AVALIAÇÃO DA IMDb
7,6/10
18 mil
SUA AVALIAÇÃO
Documentário ficcionalizado que mostra a evolução da bruxaria, desde suas raízes pagãs até sua confusão com a histeria no Leste Europeu.Documentário ficcionalizado que mostra a evolução da bruxaria, desde suas raízes pagãs até sua confusão com a histeria no Leste Europeu.Documentário ficcionalizado que mostra a evolução da bruxaria, desde suas raízes pagãs até sua confusão com a histeria no Leste Europeu.
- Direção
- Roteirista
- Artistas
Elisabeth Christensen
- En ældre bondekone
- (as Elizabeth Christensen)
- …
John Andersen
- Chief Inquisitor
- (as Johs Andersen)
Emmy Schønfeld
- Marie, the Seamstress
- (as Emmy Schönfeld)
Avaliações em destaque
The writer and director Benjamin Christensen discloses a historical view of the witches through the seven parts of this silent movie.
In the beginning, there is a slide-show alternating intertitles with drawings and paintings to illustrate the explanations of the behavior of pagan cultures and in the Middle Ages regarding their vision of demons and witches.
Then there is a dramatization of the situation of the witches in the Middle Ages, with the witchcraft and the witch-hunts.
Finally Benjamin Christensen compares the behavior of hysteria of the modern women of 1921 with the behavior of the witches in the Middle Ages, concluding that they are very similar.
"Häxan" is incredibly perfect for a for a 1922 movie. Like in a thesis, he exposes his point of view based in his study of the theme along the time. The reconstitution of the witches in the Middle Ages is amazing. The last part with the comparison with the hysteric women is funny in 2010, but it was the reality in 1921. My vote is eight.
Title (Brazil): "Häxan - A Feitiçaria Através dos Tempos" ("Häxan - The Witchcraft Through the Time")
Note: On 16 Aug 2018 I saw this film again.
In the beginning, there is a slide-show alternating intertitles with drawings and paintings to illustrate the explanations of the behavior of pagan cultures and in the Middle Ages regarding their vision of demons and witches.
Then there is a dramatization of the situation of the witches in the Middle Ages, with the witchcraft and the witch-hunts.
Finally Benjamin Christensen compares the behavior of hysteria of the modern women of 1921 with the behavior of the witches in the Middle Ages, concluding that they are very similar.
"Häxan" is incredibly perfect for a for a 1922 movie. Like in a thesis, he exposes his point of view based in his study of the theme along the time. The reconstitution of the witches in the Middle Ages is amazing. The last part with the comparison with the hysteric women is funny in 2010, but it was the reality in 1921. My vote is eight.
Title (Brazil): "Häxan - A Feitiçaria Através dos Tempos" ("Häxan - The Witchcraft Through the Time")
Note: On 16 Aug 2018 I saw this film again.
This film gives us a thoughtful look at the horrifying potential of fear, ignorance and superstition. I have to say I admire the courage Benjamin Christensen showed in making this film which not only must have offended the sensibilities of the time for the obvious reasons but also because it dared to champion reason over superstition as a way of explaining things which we do not fully understand. This film resonates with its message that those who judged others unjust may not have been just themselves.
10MrETrain
More commonly known as "Witchcraft Through the Ages", this is definitely one of the most bizarre, visually arresting movies of all time, even nearly 80 years later. It starts out as a rather dry documentary, detailing medieval superstitions and folklore while showing ancient woodcarvings of witches and demons in various forms. Then we move on into the dramatic portion of the film. In one scene we see witches concocting potions using the body parts of corpses from the gallows. One witch walks in carrying a bundle of sticks, and undoes the bundle revealing a decomposed human hand hidden inside. Fans of "The Blair Witch Project" should take notice, especially considering that the Danish title of this film is "Haxan", also the name of the movie company that created "Blair Witch".
Director Benjamin Christensen appears as a leering, tongue-wagging Satan, with very realistic makeup. The witches are shown with the Devil and his minions performing various acts of sacrilege and perversion that must have been extremely shocking at the time the movie originally appeared, and would be offensive to many people still. The film was banned for many years because of the depiction of these acts (not to mention the occasional nudity), as well as sacrileges performed by nuns and monks. There are some stop-motion animation sequences (pre-Harryhousen, no less) that are very good, especially for the time. This is a difficult movie to describe. It really is something that you'd have to see for yourself.
The version I am reviewing is actually the re-issue from 1966, with a dubbed-over narration by beat novelist/junkie William Burroughs, and a modern, jazzy score featuring Jean-Luc Ponty. I enjoyed Burroughs' narration quite a bit, but oftimes the music is annoyingly inappropriate. Sometimes it works very well, but most of the time I was wishing for a standard orchestral, or vitaphone, score. A Klezmer score, even, would have been very effective. There are a few different versions available, some with subtitles and an orchestral score. Maybe one of these days they'll come out with a version featuring the Burroughs narration along with a more appropriate orchestral score. That would be perfect. As it is, this an impressive, compulsively watchable film that still goes further than most dare to go, even in these much more permissive times.
Director Benjamin Christensen appears as a leering, tongue-wagging Satan, with very realistic makeup. The witches are shown with the Devil and his minions performing various acts of sacrilege and perversion that must have been extremely shocking at the time the movie originally appeared, and would be offensive to many people still. The film was banned for many years because of the depiction of these acts (not to mention the occasional nudity), as well as sacrileges performed by nuns and monks. There are some stop-motion animation sequences (pre-Harryhousen, no less) that are very good, especially for the time. This is a difficult movie to describe. It really is something that you'd have to see for yourself.
The version I am reviewing is actually the re-issue from 1966, with a dubbed-over narration by beat novelist/junkie William Burroughs, and a modern, jazzy score featuring Jean-Luc Ponty. I enjoyed Burroughs' narration quite a bit, but oftimes the music is annoyingly inappropriate. Sometimes it works very well, but most of the time I was wishing for a standard orchestral, or vitaphone, score. A Klezmer score, even, would have been very effective. There are a few different versions available, some with subtitles and an orchestral score. Maybe one of these days they'll come out with a version featuring the Burroughs narration along with a more appropriate orchestral score. That would be perfect. As it is, this an impressive, compulsively watchable film that still goes further than most dare to go, even in these much more permissive times.
I found this 1922 "documentary" to be amazing in it's inovative and creative portrayal of witchcraft in the middle ages. Scenes of nudity and torture made this film very controversial in 1922 and caused it to be banned as well as greatly edited in later versions. Criterion has done a great job of preserving the film as it was intended to be seen with censored footage restored, an excellent tinted print, a corrected "projection" speed, a new score that recreates the music played at the original Danish premiere, and some interesting extras. The 1968 William Burroughs narrarated version is also included here and it's pretty ridiculous. The jazz soundtrack is just so very wrong. But still, it's interesting to see, kind of like the "Love Conquers All" version of Brazil. I think that anyone who is interested in film and film history will find this dvd facinating.
Imagine Tod Browning and Jean Cocteau making a film together and you might begin to get an idea of what you'll see in this film. It's rather disjointed in its storytelling but who cares? Where else can you see witches kissing the ass of Satan, boiling non-baptized babies, and giving birth to demons? Not to mention getting a full tour of the state-of-the-art in medieval torture devices! The film is really no more a documentary than "The Blair Witch Project" but certainly in the 1920s it must have been considered as such. Today, it makes for great Halloween viewing, giving us a chance to re-live the chilling legends that kept us afraid of the dark as children. The otherworldly glow of 1920s cinematography will retain each creepy image in your mind like musty cobwebs. A must-see for classic horror fans!
Você sabia?
- CuriosidadesThe Swedish film censors required numerous cuts in the film, before authorizing its release. Among the censored scenes were the closeup of the finger being removed from the hanged man's hand, the trampling of the cross in the witch's sabbath scene, the shot of the oozing infant held over a cooking pot, a closeup of a woman's face while she is on a torture rack, closeups of several instruments of torture being employed, and a shot of a demon embracing a nude woman (all these shots have since been restored to the film).
- Erros de gravaçãoThe skeletal horse-like creature wandering around during the Sabbath clearly is being moved about by a couple of stage hands, hidden under the blanket that covers its "body". The feet of the crew member at the front of the monster are visible in one shot.
- Citações
Title Card: Poor little hysterical witch! In the middle ages you were in conflict with the church. Now it is with the law.
- Cenas durante ou pós-créditosDirector Benjamin Christensen personally thanks his cinematographer and art director through the opening titles.
- Versões alternativasWitchcraft Through the Ages (1968), the 76-minute version of Häxan, narrated by William S. Burroughs, with a soundtrack featuring Jean-Luc Ponty
- ConexõesEdited into From Camille to Joan of Arc (1961)
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- SEK 2.000.000 (estimativa)
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