Adicionar um enredo no seu idiomaDuring the Russian Revolution, a mentally challenged peasant saves then obsesses over a beautiful countess.During the Russian Revolution, a mentally challenged peasant saves then obsesses over a beautiful countess.During the Russian Revolution, a mentally challenged peasant saves then obsesses over a beautiful countess.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Károly Huszár
- Ivan - the Gatekeeper
- (as Charles Puffy)
Johnny Mack Brown
- Russian Officer
- (não creditado)
Albert Conti
- Military Commandant at Novokursk
- (não creditado)
Jules Cowles
- Peasant Who Robs Tatiana
- (não creditado)
Tiny Jones
- Revolutionist at Protest
- (não creditado)
Frank Leigh
- Outlaw Peasant in Cabin
- (não creditado)
Russ Powell
- Man Taking Sergei to Ivan
- (não creditado)
Bud Rae
- Russian Soldier
- (não creditado)
Sam Savitsky
- Military Guard
- (não creditado)
Michael Visaroff
- Cossack Whipping Sergei
- (não creditado)
Avaliações em destaque
During his career, Lon Chaney played a lot of odd roles and a wide variety of nationalities. So, his playing a Russian peasant in "Mockery" isn't all that surprising.
The film is set during the Russian Revolution and it begins with Sergei (Chaney) looking among the dead after battle in order to find some food. While doing this, he meets up with a woman who offers to give him food and pay him if he can slip her into Novokursk--a nearby city besieged by Communist forces. He agrees and this peasant is now devoted to the woman. His devotion is proved when they are captured and he is beaten. Even then, he won't betray her.
When they are rescued, the woman turns out to be a countess and her gratitude towards Sergei seems shallow and fleeting. When he confronts her about this, she begrudgingly gives him a job working as one of her servants. Not surprisingly, when another servant, Ivan, begins lecturing Sergei about the evils of the rich, Sergei is more than willing to listen. After all, he'd taken a beating to save this woman yet seemed to have little regard for him. And all the servants seem ready to join the rebellion. What's next? See the film.
This is a decent but not exactly sparkling film. Chaney is fine but the plot is confusing as to its message. Is it a rousing endorsement of the destruction of a decadent system? You get inklings of this...but the ending also seems to strongly endorse the system. Or, is it a film that extols the virtue of the nobility? Well, not really as several of the rich folks in this film are real jerk-faces! So what's it all mean? I dunno...
If you do watch this one, look for Mack Swain as a corpulent rich jerk. He is normally known for comedies--particularly films with Chaplin. So, seeing him in a serious and thankless role like this is an interesting change of pace. Also, look for a very young and very handsome Ricardo Cortez as the Captain...he sure looks different than he did in his heyday in the 1930s.
The film is set during the Russian Revolution and it begins with Sergei (Chaney) looking among the dead after battle in order to find some food. While doing this, he meets up with a woman who offers to give him food and pay him if he can slip her into Novokursk--a nearby city besieged by Communist forces. He agrees and this peasant is now devoted to the woman. His devotion is proved when they are captured and he is beaten. Even then, he won't betray her.
When they are rescued, the woman turns out to be a countess and her gratitude towards Sergei seems shallow and fleeting. When he confronts her about this, she begrudgingly gives him a job working as one of her servants. Not surprisingly, when another servant, Ivan, begins lecturing Sergei about the evils of the rich, Sergei is more than willing to listen. After all, he'd taken a beating to save this woman yet seemed to have little regard for him. And all the servants seem ready to join the rebellion. What's next? See the film.
This is a decent but not exactly sparkling film. Chaney is fine but the plot is confusing as to its message. Is it a rousing endorsement of the destruction of a decadent system? You get inklings of this...but the ending also seems to strongly endorse the system. Or, is it a film that extols the virtue of the nobility? Well, not really as several of the rich folks in this film are real jerk-faces! So what's it all mean? I dunno...
If you do watch this one, look for Mack Swain as a corpulent rich jerk. He is normally known for comedies--particularly films with Chaplin. So, seeing him in a serious and thankless role like this is an interesting change of pace. Also, look for a very young and very handsome Ricardo Cortez as the Captain...he sure looks different than he did in his heyday in the 1930s.
As a lifelong fan of Chaney Sr., this film was on a very short list of existing Chaney films I had yet to see. I watched it last night for the first time and was pleasantly surprised. Although I admit this is far from Chaney's best work, I suspect many of the negative reviews, both then and now, come from unmet expectations. "Mockery" does not have grotesque make-up like "Hunchback of Notre Dame". It lacks bizarre story elements like "The Unknown". Chaney only plays one character instead of two, as he did in "A Blind Bargain". And if you wanted to see sets and scenery on a grand scale, as in "Phantom of the Opera", forget about it.
So what does this film have? Well, this melodrama, set in Russia around the time of the revolution, revolves around the theme you see in most of Chaney's films: unrequited love. Chaney's character is a peasant named Sergei, who reminded me of "Lenny", the character portrayed by Lon Chaney Jr. in "Of Mice and Men". Sergei is a good hearted simpleton, unable to understand matters of love. Sergei's love for the Countess, like Quasimodo's longing for Esmarelda, is destined for failure, but he's the only one who cannot see this.
As the story unfolds, we get glimpses into the good and bad (or Jekyll and Hyde, if you will) found in all of us. Sergei's pure love turns to lust. Tatiana's indifference evolves into compassion.
If you're expecting a 1927 era melodrama, you'll get a good one. If you're expecting something bizarre, like "Novokursk After Midnight", you'll have trouble keeping awake.
So what does this film have? Well, this melodrama, set in Russia around the time of the revolution, revolves around the theme you see in most of Chaney's films: unrequited love. Chaney's character is a peasant named Sergei, who reminded me of "Lenny", the character portrayed by Lon Chaney Jr. in "Of Mice and Men". Sergei is a good hearted simpleton, unable to understand matters of love. Sergei's love for the Countess, like Quasimodo's longing for Esmarelda, is destined for failure, but he's the only one who cannot see this.
As the story unfolds, we get glimpses into the good and bad (or Jekyll and Hyde, if you will) found in all of us. Sergei's pure love turns to lust. Tatiana's indifference evolves into compassion.
If you're expecting a 1927 era melodrama, you'll get a good one. If you're expecting something bizarre, like "Novokursk After Midnight", you'll have trouble keeping awake.
In this silent Lon Chaney film, he once again plays a non-traditional role. This time he is a dull-witted peasant, Sergei, during a revolution. He survives by taking food off dead bodies on the battlefield. While at this, he is discovered by a beautiful woman, who enlists his aid in trying to escape. He is primarily responsible for getting her out of a potentially deadly situation. What he doesn't realize is that she is a countess, living the high life, ruling the servants. She never intended any sort of relationship, obviously. He doesn't see it this way. So it is hopeless. He then gets enlisted by a cook, who works in the mansion. He uses Sergei to manipulate his situation, wanting to get his hands on the countess. Sergei just doesn't get it. Chaney is fantastic. His amazing facial expressions and his interpretation of the role are superb.
I'm a fan but have never seen this Lon Chaney film before. The intensity he brings to his slow-minded character is magnificent.
The title cards keep you on pace with the imagery very well. I didn't especially dislike the ones 'upstairs' but did feel empathy for the peasants 'downstairs.'
Nicely paced and always interesting throughout the story. It was a pleasure to see.
It's easy to spot Károly Huszár (Ivan the Gatekeeper), a familiar face in some great films like. The Blue Angel and The Man Who Laughs. Information about when and where he died at the age of 58 is sketchy, would be nice to know his complete story. IMDB: "His death place and date is still unconfirmed. He and his wife left Hungary in 1941 because of the Holocaust and tried to get into the United States. Some sources say that he died in Tokyo, Japan in 1942. Others that his train was stopped by the Soviet army and he was imprisoned in a Gulag labor camp in Karaganda, Kazahstan where he performed in the camp theatre company. He died there from diphtheria in June, 1943."
Spend a little time with this film, I find it rewarding.
The title cards keep you on pace with the imagery very well. I didn't especially dislike the ones 'upstairs' but did feel empathy for the peasants 'downstairs.'
Nicely paced and always interesting throughout the story. It was a pleasure to see.
It's easy to spot Károly Huszár (Ivan the Gatekeeper), a familiar face in some great films like. The Blue Angel and The Man Who Laughs. Information about when and where he died at the age of 58 is sketchy, would be nice to know his complete story. IMDB: "His death place and date is still unconfirmed. He and his wife left Hungary in 1941 because of the Holocaust and tried to get into the United States. Some sources say that he died in Tokyo, Japan in 1942. Others that his train was stopped by the Soviet army and he was imprisoned in a Gulag labor camp in Karaganda, Kazahstan where he performed in the camp theatre company. He died there from diphtheria in June, 1943."
Spend a little time with this film, I find it rewarding.
It's the chaos of the Russian revolution. Countess Tatiana Alexandrova (Barbara Bedford) is alone and on foot, desperate to get to Novokursk. She encounters peasant Sergei (Lon Chaney) who is picking over the corpses of dead soldiers. She hires him as her guide and promises to be his friend upon arrival. They pretend to be a married couple when they run into revolutionaries.
This is a fascinating exposition of the Russian revolution. Neither side is right. In a way, I am a little disappointed with some of Alexandrova's actions, but it is very much indicative of the society in general. At last, there is no satisfying ending and there isn't one in the real world. I probably would have ended the movie before the final fight.
This is a fascinating exposition of the Russian revolution. Neither side is right. In a way, I am a little disappointed with some of Alexandrova's actions, but it is very much indicative of the society in general. At last, there is no satisfying ending and there isn't one in the real world. I probably would have ended the movie before the final fight.
Você sabia?
- CuriosidadesThis film was preserved by the George Eastman Museum in Rochester, New York after having initially been thought as lost until a copy was discovered in the 1970s. It was subsequently fully restored by The Film Foundation, established by director Martin Scorsese and others in 1990.
- Citações
Capt. Dimitri: [to the Countess] I apologize for my lips, Countess - and I apologize for my eyes - but I cannot apologize for my heart.
- ConexõesReferenced in O Homem das Mil Caras (1957)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- La novela de un mujik
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 187.000 (estimativa)
- Tempo de duração
- 1 h 15 min(75 min)
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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