Eva no Trono

This is Marion Davies in her silent film heyday. She plays the American cousin Beverly of Oscar the Prince of Graustark. Beverly, who has just come from finishing school, unfinished, visits her cousin in Europe. Oscar is on the way to claim his throne as king in Graustark, and he is on a deadline to arrive before a certain date or the crown is given to another. On the way, the two stop for some skiing and Oscar has a horrible accident that prevents him from immediately traveling on. This necessitates Beverly stepping in to pretend to be Oscar...with a full drag makeover that includes an extreme short haircut. As Beverly voyages on, her traveling party is attacked. She is and her party are rescued by local shepherds led by Dantan (Antonio Moreno). It is clear that someone is trying to prevent "Oscar" from claiming his crown. Not knowing who to trust, Beverly as Oscar hires Dantan to be her bodyguard and get the prince safely to Graustark...which he does and then remains until the crowning ceremony. In the process the two become closer...confusing Dantan, but thankfully the actual Prince Oscar (Creighton Hale) finally arrives...allowing Beverly to clear things up with Dantan.

"Counting your kingdoms before they are snatched."

This not the most remarkable of films. If you are a big fan of women in drag or Marion Davies, this maybe should be on your list...otherwise I am afraid it really isn't a recommendation from me, even with it's final scene being in color (a rarity for the 1920's).

Marion Davies returns unfinished from finishing school because her cousin, Creighton Hale, has completed negotiations to be crowned King of Graustark. A skiing accident puts him in a hospital bed. If he doesn't show up, evil General Roy D'Arcy may succeed in a coup. So they dress up Miss Davies in men's clothes and send her off as her cousin. On the way in, she and faithful Duke Albert Gran are almost assassinated, but sheepherder Antonio Moreno rescues them. Miss Davies appoints him her bodyguard. She wants him close, and not just to guard her body.

There are major differences between this movie version and the George Barr McCutcheon novel it's based on. Mitteleuropean politics are cut out in favor of a big final reveal. Also, there's no cousin Creighton. In the book, Beverly Calhoun is mistaken for the reigning Princess of Graustark, whose friend she is. These changes allow more romance and let Miss Davies dress in men's clothes, as she has in at least three of her earlier movies. This was, after all, a starring vehicle for Miss Davies, and Hollywood liked to recycle elements that had worked in previous shows. Moreno is dashing; Miss Davies mugs a lot when called on to do manly things, and there's a sumptuous finale in nicely preserved two-strip Technicolor. Ben Model offers a nice organ accompaniment on this Undercrank co-production with the Library of Congress. It's a fine vehicle for Miss Davies, showing her as beautiful, a good silent actress, and a willing and excellent farceur.

American author George Barr McCutcheon's six Graustark books (appeared 1901-1927) copy the idea of British author Anthony Hope's three Ruritania books (appeared 1894-1898). The plot of "Beverly of Graustark" (1904), the second book in the series, is even very similar to that of "The Prisoner of Zenda", the first Ruritania book. Given the large number of films based on the latter, it is not surprising that there were also two silent movies based on the Graustark version of the theme of friendly impersonation of a monarch. The first was Beverly of Graustark (1914).

Despite its light touch, the present film is so blunt in its humor that it can perhaps better be called a farce than a comedy, although that is in part due to it being silent. Marion Davies was popular in cross-dressing roles, so it is not surprising that this angle is maximally exploited. Still, it is a very effective comedy for the time and quite amusing even today.

The last 3 or 4 minutes are in black, red and white: apparently realized with an early form of Technicolor.

Certainly not the first film to feature a character cross dressing for disguise, but it might perhaps be the first film to contain a two strip technicolor sequence AND a cross dressing character. I wouldn't be shocked if it wasn't though. This cross dresser has a name of course, Marion Davies who plays the title role, Beverly. The plot is quite simple, Beverly's cousin gets injured while skiing, and just so happens that he's scheduled to take the seat of a throne. After being mistaken as her cousin, Beverly goes along with it and before she knows it, threats are being made on her life by someone who also wants the seat. All around I thought it was very enjoyable and I believe the story worked like it was intended. The color sequence was unexpected and a delight to see. There is also a couple short scenes that are tinted, which always adds extra atmosphere. Why the entire movie wasn't tinted, I don't know. We even get a POV type shot of two hands holding a rifle.

This isn't the first film that Marion Davies has been mistaken for a male. If you've seen "When Knighthood was in Flower" (1922), you might remember when she dressed in a mans wardrobe. She was also mistaken for a man in "Peg O' My Heart" (1933). Not surprisingly, there is a 1914 version of "Beverly of Graustark", which I haven't seen but looks like its available on YouTube.

Recommended to silent film fans, and although there are better choices, its also a good starting point for anyone unfamiliar with silents.

This film was released on Blu-Ray/DVD by Undercrank Production.

BEVERLY OF GRAUSTARK is little more than cinematic cotton candy, but what a confection it is! Marion Davies is hilarious as the American woman thrust into European intrigue when she has to impersonate her male cousin who just happens to be royalty. Her mission is complicated by her feelings for hunky bodyguard Antonio Moreno. Throw in Roy D'Arcy as a delightful mustache-twirling villain and you've got a great cast.

Sidney Franklin directs and gives the movie real energy. The settings are glamorous and the movie ends with a stunning Technicolor ball. It's the kind of escapism Hollywood once made it's stock in trade and it's one of Davies' best vehicles from her heyday.