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Buster Keaton works as apprentice in the blacksmith's shop. When little misunderstanding sends the blacksmith into jail, Buster has to take over all the jobs. One little mistake leads to another and accidents grow bigger, until Buster destroys gleaming white Rolls Royce, and he is finally chased out from the town.

'The Blacksmith' doesn't include stunts on the large scale, but every little gag is so well tied with the next one, that it makes the film flow. Above the average on Buster Keaton scale, but probably the best one in the sense of pure storytelling - every joke and gag moves the story forward, and are not there just for the laughs. Or just for the sake of performing big stunt.

A young blacksmith's apprentice, through the usual in luck and malfunctioning gadgetry, ends up with control of the works for a while. There he tries to make do with all he's learned and what he has, including clever little jokes like horse's shoes in shoeboxes, a watch that needs to be fixed by fire, and a horse-back shock absorber. However, despite his genuine attempts at making everyone happy, eventually all of the customers grow irate, putting the young blacksmith-to-be in danger.

Typical Keaton in its inventiveness, this one has not much to make it stand out from any of his other works except for the delightful destruction of a high-class care, a neat little subversive poke towards conspicuous consumption sentiments. Otherwise, pick a plot line from any other Keaton short, make it revolve around a blacksmith's shop, and you got this neat little fun-fest.

--PolarisDiB

A simple story. A great effect. A lovely comedy, in which not exactly the story is significant but the amazing inventivity. A nice short film, proposing an apprentice and his hilarious mistakes and a love story among horses and cars.

This is an excellent short comedy with a lot of creative material and a good variety of gags. The setting, with Buster as a blacksmith's assistant, lends itself to a lot of good laughs. Buster is very funny in his approach to helping out various horse-owners, and then it gets even funnier when he tries his hand at repairing cars. There's not really much of a plot, but there's a lot of good material that keeps on coming, and it's good fun right up to the very clever last shot.

This film bears a strong resemblance to the Keaton/Arbuckle collaboration "The Garage". Here Keaton is the somewhat inept assistant to a bully (Big Joe Roberts) in a garage where he works as a combination blacksmith and auto mechanic. Ordinary props and tools of the trade become instruments of mischief and mayhem, along with some not-so-ordinary devices of Buster's own design.

During this short film he completely wrecks a new Rolls Royce, a car that retailed for ten thousand dollars back in the early 20's. Did the Keaton Studios have the budget for the destruction of such a vehicle? Some have conjectured that this might have been the Rolls Royce that Keaton received as a wedding present from his brother-in-law and benefactor, Joe Schenck. Also conjectured is that the scene where he is shoeing a horse and equating it with trying to sell shoes to a finicky female customer could have been a dig at his new wife's excessive clothes shopping. This film was made about a year after his marriage to Natalie Talmadge - a marriage that even started out on very rocky ground, and these would have been the kind of passive-aggressive stunts that Keaton was well known for.

I'd recommend it.