The Flapper

Dame Ginger is a youngster who lives in a boring provincial town, Orange Springs; due to her behavior and yearnings for a thrilling life, her father decides to send her to a boarding school, the kind of place where the upper class girls of the 20's learn to do important things like skiing or flirting, the last habit always with the supervision of a chaperon. In such an idle but strict place, and thanks to some adventures ( she falls in love with a mysterious adult man and will be involved in a robbery ) Ginger will have finally the chance to make her most inward dream come true, to be a genuine flapper.

Herr Alan Crosland 's direction of this film is remarkable ( even though Crossland later will betray the rules of the silent cinema, by directing the first talkie in film history ) because in this early 20's film the technique, continuity and rhythm are developed in an especially suitable way for a romantic comedy. The star is Dame Olive Thomas, an actress who died early and who shows in this film her versatility by playing a character with different shades, an innocent girl transformed into a flapper. In this excellent film restoration there are is also a collection of witty, funny and politically incorrect intertitles that were enjoyed by this stiff German aristocrat thanks to their irony and longhaired impudence.

And now, if you'll allow me, I must temporarily take my leave because this German Count has an appointment with a vamp, a more dangerous woman than a flapper.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

One of several meanings of the term 'flapper' is a teenage girl. Less flattering definitions include young prostitutes and female dancers. Most likely, a combination of the varying interpretations of 'flapper' resulted in the look and lifestyle of a segment of the female population during the 1920's which symbolized the departure from the traditional matronly ethos of generations past.

The development of 'flappers' emerged after the trauma of World War One. Their iconic image received a huge boast in Selznick Pictures' May 1920 "The Flapper." Young actress Olive Thomas plays cinema's first epitome of the Jazz Age's independent women, beginning with her scene midway in the movie. As a schoolgirl traveling on break, she's invited by an another schoolmate and her boyfried to a nightclub. She tries on the 'flapper' outfit contained in the luggage the couple demands she transport back to her father's home in Florida, where they secretly plan to pick up the stolen goods. Seeing an older man she admired back in school at the club, Thomas, wanting to impress him, exhibits all the mannerisms of future flappers by smoking a cigarette in public and acting cool.

The Frances Marion script was capitalizing on an emerging trend just in its early stages. But seeing the rebellious and confident Thomas as a young woman adopting a flapper image solidified the movement going forward.

"The Flapper" was Thomas' last viewable surviving movie she made (She acted in a later lost film, 'Darling Mine,' and a posthumously-released film, 'Everybody's Sweetheart," which is currently unavailable for public viewing.). At 25, Thomas and her husband Jack Pickford, Mary's brother, took what they called their second honeymoon in France. Their marriage, a tempestuous one at best, was filled with fights and tender make-ups ever since they had been married in October 1916. During their stay in Paris, the two returned to the hotel room on the night of September 5, 1920, after an evening of heavy drinking. According to Pickford, who was prescribed a topical medication for syphilis sores, Thomas mistook the French label on the container for water or as a sleeping liquid, despite its gooey substance, and swallowed some. The poisonous mercury bichloride solution was fatal, killing her five days later in a Paris hospital.

The media had a field day on the cause of her death. Sensational headlines screamed accusations from suicide to her being murdered by Pickford in order to claim her life insurance. The French police investigated all the circumstances behind the incident and, with the autopsy report, confirmed her death was accidental. "Olive and I were the greatest pals on Earth," lamented Pickford. "Her death is a ghastly mistake."

On the way back to the States with her body, Pickford had been rumored to have attempted suicide, so distraught was he. In an emotionally crowded funeral service in New York City, women fainted and several onlookers were crushed rushing to view her casket. Thomas is buried in a crypt at Woodlawn Cemetery in The Bronx.

I viewed the Eastman House print of this film, which unfortunately is missing the original opening credits and inter-titles from the first reel. From the second reel onwards, there are some clever visual gimmicks in the titles -- at one point, part of a caption is replaced by footage of a boy riding a hobby-horse while the rest of the caption remains in place; at another point, a title flips over on its vertical axis when the villains enter the room, turn round, and go out again -- so I wonder what pleasures I might have missed in those first-reel inter-titles.

The title of 'The Flapper' is ironic, as this movie's heroine is an innocent ingenue who merely pretends to be a jazz-baby flapper. The beautiful Olive Thomas (age 25) plays 16-year-old Genevieve King, and in nearly every sequence she is believable as a teenager. Genevieve (nicknamed 'Ginger' for her high spirits) is sent off to the girls' seminary run by strict disciplinarian Mrs Paddles (hmm...), where the students wear Peter Thompson sailor uniforms. Two of Ginger's schoolmates are played by Norma Shearer and her sister Athole, but they have no dialogue or specific business.

Distinguished older man Richard Channing rides past the seminary every day, prompting romantic fantasies among the schoolgirls. When 16-year-old Ginger connives a sleigh ride with Channing, she tells him she's 'almost twenty'. To Channing's credit, he dumps her toot-sweet when he learns the truth.

This is one of those ladies' seminaries that has a safe full of jewellery. A student named Hortense (who definitely looks to be in her mid-20s) heists the swag and runs off with her henchman Thomas Morran, played by Arthur Housman. This actor had a long career playing funny drunks, so I was pleased to see him in a dramatic role that let him stay sober. Director Alan Crosland stages one scene cleverly, with Housman on-camera aiming a revolver at Olive Thomas, who is seen only as a reflection in the mirror. Our little Ginger has got herself involved in the jewel heist. She behaves very implausibly.

Among this film's pleasures are some beautiful wintry exteriors (filmed near Ithaca, NY) and some shots of Fifth Avenue in Manhattan. There are a few continuity errors. Among others: Olive Thomas boards an omnibus as it travels south in Fifth Avenue's west carriageway below 42nd Street. A moment later, as she steps off the 'bus, it's now travelling north in Fifth Avenue's east carriageway above 42nd Street.

African-Americans are seen quite prominently in this film, but only as musicians and waiters with no dialogue. I was very impressed by a dramatic device at nearly the very end of this movie, when events in the lives of Ginger King and another character are presented as incidents in a (non-fiction) newsreel. This same device was later used in 'Citizen Kane', but I doubt that Orson Welles ever saw 'The Flapper': he was only five years old when this movie was released.

Despite some implausible motivations, 'The Flapper' is mostly a realistic comedy, so I was annoyed by an 'impossible' gag in which a stuffed elk's head winks its eye at Olive Thomas. Even more distressing were two sequences with Ginger King in drama-queen mode: in the first, she attempts suicide; in the second, she vows to become 'a dope fiend'. The beautiful and talented actress Olive Thomas died shortly after this film was released, from what appears to have been an intentional drugs overdose. (It was ruled an accident ... but the facts indicate that it was a suicide, hushed up to avoid scandal.) Because these sequences foreshadow Olive Thomas's tragic death, they manage to cast a sombre tone over the entire film. I'll rate 'The Flapper' 6 out of 10.

The first film to feature an actress as a flapper and the first film to portray the flapper lifestyle, "The Flapper" is a modest romantic comedy on the craze that would soon take over a nation and the world. Olive Thomas is a young girl from palmy and breezy Florida whose irreverent, "flapper" attitude sends her into quite the whirl of travel, romance, intrigue and redemption. With her round drooping peepers, porcelain skin and mop of red hair Thomas' looks transcend her time with her fine acting and natural charm enhancing her appeal. The excellent restoration work gives the film a clarity highlighting its age while making it viewable. The marvel of seeing a film over a century old with the clothing, cars, acting and people of the time is a plus. Nice scenes of New York too. Viewing the film has a calm and soothing effect. Lightweight and common "The Flapper" is nonetheless a charming and watchable flick from the dawn of the Jazz Age.

I believe that all 3 of the comments for The Flapper were written by men, who didn't rate it very high. This movie was obviously made to appeal to the women, or more appropriately girls, of the day. I'm a girl and I rate it very high. The Flapper is an adorable movie about a teenage schoolgirl, Ginger King (Olive Thomas), who dreams of lovers and jazz cabarets, wanting to escape her mundane life at boarding school and ride off into the sunset with the handsome older man all the schoolgirls are in love with, Richard Channing (William P. Carleton). She fools Channing into thinking she's 20, and he takes her to a country club, but her "romantic night" is ruined when the bad girl (though she looks to be 40!) at school, Hortense, gets in her way. Throughout the rest of the film, Ginger pursues her dreams and visits 1920's nightclubs, wears glamorous clothes, but finds that being a flapper is not easy when she gets involved in a mysterious jewel heist and more! The Flapper is all fluff, but so cute! Olive Thomas shows a definite comedic flair in this movie, and it's so sad that she didn't get to go on with her career. The Flapper is a treasure, not just because of it's one of Olive Thomas' few surviving movies, but because it's a good, solid silent comedy that any silent film fan should see (whether you like chick flicks or not).