Haunted Spooks

Haunted Spooks (1920)

*** (out of 4)

Harold Lloyd and his new bride move into a new house she's inherited and soon the ghosts start to show up but are the real? Here's one of the better shorts I've seen from Lloyd since there's laughs from start to finish. The various failed suicide attempts at the start are very funny but this got me remembering that all of the comedy greats of the silent era got laughs from suicide attempts. When the film moves to the haunted house more laughs follow including some politically incorrect ones.

This short demonstrates all of Harold Lloyd's irreverence, his charm and his comic ability. Unfortunately, compared to others of his films, it does downplay his physical agility and he never finds the opportunity to climb a skyscraper.

The familiar setup is Harold's determination to meet the girl of his dreams and get married, coupled with the cliche of the heiress who must live up to the conditions of a will and visit a "haunted" mansion. Count on Lloyd to make the most of every opportunity for a laugh that comes his way.

Having seen this with a modern audience, I know that people today are distressed by the portrayals of African Americans in the film. That's really too bad, because the little black kid in this film proves himself a comedian easily on a par with Lloyd himself.

Harold Lloyd desperately wants to get married. After being rejected for the hundredth time, he repeatedly attempts to kill himself until he runs into a lawyer whose client (Mildred Davis) has to get married in order to inherit money. The other requirement before she can get the inheritance: she and her husband have to spend a year in her uncle's mansion. The twist: it's haunted! Not really, but I wonder how far this basic plot goes back. It would be wrong of me not to mention that the film can come off as pretty racist, and that title means pretty much what you think it means. Black people, it turns out, are especially afraid of ghosts. But, hey, it was 1920, and, honestly, Lloyd and Davis are almost as scared as the black people (though their eyes don't bug out quite as much), and the second half of the film, with all the characters running around the mansion being scared by people covered in bedsheets, is hilariously madcap.

I in the process of watching or revisiting all of Lloyd's short and feature work and the first few shorts i've watched that i had not previous seen, most notably Number, Please?, have not seemed to have the inspired genius of his features, relying more on the tired run-fall down-slapstick violence and chases of the over-rated Keystone films and Roscoe Arbuckle. They certainly had good moments but were did not offer the Harold of the features.

In Haunted Spooks though we have a film that is ingenious, hilarious and inspired.

From a wonderful introduction to Harold (he's in frame a good 30 seconds before you see him, a truly brilliant reveal) the invention never lets up. The film could easily have sustained 4 reels or more, there is so much going on.

The highlight is a hilarious sequence where Harold, left suicidal by yet another rejection, tries to find ways to do the deed. The result of one attempt involving drowning is priceless and as funny a gag as Lloyd ever produced. Another involving the typical self-absorbed nature of people as a man pauses him in another attempt to ask for a light and then the time while failing to notice the circumstances is equally riotous. It is a gloriously dark vein of comedy for Lloyd, and one he would revisit, that brings to mind Keaton - who often got great fun out of the subject, perfectly demonstrating the fine line between tragedy and comedy.

Here Lloyd does the same perfectly. To so generally happy a character as Lloyd generally portrayed (in contrast to Keaton's more dour screen persona) is ought to be a sad moment (and is one Chaplin would have milked for sentiment) but the triumph of humour over the tragedy is his genius. I know some over-serious types find the subject distasteful but that is to miss the comment which is the fine line between tragedy and comedy, a subject all the finest of the silent comedians (Chaplin, Lloyd, Keaton) understood well and exploited to wonderful effect.

Thankfully the overt ugly and lazy slapstick of violence and chases is largely missing here in favour of genuine laughs and ingenious devices. Bizarrely in the haunted house section of the film there is even a moment that evokes thoughts of FW Murnau's Nosferatu despite the fact that Lloyd's film pre-dates the German masterpiece by 2 years (and it's US premiere by 9).

Mildred Davis, Harold's future wife, is as delightful as always but it is Harold's maturing in comedic styles here that marks this out as a special piece. The only vague marring of the film is a racial stereotyping of the servants in the house - an unfortunate byproduct of the time that seen through modern eyes gains a more negative aspect - but we must remember the time in which the film was made and not judge too harshly for that - in fact Lloyd gives the moment of triumphant discovery to the butler, ably demonstrating his generosity in not always taking centre-stage (in fact Lloyd is missing from probably a quarter of the film entirely).

It is also interesting to note that the accident with a prop bomb which claimed index finger and thumb from his right hand and nearly killed him happened during production of Haunted Spooks, halting production for some months, and the prosthetic glove by wore to disguise this is first evident here. Indeed there are scenes clearly showing his real hand and others with the much lighter in colour prosthetic.

A must see for anyone who not only wants a good laugh but wants to see the mastery of Lloyd at his best in his shorts.

This Harold Lloyd short film is very funny indeed! You cannot watch this short without laughing at something every 30 seconds!

But before I comment on this hilarious short, I disagree with the fact that this is racist. This is because F Gwynplaine MacIntyre says that the title of this movie is meant to be a racial pun: 'spooks' being a 1920s slang term for Negroes. This is, in my opinion, extremely pointless to note for this when watching this film! This is because that the film's 'spooks' are supposed to be the uncle, played by Wallace Howe, who is trying to scare the Girl, played by Milfred Davies, who has just married to the Boy, played by Lloyd. Therefore, the black servants have nothing to do with scaring them away, because they just hide behind curtains, get covered in flour after jumping in the flour, or hide in a huge pair of trousers, or caught the Uncle in disguise as a ghost!

Now I am going to discuss the film.

First of all, the casting list at the beginning of the film gives the first chuckle from the film by saying that the Girl had 'never-well,only once or twice..' and the Uncle is a 'man of sorts-we are not saying what sort'! Pretty funny... or what?

The Boy's suicide attempts are very funny too. From trying to shot himself with a water pistol, falling off a bridge over shallow water, to falling over another bridge into a boat, it's all great slapstick!

The scene in the mansion where the Boy, the Girl, and the servants run away from the 'spooks', hide behind curtains or in flour or trousers is all hilarious. I could not stop laughing at those antics!

The only criticism I have is the well appropriate score is performed in a midi format. But with a silent film to create mood without music is pretty hard. So there is nothing they could do about it when they released this onto an all-region DVD,which was were I watched it from.

Apart from that, the score for this film is fantastic. I especially enjoyed the piece of music when the Boy and Girl entered into the mansion for the first time. That was a great piece to suit the eerie mood of the place.

Also, I thought the Little Boy, played by Ernest Morrison, almost stole the show by creating the illusion of that table moving, hiding in the flour, which made him look like a ghost when he scrambled out of it, and creating that illusion with the big pair trousers really was hilarious. I was glad that Morrison went on to have a well-establsihed career until his death.

I could not agree with Spuzzum, I do wish Harold Lloyd would get more attention.While Keaton and Chaplin ruled the roost of silent comedies , Harold Lloyd is ignored like that. This is too bad, but he could do it all, prat falls, stuntwork, very subtle comedy and he was a great actor as well. Also nothings justifies this opinion any more then the 5-7 minutes of Haunted Spooks. This is because we see Lloyd as a suitor of a rich socialite competing with another suitor, and in this amazing montage, we see them ducking it out, with Lloyd easily getting the better hand of the frustrated suitor.

Overall, if I was to describe this film in three words they would be very funny indeed!