Detetives Pensam?

Perhaps Laurel and Hardy's most visual experimental work. I know, the story is uninteresting, the gags are basic, the mood is dated, and the duo's personalities are far from fully development. Still "Do Detectives Think?" is worth remembering for its nocturnal, expressionistic scenes around the graveyard, where a goat's shadow suggest a scary demon; also for its moving camera, a rare James Finnlayson's close-up underwater, a keyhole's point of view, mirror reflections and some other few technical devices not very frequent at the time that provides this little film an unusual freshness and a sense of unlimited creative freedom.

Do Detectives Think? (1927)

** 1/2 (out of 4)

A judge (James Finlayson) sentences a man to prison and the psycho swears vengeance on him. Soon afterwards the man escapes from prison so the judge hires two detectives (Stan Laurel, Oliver Hardy) to protect him.

DO DETECTIVES THINK? isn't going to be mistaken for a classic or even one of the better Laurel and Hardy films but fans of the duo will find enough laughs here to make the film worth viewing. The biggest problem with this two-reeler is that there are several scenes that get dragged out and there just aren't any laughs there. One such example is a scene where Laurel and Hardy keep getting their hats mixed up. The gag doesn't work the first time and it works even less the fifth time. With that said, there are some funny moments scattered throughout including the boys walking to the judge's house and constantly finding something to scare them. Findlayson is also very good as the judge and easily steals the film.

This is one of their faster shorts. Finlayson is a judge who sentences a murderer to death. The murderer promises to escape and murder the judge. He escapes forthwith. In a panic, Finlayson calls the police and begs them to send their two smartest detectives. Laurel and Hardy show up, but not before the killer has managed to enter the house and pose as the butler.

Some of the gags were later used by other writers -- Finlayson hiding by lowering himself beneath the bathwater only to accidentally pull the plug with his toe. If it was, in fact, copped from this short, it's because it's pretty funny.

The straight narrative is interrupted by a graveyard scene that's as amusing as anything else.

To paraphrase the fellow, "even not very good Laurel and Hardy is still better than almost everything else". This early L&H silent is one of the first to show the boys as a team, that is, as pals in the same general situation, on the same side, rather than working against each other. Their personalities can be seen developing nicely: Ollie the bully, Stan in his shadow, with his instant crying; however, here Stan still maintains a bit more independence and aggressiveness and willingness to defy or even abandon Ollie than we will be used to seeing later on. The gags are too simplistic and predictable, so the film is not going to be a memorable one; however, it is always a joy to see the boys on the screen, no matter what they are doing.

To be honest, the funniest moments are enjoyed by James Finlayson; I laughed loudest when, in a sudden cut, Finlayson is seen sitting in his bathtub, his body and entire head completely covered with soap bubbles, with only his face showing through. And the water he is bathing in is, in certain shots, completely filthy and black. Very bizarre!

A quick note about Hardy's character's name, Sherlock Pinkham; while "Sherlock" is obvious, the name "Pinkham" seems more obscure. I assume this is meant to spoof the famous "Pinkerton" detectives of Civil War and post-Civil War fame.

Let us recognize this is L&H at the beginning of a process, one that would lead to a partnership that they themselves could never have imagined would captivate the world. Then we can enjoy this film for what it is, without being disappointed.

Judge James Finlayson's life has been threatened and indeed why would it not be threatened as he's a hardnosed law and order type who has just handed out a life sentence to some tough criminals. That gang hires the Slasher played by a creepy Noah Young to take vengeance on Finlayson.

This film may have been responsible for the adversarial relationship that Stan and Ollie enjoyed with Finlayson. The boys are the detectives that are sent by the local police to guard the life of the good judge.

The pattern of the characters of Stan and Ollie that we would get to know so well is forming here. Stan is the simpleton and he knows it, Ollie is the man who thinks he's a genius, but always falls way short. One thing Ollie is not is a marksman, a fact he proves by frightening everyone in the house with his shooting.

Future frenemies are formed here.