example, the false mustache Hardy sports in this film is larger but otherwise similar to the real one he bore in his later appearances with Laurel, after they teamed. It was the only time that I've seen at this point in his career that he wore a smallish, square mustache.
Laurel proves to be a competent and charming comedian on his own, but the film comes to life when the two appear together. Their screen relationship is apparently from the start. Hardy plays a burglar who resolves to wipe out Laurel once the latter turns in defiance of him. Unlike his many other roles as the heavy during this period, Hardy comes off as bumbling and oafish a bully as he does years later, Laurel is as blithe and unintimidated in the face of this imposing man as we remember him from the team's heyday.
When the two appear together, they appear as two kids playing, and we in the audience share in their delight. It does seem like the appearance of Hardy in the second, more rare half of the film, seems to have been inserted as an afterthought, as though the director realized how funny and natural the two of them were together, and decided to use Hardy in another scene with Laurel. One can imagine a scene in real life, just as the one depicted in the film, where Hardy, in his burglar outfit, appears to be leaving the film when the director (or, in the context of the film, the villain) cries out to him - "hey you -- get back here!"
It is worth noting that for all of the times Hardy becomes frustrated with Laurel's character in the team's heyday, this is the only film in which we get to see Hardy literally beat the crap out of Laurel. One scene briefly features Hardy thrashing about a Laurel stuffed dummy to comic effect.
One has to wonder if producer "Bronco Billy" Anderson spent the last 40some years of his life kicking himself for not having teamed these two back in 1919 when this film was produced. It appears someone must have noticed how well the two worked as a team. It seems tragic that we lost so much potential work with them, but we can also be thankful for what they did leave us. It's no slouch by any standard.
At this point in his career, Laurel is an up-and-coming vaudeville performer, a veteran of Fred Karno's English music hall troupe and understudy for Charlie Chaplin prior to his film career. He has appeared in relatively few films. Hardy, conversely, is a seasoned and professional film comedian, having spent most of the previous five or six years in hundreds of films, probably all comedies. Often he played the villain, sometimes another supporting role, and, in his "Pudge and Runt" comedies with Billy Ruge, the star.
I just saw "The Lucky Dog" in sequence with many of the other films that either Laurel or Hardy appeared in during that time. In that context, one has to marvel at the amazing coincidence of this film's mere existence. For example, the false mustache Hardy sports in this film is larger but otherwise similar to the real one he bore in his later appearances with Laurel, after they teamed. It was the only time that I've seen at this point in his career that he wore a smallish, square mustache.
Laurel proves to be a competent and charming comedian on his own, but the film comes to life when the two appear together. Their screen relationship is apparently from the start. Hardy plays a burglar who resolves to wipe out Laurel once the latter turns in defiance of him. Unlike his many other roles as the heavy during this period, Hardy comes off as bumbling and oafish a bully as he does years later, Laurel is as blithe and unintimidated in the face of this imposing man as we remember him from the team's heyday.
When the two appear together, they appear as two kids playing, and we in the audience share in their delight. It does seem like the appearance of Hardy in the second, more rare half of the film, seems to have been inserted as an afterthought, as though the director realized how funny and natural the two of them were together, and decided to use Hardy in another scene with Laurel. One can imagine a scene in real life, just as the one depicted in the film, where Hardy, in his burglar outfit, appears to be leaving the film when the director (or, in the context of the film, the villain) cries out to him - "hey you -- get back here!"
It is worth noting that for all of the times Hardy becomes frustrated with Laurel's character in the team's heyday, this is the only film in which we get to see Hardy literally beat the crap out of Laurel. One scene briefly features Hardy thrashing about a Laurel stuffed dummy to comic effect.
One has to wonder if producer "Bronco Billy" Anderson spent the last 40some years of his life kicking himself for not having teamed these two back in 1919 when this film was produced. It appears someone must have noticed how well the two worked as a team. It seems tragic that we lost so much potential work with them, but we can also be thankful for what they did leave us. It's no slouch by any standard.
I can't complain too much, since I picked up 14 Laurel & Hardy films for $6, but I am disappointed in this cut. The movie is missing the entire second half, cutting off at the point where Stan has Babe stuck in the plank fence.
This version (Platinum Disc) is also totally without title cards, so it lacks the infamous line 'Put 'em both up, insect, or I'll comb your hair with lead!' that marked the first dialogue to take place between the greatest comedy team who ever made movies.
Still, for six bucks, I'm glad to have even this fragmentary version, though I will certainly seek the full film, in the future.
This version (Platinum Disc) is also totally without title cards, so it lacks the infamous line 'Put 'em both up, insect, or I'll comb your hair with lead!' that marked the first dialogue to take place between the greatest comedy team who ever made movies.
Still, for six bucks, I'm glad to have even this fragmentary version, though I will certainly seek the full film, in the future.
Você sabia?
- CuriosidadesThe first time Stan Laurel and Oliver Hardy were in a film together. In the film Hardy was a thief who robbed Laurel at gunpoint.
- Erros de gravaçãoTraffic can be seen going backwards when Stan almost gets hit by a streetcar.
- ConexõesEdited into Silent Laugh Makers #1 (1983)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Laurel und Hardy im Flegelalter
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 24 min
- Mixagem de som
- Proporção
- 1.33 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente