O Pirata Negro

THE BLACK PIRATE (1926) tells the story of a mysterious figure (Douglas Fairbanks) who survives a pirate raid. Sworn to avenge his dead father, he takes command of the pirates responsible, and secretly strives to free the princess whom they have kidnapped. A power-hungry lieutenant who tries to incite the men against him complicates his plans. Directed by Albert Parker.

The script is quite interesting, following The Black Pirate's skillful command of his pirate band, as well as his resourcefulness and ingenuity. The scenario offers plenty of action – pirate raids, duels, underwater photography – as well as a little bit of rather unlikely romance that always seems to pop up in films like these.

Perhaps the greatest cinematographic interest is provided by the film's use of two-strip Technicolor. There are some lovely sweeping shots of the ocean and the ships at sea. The film could benefit from more dynamic editing and variety between close-ups and long shots during the other scenes, though. The camera work feels very restrained for much of the film's running time, as if the crew were aiming to evoke the tableaux style of earlier films. In my opinion this diluted the impact of the action scenes and caused the film to feel somewhat detached. The direction of the movie was competent rather than brilliant, and greater use of the cinematographic resources available at the time would have given the film more impact. After all, this was made in 1926, after such pioneering classics as THE LAST LAUGH and BATTLESHIP POTEMKIN. However, there were very dynamic moments as well, mostly due to the stunt work.

THE BLACK PIRATE boasts fine performances, particularly by the charismatic and athletic Fairbanks, as well as by Sam de Grasse, the lieutenant who chafes under The Black Pirate's leadership. There's a scene where the Black Pirate takes over a ship by himself, and the athleticism shown by Fairbanks is astounding. Billie Dove plays a fairly typical damsel in distress type as the Princess.

Overall, THE BLACK PIRATE is entertaining, but it could have packed more of a punch with more imaginative direction. However, the color cinematography is generally lovely to look at, and Fairbanks gives a splendid performance. SCORE: 7/10

Douglas Fairbanks Sr. stars in this exciting, action-packed swashbuckling pirate adventure yarn, as a young man seeking revenge on a band of pirates after they ransacked and destroyed his ship, killing his father. In trying to achieve his goal, he tricks the pirates into thinking he wants to join their band. Will this ruse work?

This delivers all the thrills and cutthroat pirate action anyone could ever hope for and even more. It has all the elements one looks for and wants from today's big blockbusters: impressive stunts mostly performed by Fairbanks himself, sword fights, pirate treachery, explosions, daring underwater scenes, a damsel in distress, the works. There's a few plot holes and questionable plot twists here and there but it all holds up incredibly well after all these years although in today's world lead actress Billie Dove would have been given more to do. That's a minor nitpick at best. If you like pirate yarns, check this out. Believe me, they just don't get much better than this.

Douglas Fairbanks Snr., can quite fairly be given credit for the first movie action star. 'The Black Pirate' has a number of sequences which highlight his magnificent athletic ability. I found myself marveling at the extended sequence where he seizes a merchant ship singlehandedly. What strength and skill, what agility and courage! I loved watching him scale the stern of the ship and was extremely impressed by his cutting open of the sails from top to bottom with a knife. Some of the work was quite funny and you could tell that the filmed footage was being shown in reverse but that doesn't stop the stunts themselves from being extremely entertaining. He's got more guts than me, I'll say that much!

'The Black Pirate' is difficult to evaluate. Do we grade a film based upon:

a) other pirate films b) silent films c) on a general level of enjoyment against all films

As a silent film, and for that matter a two strip Technicolor silent film, 'The Black Pirate' is a landmark for innovation. Fairbanks had misgivings about the use of colour but felt a pirate film MUST be shown in colour. He gets great benefit. There is a great deal of implied violence (duh, a pirate film!) and the bright red colour of blood is almost shocking to see. There's a scene where a captive tries to hide a ring he's wearing by swallowing it. Unfortunately for him he's seen. After a little off camera ... searching... for the ring, a pirate presents a bloodied ring in bloodied hands as he wipes a bloodied dagger on his tunic to the captain. Pretty thrilling stuff for the 1920's. This was also a film where very serious philosophy and training were put to great effect with the fencing. You can see how it out-steps a lot of earlier swordplay films and influenced the style in films that would follow. According to film historian Rudy Behlmer on an excellent commentary track with the Kino DVD, the fencing master hired by Fairbanks became a staple of the industry. Many of the great sword fight movies from the next 25 years were his handiwork -- including 'The Adventures of Robin Hood,' and 'Captain Blood.'

Against other pirate films, 'The Black Pirate' has perhaps more value as a curiosity. Even by the late 1930's and 40's it was being outdistanced by Errol Flynn films like 'Captain Blood' and 'The Seahawk,' Tyrone Power in 'The Black Swan,' or Burt Lancaster in 'The Crimson Pirate.' Today it gets totally wiped off the board by the 'Pirates of the Caribbean' series. Though still fun to watch, these later films are better and more enjoyable.

This is definitely worth tracking down on the Kino DVD if you can find it. Rudy Behlmer has an excellent commentary track that is of great value to people who are interested in early Hollywood and Douglas Fairbanks. I recommend it highly for the student or the general enthusiast based upon that reason. And it is a good movie to! 'The Black Pirate' has a great sense of adventure to it with thrilling stunt work. Silent movie fans shouldn't be disappointed. Fans of pirate movies should give it a try to see what helped popularize the genre.

I first heard about this film from my father, who once told me that he saw it as a boy when it first came out and was completely blown away by it. I only recently had the opportunity to see it myself, and I can appreciate his point. Of course it's absurd to compare the production values of an antique movie such as this to modern films, but just see it and try to imagine how it must have seemed to audiences at the Roxy back in 1926!

Needless to say, this elaborate, full-color production is merely a showcase for the incomparable Douglas Fairbanks. Errol Flynn, Tyrone Power, Sean Connery and Harrison Ford pale to insignificance beside Fairbank's bravura on-screen personality. Fairbanks virtually invented the "action-adventure" movie, and films like "The Black Pirate" make it clear why he was the biggest movie star of his time.

In addition, bear in mind that there were no stunt men or blue-screen special effects back then. Fairbanks actually DID all those amazing stunts himself! The only latter-day Hollywood star who would (and did) dare to do his own stunts was the equally incomparable Burt Lancaster.

Don't expect modern acting or sensibilities in The Black Pirate, the movie itself is typical 1920s melodrama. The sets are pretty hokey and the plot is absurd. However, just ignore all that while you sit back and enjoy Douglas Fairbanks delivering one of the most spectacular performances ever captured on screen.

Seeking revenge, an athletic young man joins the pirate band responsible for his father's death.

"The Black Pirate" was the third feature to be filmed in an early two-tone Technicolor process that had been first introduced in the 1922 feature "Toll of the Sea". This reproduces a limited but pleasing range of colors. "Ben-Hur", filmed around the same time, contains two-tone sequences but is shot primarily in black-and-white with tinting and toning in many scenes.

This is really a defining film in the career of Douglas Fairbanks. I mean, really, it is closing in 100 years later and he is still remembered as a swashbuckler. This is the very definition of a swashbuckler film. And the color! I couldn't say much about the two-color process, but I think this looks phenomenal.