O Cavalheiro dos Amores

"In an age of light loves and lively scandals, a certain gentleman of France excelled in the noble art of getting himself talked about," introduces us to womanizing swashbuckler John Gilbert (as Bardelys). When Mr. Gilbert meets beautiful and rich Eleanor Boardman (as Roxalanne), he is dared to settle down and get married, on a bet. However, Gilbert's "rival in fashion and love" Roy D'Arcy (as Chatellerault) is also determined to win Ms. Boardman's hand, on orders from the King...

If "Bardelys the Magnificent" had not been lost for most of the 20th century, it would have built a reputation as a highly regarded and influential classic. The MGM personnel is first class, led by director King Vidor and cameraman William Daniels. Writer Dorothy Farnum gives Rafael Sabatini's story a very witty adaptation. Comic relievers George K. Arthur (the original Mike Myers) and Karl Dane are used well; it was after this film that they teamed up as a successful comic duo.

Gilbert's rambunctious sensuality is at its peak. It may not have been discussed, but Greta Garbo admired this film and had Gilbert do a version of his "Bardelys" character for "Queen Christina" (1933); her relationship with Gilbert has been documented, but she was also close with underrated co-star Boardman and Mr. Daniels, who photographed both films. A great cast and crew doesn't always guarantee high art in motion pictures, but it happens here. Everyone and everything is stupendous.

Some great moments tease along the way to a majestic (approximately five minute long) sequence involving Gilbert's escape from beheading. Don't miss this part (after about 75 minutes of running time), you'll want to play it again. Helping make "Bardelys" magnificent, the "3-D"-like escape sequence is certainly one of Mr. Vidor's greatest accomplishments. Thanks to everyone who worked with Eric Lange, Serge Bromberg and David Shepard in making "Bardelys the Magnificent" available.

********** Bardelys the Magnificent (9/30/26) King Vidor ~ John Gilbert, Eleanor Boardman, Roy D'Arcy, George K. Arthur

Bardelys the Magnificent (1926)

*** (out of 4)

Adapted from a Rafael Sabatini novel, this lavish MGM production features John Gilbert as Bardelys, a wife stealing rebel who defies the wishes of the King and just does things his own way. He eventually meets and begins to fall in love with the beautiful Roxalanne de Lavedan (Eleanor Boardman) but the evil Chatellerault (Roy D'Arcy) has his own plans for the lady. This swashbuckling saga was lost for many decades until a print turned up in 2006 and in pretty good shape. There's a small section that is still missing but the restorers just used some scenes from a trailer and a photo recreation to help fill these segments in. This is certainly well worthy of being discovered because this is a rare case where a lost movie turns up to be a major find and a good movie at that. The flick is what I'd call a spoof because I think both Vidor and Gilbert are having fun and making fun of folks like Fairbanks and all their swashbuckling action pictures. Just take a look at a hilarious scene early on where Gilbert is kissing a man's wife when the husband comes in the room screaming at him. Gilbert, calmly, tells him that it's rude to be speaking so loudly and then goes back to kissing his wife. The love story between Gilbert and Boardman is actually pretty good and believable as is the hatred between he and D'Arcy. The ending goes out with a major bang that I won't ruin but some of the stunts here are extremely impressive and especially one where Gilbert must walk up the side of a castle. Gilbert, as expected, is perfect for the role here as I've never seen him so dashing or charming. I'm not sure what type of make up was used by he seems to have a glow around him as he dashing from one scene to the next. Both Boardman and D'Arcy are good as well even though they can never match Gilbert. Vidor does a fine job at keeping the film moving as the pacing is very good as are the action scenes.

It is always a pleasure and a joy for silent film fans ( German aristocrats experience those primal human feelings everyday; coarse people from time to time ) to know that in spite many various 20thcentury misfortunes such as inclement weather, the inexorable passage of time, long haired carelessness and the Azores trio, finally and miraculously some silent nitrates emerge from oblivion hidden in lost vaults.

The last year one of those old nitrates was found in France, an almost intact copy ( lacking reel 3 )of "Bardelys The Magnificent" (1926) directed by Herr King Vidor. The film was superbly restored, fulfilling the missing scenes with stills, providing a great opportunity to almost complete the silent film career of such an important American director, who filmed many silent masterpieces.

"Bardelys The Magnificent" it is not a masterpiece but a very entertaining film, starring John Gilbert and Dame Eleanor Boardman. It tells the story of Herr Bardelys ( John Gilbert ), a ladies' man, irresistible to women and admired by men but Bardelys will have to fight against his evil rival, Chatellerault ( Herr Roy D'Arcy ) for the love of Dame Roxalanne ( Eleanor Boardman ) in a story set in the decadent French court and surroundings.

"Bardelys The Magnificent" is an impeccable work, careful in details but light in the story; it is not exactly a swashbuckler film although it includes some acrobatics and action scenes and there is a scaffold scene filmed from an impossible angle but this is really more of a romantic drama, not surprising given the presence of Herr John Gilbert, the ladies' man par excellence during the 20's in many American movies.

Herr Gilbert plays convincingly his character, an ironic, cynical seducer; at the beginning of the film Bardelys is depicted in a satiric vein as a French dandy but he will suffer many hardships to win Dame Roxalanne heart ( Dame Boardman is charmingly and beautifully photographed by Herr William H. Daniels-obviously, given the fact that she was the director's wife… As this German count pointed out, Bardelys' only purpose is to win Roxalanne and that's what really matters most to Herr Vidor, so consequently the adventures and suffering of our hero are focused on that unrequited love or paradigm of the art of wooing, displayed superbly in a romantic, splendid and famous boat scene ( it was until last year the only surviving scene of "Bardelys The Magnificent" because it was shown in Herr Vidor's "Show People" (1928) ), artfully filmed by Herr Vidor and itself an excellent reason to watch the film.

"Bardelys The Magnificent" is a charming oeuvre, a light piece of work by Herr Vidor, skilfully directed and with the sole purpose of entertaining. Given that the film includes some action, old France and its decadent court and a romantic and classical love story starring two lovely actors, isn't that more than enough?.

And now, if you'll allow me, I must temporarily take my leave because this German Count must attend a magnificent supper.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

Well first of all, M. BEAUCAIRE is Booth Tarkington and not Sabatini but it's still a pleasure to see this as an early entry in the MGM Sabatini cycle, along with a couple of Scaramouches, especially when it had been lost for so long. The copy seems incomplete outside the missing reel. Where is Edward Connelly's Cardinal Richelieu? The subject is not a good match with the talents of King Vidor. La BOHEME is a much better film and it appears perverse to have him do it, when Victor Seastrom, one of the originators and masters of the costume movie was on the MGM pay roll.

Vidor gives it good try and seems to have a nice rapport with the leads. Gilbert was at his peak and radiates star power here and Eleanor Boardman is a nice departure from heroines in ringlets. Their relationship makes the piece agreeable and the action climax, while it is sub Fairbanks, is ingeniously staged, making great use of the lances and having some striking downward shots.

This is an agreeable missing piece in the film history jig saw.

John Gilbert is in his dashing prime as the great lover in Bardelys the Magnificent. Adept at both swordsmanship and seduction Gilbert intersects the careers of Fairbanks and Flynn with a dash and panache equal to them in their heyday.

In the court of Louis Xlll no one is more gossiped about than the charismatic Bardelys, an insatiable rake who literally has women lining up on his doorstep to be seduced. The fun loving Bardelys delights in deluding the ladies with the same pick-up lines sending each away with the feeling they are that special one. Bardelys enviable talents however draws the enmity of Chatterault (Roy D'Arcy) a recently spurned suitor of the the lovely Roxanne (Eleanor Boardman). In a devious attempt to even things up with both he challenges Bardelys to seduce her sight unseen. What Bardelys expects to be another day at the office, however, turns into passionate love and Chatterault vows revenge on both.

Gilbert is perfect fit as Bardelys. With dark piercing eyes he conveys both a hard to resist charm and noble resolve. In addition to his expressive features Gilbert displays a wily limberness in some action scenes where he does some challenging stunt work. As the venal Chatterault Roy D'Arcy aquiline features bespeaks iniquity. Eleanor Boardman's sedate beauty and restraint as Roxanne brings counterpoint to Gilbert's rakish Bardelys and it's all good chemistry.

Director King Vidor who made a star out of Gilbert in The Big Parade the previous year injects Bardelys with his signature crane and exposition shots to bring grandeur to the court as well as depict the hedonistic existence of the let them eat cake crowd. Dividing the film with ample amounts of action, romance and humor Vidor keeps Bardelys moving and magnificent most of the way.