Harold, Neto Mimado

GRANDMA'S BOY is among the first silent comedies that focus on characterization. It is also Lloyd's breakthrough picture which set him on the rank of Chaplin and Keaton and we can easily see why. It's full of tightly linked, ingenious gags( even where he put his hat would serve as a link to later action ). It also keeps some acrobatic movements that reminds us of Lloyd's 2 reeler days. It has a strong story line, and consistent plot development and delicate performance from Lloyd as well. The Grandpa's Civil war episode is truly funny.

I think the best overall summary would be to call this a dramatic comedy. Harold Lloyd displays accomplished slapstick while at the same time being involved in the drama of catching a tramp causing a lot of problems for the town. An ongoing subplot involves the used-to-be school bully (now grown up) who continues to bully Harold and does his best to take his girl from him. It is not until Harold's grandma tells him about a special amulet that his grandfather used in the Civil War and got his courage from that he gets up the courage to take after the tramp and take on the bully. All of the action involves numerous slapstick antics that really make the movie. Yet, with all of that, the point still comes across that things don't give us courage and abilities. We get our courage to act from within ourselves. This movie reinforces that there were very good silent movies made and we can learn from them and have a lot of laughs at the same time.

"Grandma's Boy" is an entertaining Harold Lloyd comedy that combines plenty of his usual slapstick antics with some thoughtful, if simple, ideas that add another dimension. Lloyd's character is more sympathetic than usual, and the story is funny, includes some good action, and is occasionally reflective. While it does not have any dazzling sequences (such as in "Safety Last"), it succeeds quite well on its own level.

Lloyd gives a good performance as always, with his hapless but earnest character. The rest of the cast helps out as well. Charles Stevenson is suitably overbearing as Lloyd's rival, Mildred Davis is likable as his girlfriend, and Anna Townsend is believable as his grandmother, determined to help out her boy. The amusing story that she tells about Harold's grandfather is one of the highlights, and it is used quite well in the plot.

The rest of the story is good as well, and all in all this is an enjoyable little feature.

Another fun Lloyd movie, set in the standard small, rural town of silent movies. (I always wonder how close those were to reality.) Lloyd is endearing as a timid boy, and displays some fine acting as well as comic ability. Anna Townsend as Lloyd's grandma is refreshingly both tough and likeable, a bonus for the modern female viewer. Mildred Davis (Lloyd's future wife) doesn't have a huge part, but plays it well. (Though I wonder about the childlike clothes she wears; would anyone over 13 really have sported a massive hair bow in 1922?) The movie seems to have had great influence: the civil-war sequence must have been an inspiration for Keaton's "The General", and a flashback to Harold's boyhood shows how his distinctive bespectacled look even helped create Harry Potter. As usual, several good animal actors. There is one joke--having to do with a white family's black butler--that is in kind of questionable taste, but it could be construed as more of a comment on class than race. You'll enjoy watching this with your kids (or without!)

Although the similarity of this plot to several other Lloyd films is obvious (thus preventing it from getting a rating of 10), this is still one of Harold Lloyd's best. What sets this apart from many comedies of the same era is that it is NOT jam-packed with laughs but takes a more leisurely pace and tells a sweet story. Our hero, Lloyd, is a wimp with little self-confidence. His loving grandmother gives him Grandpa's good luck charm--saying it will give him strength and courage. As a result he is able to help the town look for a dangerous desperado and in the process prove to his girl that he is indeed a man.

Great cinematography, pacing and excellent laughs all work together to make this his best film up until that time. Plus, unlike most comedies of the time, this one is quite artistic and sweet.