O Último dos Moicanos

Maurice Tourneur and Clarence Brown co-directed this version James Fenimore Cooper's classic tale of the American primeval forest, The Last Of The Mohicans. In it we have an opportunity to see Wallace Beery get first billing in a film, possibly for the first time as the villainous Magua.

Steeped in the tales of the French and Indian War growing up in the forest region of Upstate New York, Cooper knew his subject and his region well and created some unforgettable literary characters. He was also influenced by Rousseau's ideas of the 'noble savage' who the white man with his civilization had destroyed and continues to destroy. The American Indian was the perfect example for that theory.

Cooper also knew that the Indians, the Hurons here were in the pay of the French. The British too had their allies, the Iroquois Confederation were allied with them. In the end they all got used and abandoned.

As bad as Magua is it's also clear he's in the pay of one faction of the white man which is how I'm sure the Indians saw it back in the day. The noble savage is Uncas played here by Alan Roscoe, a truly magnificent tragic figure who is brought down by his love for one of the Munro sisters.

The Munro sisters Cora and Alice played by Barbara Bedford and Lillian Hall respectively are the daughters of Colonel in charge of Fort William Henry in the Adirondacks. Outnumbered and outgunned the British agree to a surrender to the French, but the Indians all liquored up go hog wild and start killing. Magua who had the Munro Sisters captive before has a thing for Alice who has fallen for Uncas.

Given the title you know it all is going to end badly for a lot of the cast members. That's all I can really say.

This version of The Last Of The Mohicans was filmed at Big Bear Lake and Yosemite National Park to create the primeval forest. Actually that area between the Hudson River and the Massachusetts/Vermont border is still pretty primeval. The cinematography is really outstanding, the best thing about this film.

This silent film after 90 years holds up very well as does Cooper's novel which is an immortal classic.

I love this film. In fact, I find it closer to the novel (written by James Fenimore Cooper) than the 1936 film starring Randolph Scott. Although filmed during the silent era, I find it more "true to form" than the latter film. Wallace Beery is wonderful as "Hawkeye". Unfortunately, nether this nor the 1936 film come close to Michael Mann's thrilling 1992 film. An epic film, It is 1 of my favorite films ever made by Michael Mann. Starring Daniel Day-Lewis as "Hawkeye", with Madeleine Stowe as "Cora Munroe", Jodi May as her sister "Alice Munroe". For me, the best of all casting is the inclusion of 2 very famous Native Americans: Russel Means (as "Chingachgook") and Dennis Banks (as "Ongewasgone"). In fact, Dennis Banks was a co-founder of the American Indian Movement ("AIM"). He was 1 of the leaders of AIM's takeover of Wounded Knee on the Pine Ridge Reservation in South Dakota in 1973. It was a protest against both tribal and U.S. Governments. He was arrested by the FBI. Michael Mann was thrilled when both men accepted his offer to be cast in his (1992) version of this film, which is by far the very best.

You can't compare this version of the Cooper story to later sound versions--it just wouldn't be fair. It's like comparing apples to oranges. However, if you compare this adventure film to other similar silent films, then it comes off as one of the better ones you can find today. Not only does it do a pretty good job of sticking to the original story, but the production values and acting are superb. For a 1920 film, it was amazingly well-crafted and complex. In particular, the outdoor scenes were so realistic and beautiful. Many of the outdoor scenes (particularly at the end) were like works of art--and look very much like moving Ansel Adams photographs. The mountainous scenes are just gorgeous. The stunts were also amazing and well performed--looking every bit as good as modern stunt-work. Also, while most of the Indians are played by white folks in dark paint (a very, very common practice for the day--and which included Boris Karloff as an extra!), they at least look a lot like real Indians. In fact, I was very surprised that they were able to get Wallace Beery of all people to play the lead evil Indian--and he looked pretty convincing!! A tight script and excellent direction all helped to make this a dandy bit of entertainment--well worth seeing even today.

By the way, in some ways the film may seem pretty offensive (calling the natives "savages"), but for the most part it tried to convey them in a three-dimensional way. Sure there were plenty of bad Indians, but some decent ones as well and the movie tried very hard at times to humanize them--something you rarely saw in contemporary films or even those in the 1930s, 40s or 50s.

This is a fine movie adaptation of the classic story of "The Last of the Mohicans", for its time certainly, but in many respects it has held up at least as well as just about any other screen version of the story. The scenario emphasizes the gist of the story, develops most of the main characters efficiently, and at the right times creates a good sense of danger and suspense.

The story is by and large the one familiar from the novel, set in the Seven Years War (which in the USA is often called the 'French and Indian War'), with the British and French relying heavily on their allies among the various native tribes of North America. The Mohicans were the tribe that had occupied some of the first land to be taken by European colonists, and thus already in 1757 had almost disappeared. In the story, they are down to one father and one son, which adds considerable poignancy to events.

The script in this version makes the interesting choice to deemphasize the role of the Mohicans' friend Hawkeye in the course of the story, instead portraying the two Indians, Uncas and Magua, as the primary figures in the fighting and in the ongoing battle of wits. Cooper's novel contains many lengthy descriptive passages, and they are omitted here, replaced instead by many location shots that efficiently and effectively suggest the atmosphere of the time, without using words.

Albert Roscoe (as he was billed here) stars as the courageous Mohican Uncas, Wallace Beery (always good in the role of a heavy) plays the treacherous, mean-spirited Magua, and Barbara Bedford is Cora, whose safety becomes one of the crucial issues in the conflict.

While the story is largely the same, this has a much livelier pace than the novel, and it really works quite well. The photography is very good, especially for 1920. It is well worth seeing for itself, and as an example of a good approach to adapting a classic novel into a movie.

Keeping the story-line close to that of the original novel, this is perhaps the best telling of the Cooper classic. Great photography, and what for the time, must have been considered "under-acting" maintain a timelessness to this version. It is interesting to see a somewhat slim Wallace Beery as the villain Magua. While the 1936 Randolph Scott version is good, this one is the best, much more so than the Daniel Day Lewis atrocity produced in the 90s!!!