Jardim do Éden

Garden of Eden, The (1928)

** 1/2 (out of 4)

Lewis Milestone directed this film shortly after winning his Best Director Oscar (the first in history). A country girl (Corinne Griffith) goes to Budapest to become an Opera star but she soon ends up working in a sleazy nightclub where the women are exploited. This is a pretty good, if routine, early drama that features a very good performance by Griffith but the thing has one familiar act after another, which is the reason it's not a total success. The film is pretty heavy on the sexual side of things as there are a couple scenes where Griffith has to strip down. We don't see any actual nudity but the film was pretty controversial back in the day for what it does show including a strip down at the end of the film as well as her wearing a see through gown towards the start of the film. The supporting players also offer fine performances but the film tends to drag towards the end.

While he made many earlier films, GARDEN OF EDEN is the earliest of director Lewis Milestone's works to survive. I have been waiting for a properly restored version of this movie ever since I saw an abridged version of it on VHS as part of Paul Killiam's SILENTS PLEASE series. Milestone, whose career spanned 40 years from the silent era to the original OCEAN'S ELEVEN and Brando's MUTINY ON THE BOUNTY, was a top notch visual stylist whose best movies remain as interesting today as when they first appeared. ALL QUIET ON THE WESTERN FRONT, THE FRONT PAGE, and RAIN are all part of a remarkable run of films that began with GARDEN OF EDEN.

The film was made as a star vehicle for Corrinne Griffith who was then at the height of her fame. She is perfect as the naive young romantic who believes that talent is all she needs to succeed as a singer only to find out that most people are interested in something else. Louise Dresser (Catherine The Great in Valentino's THE EAGLE) is Rosa the wardrobe mistress who may not be everything she seems, an unlikely fairy godmother to Griffith's modern day Cinderella.

Charles Ray, another popular star from the silent era, makes a charming Prince Charming while Lowell Sherman (the villian in WAY DOWN EAST) is his usual lecherous self. Within this basic story Milestone weaves a magic spell through the use of mood enhancing lighting, polished editing, and his trademark sophisticated camerawork. The sets are fantastic too.

GARDEN OF EDEN is not a great film but it is a highly entertaining one even more so in this splendid transfer to DVD from Flicker Alley. Robert Israel's accompaniment is first rate as usual and the DVD has a number of special features including two short subjects (one of them in Technicolor!). Yet another treat for the silent film enthusiast...For more reviews visit The Capsule Critic.

This is a delightful film based upon a play by Avery Hopwood, an adaption of a work by Rudolph Bernauer and Rudolf Oesterreicher, featuring a radiant and vivacious Corinne Griffith as Toni LeBrun, a would-be diva who is adopted as ward by a baroness (Louise Dresser) who takes her to Monte Carlo where romantic adventures then take place. The work is directed by Lewis Milestone, one of the few Americans who may be described as a cinematic auteur, predicated upon his clear stylistic methods, in evidence here in this leisurely paced effort, in particular with clever establishing, long and detail shots used in the seamless decoupage typical of silent filmmaking at its best, and certainly present in this influential picture. The keen expressivity of art director William Cameron Menzies and the technically flawless cinematography of John Arnold are absorbed by Milestone as this trio combine in presenting a stream of interesting imagery, some of which has been copied but not bettered in the sound era. A highly polished supporting cast backs Griffith, notably Charles Ray as her romantic favorite, Lowell Sherman as a knavish would-be nobleman, Maude George, who portrays an androgynous stage manager and Dresser in a typically well-defined performance as Toni's adoptive mother. Rosa Rio, at the Wurlitzer, plays the original score with a great deal of wit and neatly interpretive passage-work; a perfect aural mating with a sublimely visual feast.

Impoverished beauty Corinne Griffith (as Toni LeBrun) dreams of becoming a famous opera singer. After getting her diploma, Ms. Griffith is accepted for an audition in Budapest. She finds figures more interested in her beauty than her singing ability. Mannish Maude George (as Madame Bauer) demands Griffith, "Show me your legs", then hires her to sing at the "Palais de Paris". There, leering patrons, like Lowell Sherman (as Henri D'Avril), admire the female form. Griffith bonds with matronly worker Louise Dresser (as Rosa de Garcer), a down-on-her-luck Baroness. When Ms. Dresser's pension check comes in, she takes Griffith on a Cinderella-like adventure; and, she meets princely Charles Ray (as Richard Dupont).

Lewis Milestone (director), John Arnold (photographer), and William Cameron Menzies (designer) are responsible for some stunning, stylish work. Especially, savor Griffith's arrival at the squalid "Palais de Paris", early in the film. Later, watch for the scene with Griffith and Mr. Ray sitting at the grand piano, as the raised lid puts them in a beautiful, reflective "triangle".

Star Griffith receives a lavish, loving production. The cast is very entertaining, especially Dresser and Ms. George, who more often supported Erich von Stroheim. Ray seems a little uncomfortable at times; a decade earlier, he routinely offered superior performances. Although, the story is rather routine, it's nice to have "The Garden of Eden" around; thanks to "Flicker Alley".

****** The Garden of Eden (2/4/28) Lewis Milestone ~ Corinne Griffith, Charles Ray, Louise Dresser, Maude George

This would have been one of my recommendations if it had nothing else but Corinne Griffith starring in it.

She is, as usual, marvelous. And beautiful. And charming. As usual.

But in addition, it is magnificently directed by Lewis Mileston. He has created a visual masterpiece of the silent cinema.

I remember some of my film school classmates (too many years ago) being so impressed by "The Scarlet Letter," and exclaiming how modern it looked.

Too many people think movies went from "The Great Train Robbery" to Chaplin shorts to "The Jazz Singer." They just don't know how films evolved.

Later silent films often used a very mobile camera that made them more "movies" than many early talkies.

"The Garden of Eden" is a prize example of how to enhance a story with visuals. Milestone used pictures to make this motion picture tell the tale, although there were lots of intertitles. (Another example is "Lady Windermere's Fan," based on a story by the very verbal Oscar Wilde but still made enjoyable to watch by director Ernst Lubitsch's photographic technique.) "The Garden of Eden" is fun, well acted, beautifully directed, and more than worth the hour-and-a-half it takes to watch.