Má Sorte

The film was long time lost, until it was restored in the '80s with the final scene still missing. That final scene (which Keaton himself called 'the greatest laugh-getting scene of his career') was later found, and now the film can be enjoyed in it's entirety with the fantastic scene of Buster diving into the pool, but missing it.

Buster stars as out of luck guy who has lost his job and girlfriend, so he tries different methods of taking his own life until he drinks from the bottle which says 'poison'. Luckily for Buster, the bottle contained whiskey that waiter of the restaurant hid from others. Drunken Buster crashes in to the meeting where zoologists discuss the need of including new species among their exhibits. Buster agrees to take the task and all new set of exciting adventures begin.

This short comedy only exists now in a fragmented form, which is too bad, but it's still fun to watch. The restoration on Kino video pieces together almost the entire film, with notes to explain the parts that could no longer be found. It has Buster as a despondent victim of "Hard Luck", and combines some good morbid gags with a series of silly adventures. Because what's left is quite choppy, it will best be enjoyed by those who are used to very old films, but it has some good material and a couple of very funny scenes. Most Keaton fans should enjoy it.

Slight correction for the previous review (though admittedly it came before the actual discovery). The long-lost missing scenes (Keaton walloping the cement in the pool-dive sequence, his return with Chinese wife and child, both cute BTW) WERE found in a French archive (will have to check which one), albeit in terrible-but-watchable shape, and were restored on a special compilation DVD of Keaton rarities (home movies, TV appearances, cameos, and some restored films, including the missing scenes from "Daydreams").

The title is "Keaton Plus"...I found it circulating in the Buffalo Public Library. Not sure of the date, but would probably be between 2001 to 2004. And yes, it's released by Kino Video (in association with the Rohauer and Keaton estates, etc.) It's gratifying to know that the cherry on the top of Keaton's fantastic cinema career in the 20s has survived (barely, but serviceable), and it's a short, sweet coda for such a majestic American comedy talent.

Buster Keaton often cited Hard Luck (1921) as his favorite among his independent short film work, the reason being that the twist ending gave him the biggest laugh of his career, with people still laughing over it on their way out of the movie house. In hindsight, the film is not that wonderful, including the ending, but it is not without merits. The first part is a classic example of "suicide comedy," a controversial subject for us nowadays, but back then, an inept fellow trying to rub himself out in humorous ways was rather common in short subjects. Harold Lloyd and even Mickey Mouse indulged in this sort of gallows humor too. The rest of the film is funny, but not as imaginative or clever as Keaton's best short film work.

'Hard Luck (1921)' is a very unusual Buster Keaton short, and I'll demonstrate this with a very brief synopsis. Down-on-his-luck Buster, having just lost his love and livelihood, resolves to end his life. This proves more difficult than anticipated. After several incredibly droll failed suicide attempts, Buster escapes the need to kill himself by accidentally getting drunk. He staggers into a meeting of zoo staff, and promptly accepts their challenge to capture the ultra-rare armadillo for the zoo's animal collection ("I was on a branch of the zoo!"). Buster then goes fishing, presumably to catch an armadillo, though that subplot is never mentioned again. Buster then wanders into a country club, where he spots a pretty girl (Virginia Fox) embarking on a fox-hunt, and decides to do the same. Later, an evil fugitive named Lizard Lip Luke (Joe Roberts) takes the girl hostage, and Buster saves the day.

Our hero quickly proposes to the rescued damsel-in-distress, but, on hearing of her current marriage, he decides to do some high-diving into a swimming pool (that, without exaggeration, is all the transition we are afforded between these two plot-points). The film's final gag, believed lost for years, has recently been restored, and allegedly brought Buster Keaton his most rapturous audience response: certainly, it comes completely out of left-field! In fact, so bizarre was this conclusion that it made me rethink my original stance on the film as a whole. Beforehand, I was inclined to view 'Hard Luck' as a collection of random gags clumsily cobbled together into a two-reeler. However, something tells me now that the anarchy of Keaton's storyline was very much intended. This is cinematic insanity in the same vein as 'Hellzapoppin' (1941)' or the Marx Brothers.