AVALIAÇÃO DA IMDb
6,9/10
1,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTaking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.
- Direção
- Roteiristas
- Artistas
Harry Bernard
- Train Passenger
- (não creditado)
Sammy Brooks
- Short Train Passenger
- (não creditado)
Baldwin Cooke
- Train Passenger
- (não creditado)
Eleanor Fredericks
- Lady in Berth
- (não creditado)
Paulette Goddard
- Train Passenger
- (não creditado)
Pete Gordon
- Train Passenger
- (não creditado)
Charlie Hall
- Train Passenger
- (não creditado)
Pat Harmon
- Stationmaster
- (não creditado)
John M. O'Brien
- Man who trips over briefcase
- (não creditado)
Hayes E. Robertson
- Train Porter
- (não creditado)
S.D. Wilcox
- Train Conductor
- (não creditado)
Grace Woods
- Train Passenger
- (não creditado)
Avaliações em destaque
With their vaudeville careers slowly taking off, Messers Laurel and Hardy set off on a tour of small music halls. They arrange to meet at the train station with their instrument but find that the journey is not as comfortable or straightforward as they had first expected.
Laurel and Hardy's first short film with sound is clearly the start of a developing series of shorts. For the first few minutes there is almost no sound to speak of as they rely on their normal comedy style it feels a little like they want to stay with what they know for a while. When the sound does kick in, it is very grainy and is given limited use for that reason. However, considering it is now over 70 years old this is understandable and it doesn't really affect the film too much.
The routines are pretty good and show a keen imagination one running gap is left to run offscreen for five minutes before we are allowed to see it's extreme punchline! The routine in the train carriage berth has been reused to better effect by Laurel and Hardy but is still funny here. Both men are good and work well in the confines of the berth Laurel has the better of the material here though.
Overall I enjoyed this short but must admit that the sheer age of the film did shine through in regards sound quality and even film stock at times. Regards though it was still funny although I missed the verbal wit that is part of their comedy in other shorts.
Laurel and Hardy's first short film with sound is clearly the start of a developing series of shorts. For the first few minutes there is almost no sound to speak of as they rely on their normal comedy style it feels a little like they want to stay with what they know for a while. When the sound does kick in, it is very grainy and is given limited use for that reason. However, considering it is now over 70 years old this is understandable and it doesn't really affect the film too much.
The routines are pretty good and show a keen imagination one running gap is left to run offscreen for five minutes before we are allowed to see it's extreme punchline! The routine in the train carriage berth has been reused to better effect by Laurel and Hardy but is still funny here. Both men are good and work well in the confines of the berth Laurel has the better of the material here though.
Overall I enjoyed this short but must admit that the sheer age of the film did shine through in regards sound quality and even film stock at times. Regards though it was still funny although I missed the verbal wit that is part of their comedy in other shorts.
Berth Marks (1929)
** 1/2 (out of 4)
Laurel and Hardy are a vaudeville team who are trying to catch a train so that they can reach their next gig. They barely catch the train but once on there they run into one problem after another with the biggest being trying to get up in their bed so that they can sleep.
BERTH MARKS was the duo's first sound film, although it was also shown in a silent version in theaters that hadn't yet upgraded their systems. For the most part this is a mildly amusing comedy but at the same time there's no question that it falls well short of classic Laurel and Hardy films. The biggest problem is the fact that there's really not too many laughs and the one joke pretty much takes up the majority of the running time. This joke has the boys trying to get into their bed but constantly failing for one reason or another. This here just isn't funny enough to warrant it taking up most of the running time.
** 1/2 (out of 4)
Laurel and Hardy are a vaudeville team who are trying to catch a train so that they can reach their next gig. They barely catch the train but once on there they run into one problem after another with the biggest being trying to get up in their bed so that they can sleep.
BERTH MARKS was the duo's first sound film, although it was also shown in a silent version in theaters that hadn't yet upgraded their systems. For the most part this is a mildly amusing comedy but at the same time there's no question that it falls well short of classic Laurel and Hardy films. The biggest problem is the fact that there's really not too many laughs and the one joke pretty much takes up the majority of the running time. This joke has the boys trying to get into their bed but constantly failing for one reason or another. This here just isn't funny enough to warrant it taking up most of the running time.
I'm told this is the second sound film for Laurel and Hardy. They really look young in this one. They are a couple musicians, trying to get to a gig. They manage to get an upper berth on a train, so both have to sleep in the same bed. As they work their way through the close quarters, they do some troubling things. This time they don't pay the price because other people are mistaken for their actions. The ongoing joke has to do with people ripping up each other's clothes. The boys spend their time trying to locate music that Stan has misplaced and everywhere they go, trouble ensues. We can see the comic genius here. Obviously, they also did many silent features.
This was the only Laurel and Hardy short film that Lewis R. Foster directed, who later wrote the acclaimed film, MR. SMITH GOES TO WASHINGTON.
Foster did a terrific job, possibly one of the team's best early sound films, from 1929.
Big vaudeville "stars" Stan and Ollie board a train for Pottsville --and the rest is comedy history. This short is chock full with running gags, and excellent timing. To further complicate matters, the boys have to drag along a cello (part of their act, naturally), which proves to be one pain in the XYZ. They also encounter jealous husband Charlie Hall who starts a clothes ripping fight among passengers, believing someone (guess who?) was snooping on his wife.
The boys end the insane day climbing into a tight as a drum sleeping car berth, and painstakingly remove their clothes --that only Laurel and Hardy can do. This hilarious sketch is one of their best, re-created many years later in THE BIG NOISE (1944). Some say you can hear the crew faintly laughing in the background, its that funny.
By the way, the clothes-ripping frenzy continues... and continues...
Without too much surprise, this story was written by comedy master Leo McCarey, who also worked on their silent short films. A labor of love.
Get the dvd box set of the team's legendary short films, especially for this one. By the way, the METV remastered print is absolutely beautiful.
Foster did a terrific job, possibly one of the team's best early sound films, from 1929.
Big vaudeville "stars" Stan and Ollie board a train for Pottsville --and the rest is comedy history. This short is chock full with running gags, and excellent timing. To further complicate matters, the boys have to drag along a cello (part of their act, naturally), which proves to be one pain in the XYZ. They also encounter jealous husband Charlie Hall who starts a clothes ripping fight among passengers, believing someone (guess who?) was snooping on his wife.
The boys end the insane day climbing into a tight as a drum sleeping car berth, and painstakingly remove their clothes --that only Laurel and Hardy can do. This hilarious sketch is one of their best, re-created many years later in THE BIG NOISE (1944). Some say you can hear the crew faintly laughing in the background, its that funny.
By the way, the clothes-ripping frenzy continues... and continues...
Without too much surprise, this story was written by comedy master Leo McCarey, who also worked on their silent short films. A labor of love.
Get the dvd box set of the team's legendary short films, especially for this one. By the way, the METV remastered print is absolutely beautiful.
For anyone who doesn't believe that train rides can be a total hassle, see this film, and your views will be sorely changed. Laural And Hardy, two vaudeville stars heading for Pottsville, take us on a 20 minute ride of their life (one most of us wish would never happen). This movie makes me laugh tears right from the opening scenes, as the boys even find boarding the train a hard thing to do (this is one of the best scenes in the short). Next we find them on the train, and they've apparently lost their music for their act, can things get worse? of course! stan, on the way to his berth, walks into a womans room, causing her husband to think someone was looking at her, and a free for all coat fight ensues! The next scenes are what tops the short off... Stan and Ollie spend the last 15 minutes just trying to get in the berth and get settled into it! These last scenes make this short a killer, one to be remembered forever, and even though i am only 18, i will make sure my grandkids watch this when they are my age. A truly great L&H short...for everyone
Você sabia?
- CuriosidadesA silent version was also made for theaters that at the time were not equipped to show talkies.
- Erros de gravaçãoAs Stan and Ollie scramble to board the train, their fiddle is clearly smashed to pieces, yet it is intact for the rest of the film.
- Versões alternativasReissued in 1936 with a new musical score, including the "Cuckoo" song by Marvin Hatley over the main credits, as well as a 1932 version of the song played by the Van Phillips Orchestra over the first scene at the depot.
- ConexõesEdited into Piratas de Meia Cara (1930)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Leito Reservado
- Locações de filme
- Palms Depot, Heritage Square Museum - 3800 Homer Street, Montecito Heights, Los Angeles, Califórnia, EUA(this is where the ending train station building was moved)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 19 min
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente