Academia de Cadetes

West Point (1928)

** 1/2 (out of 4)

Average silent drama about a cocky, rich man (William Haines) who goes to West Point thinking he owns the world but all he does his turn his friends against him and lose the girl (Joan Crawford) that he loves. We've seen this story countless times but the movie still manages to be entertaining thanks in large part to the filming on West Point and Crawford. Haines was one of the most popular actors in the late silent era but today he's forgotten for the most part. I thought he was pretty good here but I wouldn't call him one of the all-time greats. Crawford steals the show as Haines' girl and delivers a very good performance. Crawford also comes off very attractive here. Also interesting is the football subplot thrown in, which leads to a big Navy-Army game at the end. The football scenes are handled very well and the cinematography is very good.

William Haines plays a wealthy young man named Brice Wayne. No, this isn't an early Batman movie. That's Bruce Wayne. This is Brice and he's a class clown type, always making bad jokes and pissing people off. To make matters worse, he's stupendously arrogant and thinks he is God's gift to football and pretty much everything else. So obviously this will lead to him learning some humility, saving the day, and getting the girl (Joan Crawford). Despite the predictable clichéd plot, it's hard to dislike. Crawford is fine but does little to impress. Haines is a mixed bag but enjoyable to watch. At times his he is brash and irritating. At other times I couldn't help but smile at his antics. He had a great screen presence and made a thoroughly unlikeable character work.

William Haines (as Brice Wayne) is a cocky West Point cadet, and star football player, who alienates his teammates with his arrogance, and lack of team spirit. His steadfast pal, William Bakewell (as Tex McNeil), can't defend Mr. Haines without ending up in the hospital; and, girlfriend Joan Crawford (as Betty Channing) grows more distant as Haines juvenile behavior becomes more and more tiresome. What will it take for Mr. Haines to win Ms. Crawford's heart? Will Mr. Bakewell regain his health? Can Haines straighten up in time to help his teammates win the big game?

"West Point" is a typical Haines film vehicle; it is worth checking out to see the popular actor's performance, and enjoyable screen presence. It is neither his most satisfying characterization, nor his best film; but, Haines is still great. Crawford's emoting is less polished, in an early role. Surprisingly, Bakewell offers the film's strongest performance (highlighted by his hospital bed scene). Edward Sedgwick's direction makes the most of Haines' silliness, and David Davidson's soundtrack is wonderful (albeit sounding too seasonal, at times).

****** West Point (12/31/27) Edward Sedgwick ~ William Haines, William Bakewell, Joan Crawford

William Haines was undoubtedly one of the best actors of the silent screen and to prove my point all you have to do is watch WEST POINT, starring Haines and Joan Crawford. Although it's a silent, I saw it with a marvelous musical score by David Davidson that hit the mark all the way and in what appears to be a restoration that puts it in mint condition. It gets the comic treatment most of the time with Haines as a spoiled rich boy being tamed to become a good cadet and win the girl in the end as well as the respect of his team mates. His assurance in broad comedy is a delight to behold, mugging in a way that Cary Grant would envy--a very appealing performance.

Fun to see William Bakewell in an early role too. As host Robert Osborne pointed out, he probably got his biggest moment of fame in GONE WITH THE WIND as the soldier on horseback who tells Scarlett O'Hara she better get out of Atlanta quickly. Here he plays the hero-worshipper friend of Haines, a not too subtle characterization as contrasted to Haines' ability with silent screen technique.

Enjoyable fluff, with titles that seem more modern in their slang than most silent films manage to do. Nothing new here, but it's still fresh in its appeal.

Joan Crawford is barely recognizable long before her make-over as a full-fledged star but does well with an ingenue role. The film belongs to Haines and he makes the most of it.

Interesting story of coming of age of a young man who has yet to take the world seriously. William Haines plays his part so as to not evoke any sympathy -- one wonders if this was his idea or that of director Edward Sedgwick. Haines portrays a real louse who really doesn't deserve a second chance or Joan Crawford. Do all young men really need Army discipline before they can make their contribution? The interplay between Haines and the Corps is probably realistic and offer a rare inside look into the socialization and molding of officers at the US Military Academy. Joan does a passable job but looks great. Well developed story will surprise those who think that all silent films offer little in the way of value today. Best shot in the movie is the superimposition of former soldiers from various eras over the marching of the band at the June graduation parade. I may be wrong, but it appears that Edward Brophy is one of those extras seated in a train departing from West Point -- he is credited as an Assistant Director in this movie as well as being credited in a documentary West Point made in 1927. Fair, but especially recommended for graduates of the USMA and those who would like to see a bit of the inside story.