Prestígio Social

Poor Jack Kelly (William Haines) is a lowly stock clerk--but a wonderful golfer. Through circumstances to inane to get into he gets into a posh country club, becomes a top golfer and acts like a rich man. He meets beautiful rich Allie Monte (Joan Crawford) and falls in love. However he can't marry her and will have to eventually return to his poor life. What to do?

To be truthful this picture is a yawner. The situations and characters are boringly predictable and the 2008 "restored" version is in utterly dreadful shape. Lousy music score too. But this is one of the few chances to see Haines and Crawford together. Haines was the top box office draw of the late 1920s. He was tall, VERY handsome and a good actor. Crawford was very young, beautiful and also a good actor. Her and Haines were best friends. Haines career was destroyed due to homophobia--he refused to dump his male lover and was fired. But Crawford and him remained life long friends and you can see here how they really clicked together and worked well. They both play opposite each other easily and their good looks and acting carry them through. The film is seriously one big snooze--but worth catching for Haines and Crawford. I give it a 6.

William Haines (as Jack Kelly) is a shipping clerk, and an avid golfer; he is much more interested in the hobby than the livelihood. Mr. Haines' golfing prowess earns him a two week membership in the ritzy "Oakmont Country Club", where he meets fetching young Joan Crawford (as Allie Monte). Of course, Ms. Crawford assumes the dashing Haines is a well-heeled member of the "golf set". Will she still love him if she finds out he is poor?

Haines' wardrobe is remarkably ill fitting in the opening scenes; and, as a result, he rather badly tears the right sleeve of his jacket. It's quite noticeable after he enters the workplace, following the initial golfing scene. Also, watch for Haines to tap another man's derrière, very quickly, as he passes the man, after entering the shipping company.

Haines and Crawford are a great screen team; especially, their rapport is evident when he shows her how to improve her golf game - which develops into a courtship. But, overall, "Spring Fever" is fairly routine. There are a few witty title cards, and scenes. George K. Arthur (as Eustace Tewksbury) stands out among the fine supporting cast. Considering the situation and cast, the film is a letdown. It might have been improved by more directly involving Haines and Mr. Arthur in some more comic interplay (on the golf course).

**** Spring Fever (10/18/27) Edward Sedgwick ~ William Haines, Joan Crawford, George K. Arthur

This was my first crawford film. it was also the first time i watched a silent picture. mayb it was the golf, mayb the title. in any case, i loved it.

Joan Crawford and William Haines star as flaming youths circling

each other on a country club golf course. I wouldn't recommend

this film as highly as Haines' "Show People", but if you like 20s

films, this one certainly has its moments. Haines and Crawford

have nice chemistry together. I'm not much of a golfer, so I can't

comment on that aspect of the film, but fashion buffs will certainly

find things of interest here. Especially charming is the scene

where a newly married couple confronts the sudden reality of a

wedding night! All their previous bravado melts away (and the

viewer is reminded of how much some things have changed, for

better or worse).

Off the top of my head, "Caddyshack" is the funniest movie where so much of the movie is about golf. "Caddyshack" it ain't, but it's a pretty good movie, although William Haines' movies of the time were pretty much formulaic. Haines' character, Jack Kelly, is a naturally talented golfer. His boss, Mr. Waters (George Fawcett - I wonder if Fawcett's last name was the reason for his character's name) is a golf nut - the movie opens with him making a hole-in-one. In reality, he's not a good golfer - at least it appears that way when he can't come close to the hole on the putting green in his study.

When Jack finally gets to work (after playing golf), his father (Bert Woodruff) tells Jack that Mr. Waters is looking for him and is very angry. Jack find Waters - as Waters stomps through the building, Jack is following him (Jack's making faces, imitating Waters, etc.). Pop Kelly accidentally knocks over a vase and Waters fires him on the spot. Jack hits something (it looked almost like a baseball) with a cane and knocks out a window. Waters is impressed with Jack's golfing ability (at least his ability to hit something with a cane and get it through a window) and asks Jack to help him with his swing. For helping Mr. Waters, Jack is given a 2-week membership at the exclusive Oakmont Country Club.

It's a Oakmont where Jack first sees Allie Monte (Joan Crawford). Jack reads Allie's signature when he checks in right after her and tries to act like they've met before. Possibly at Mary Brown's party? Jack says yes - Allie says she doesn't know a Mary Brown.

Out on the golf course, Jack tries to get as close as he can to Allie, which irritates some of the men at the club. By the time the 2 weeks are up, Jack beats the course record, and, true to the formula of Haines' movies, he becomes even more arrogant than before. His father came to get him - Jack seems mad that Pop ever showed up. Jack decides that he's going to quit his job, stay at Oakmont, and marry for money.

As per the Haines' formula, he gets knocked down a bit, and still comes out on top. There are a few twists and turns before ending on a happy note. Unfortunately, this film is somewhat damaged and that damage can be a bit distracting at points. It appears that this film might have been saved in the nick of time. This version has a 2008 copyright by Turner Entertainment Co. and a new score by Darrell Raby.