As Aventuras do Príncipe Achmed
Título original: Die Abenteuer des Prinzen Achmed
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Um belo príncipe embarca em uma série de aventuras ao cavalgar um cavalo alado que o leva a terras distantes e fantásticas, onde ele se apaixona por uma princesa, faz amizade com uma bruxa e... Ler tudoUm belo príncipe embarca em uma série de aventuras ao cavalgar um cavalo alado que o leva a terras distantes e fantásticas, onde ele se apaixona por uma princesa, faz amizade com uma bruxa e encontra Aladdin e a lâmpada mágica.Um belo príncipe embarca em uma série de aventuras ao cavalgar um cavalo alado que o leva a terras distantes e fantásticas, onde ele se apaixona por uma princesa, faz amizade com uma bruxa e encontra Aladdin e a lâmpada mágica.
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Contrary to popular belief, 'The Adventures of Prince Achmed' was not precisely the first feature-length animated film. It was pre-dated by two Argentinian films directed by Quirino Cristiani, 'El Apóstol / The Apostle (1917)' and 'Sin dejar rastros / Without a Trace (1918),' both now considered lost. Thus, this film does hold the prestigious title of being the oldest surviving feature-length animated film, and what a delight it is! Exclusively featuring silhouette animation, in which manipulated cutouts made from cardboard and thin sheets of lead are lit from the back, the film runs for approximately 65 minutes, and is based on elements taken from the collection '1001 Arabian Nights.'
When a devious African magician tricks adventurous young Prince Achmed into riding a magical flying horse, he is whisked away from his home kingdom and taken to the mysterious island of Wak-Wak, where he falls in love with the beautiful Peri Banu. However, the evil magician, who desires Achmed's sister Dinarsade, kidnaps Peri Banu and sells her to the Chinese Emperor. With the help of Aladdin, and the Witch of the Fiery Mountain, Prince Achmed must defeat his sinister foe and recover his true love.
The silhouette animation in the film is really quite outstanding, and a surprising level of detail is achieved. A scene I particularly enjoyed was the climactic battle between the Witch of the Fiery Mountain and the Africian magician, in which both parties magically transformed themselves into various deadly creatures in order to get the upper hand. The use of different background tints was also co-ordinated carefully in a way that would define the atmosphere of each scene. Notably, this was achieved quite well as the Prince, for the first time, began to rise high into the sky on his newly-acquired flying horse. From a very bright, optimistic yellow, the background changed to a dark, ominous blue, as the onset of strong winds threatened to pluck Achmed from his mount and toss him to the ground far below. Though these tints were present in the original negatives, the loss of these negatives meant that the surviving nitrate prints had to be carefully restored.
In order to rescue the lovely Peri Banu, Prince Achmed must battle a wide array of devilish beasts and monsters, ranging from huge snakes to hundreds of bat-like demons. A distinct advantage of this type of film-making over live-action films is that complex and expensive visual effects are not required. In the scope of this animation, absolutely anything in possible. Nonetheless, one can only imagine how much work must have gone into animating each singular frame of the film. With its endearing style of animation, and a classic tale of love and adventure, Lotte Reiniger's 'The Adventures of Prince Achmed' is a must-see for all film and animation enthusiasts.
When a devious African magician tricks adventurous young Prince Achmed into riding a magical flying horse, he is whisked away from his home kingdom and taken to the mysterious island of Wak-Wak, where he falls in love with the beautiful Peri Banu. However, the evil magician, who desires Achmed's sister Dinarsade, kidnaps Peri Banu and sells her to the Chinese Emperor. With the help of Aladdin, and the Witch of the Fiery Mountain, Prince Achmed must defeat his sinister foe and recover his true love.
The silhouette animation in the film is really quite outstanding, and a surprising level of detail is achieved. A scene I particularly enjoyed was the climactic battle between the Witch of the Fiery Mountain and the Africian magician, in which both parties magically transformed themselves into various deadly creatures in order to get the upper hand. The use of different background tints was also co-ordinated carefully in a way that would define the atmosphere of each scene. Notably, this was achieved quite well as the Prince, for the first time, began to rise high into the sky on his newly-acquired flying horse. From a very bright, optimistic yellow, the background changed to a dark, ominous blue, as the onset of strong winds threatened to pluck Achmed from his mount and toss him to the ground far below. Though these tints were present in the original negatives, the loss of these negatives meant that the surviving nitrate prints had to be carefully restored.
In order to rescue the lovely Peri Banu, Prince Achmed must battle a wide array of devilish beasts and monsters, ranging from huge snakes to hundreds of bat-like demons. A distinct advantage of this type of film-making over live-action films is that complex and expensive visual effects are not required. In the scope of this animation, absolutely anything in possible. Nonetheless, one can only imagine how much work must have gone into animating each singular frame of the film. With its endearing style of animation, and a classic tale of love and adventure, Lotte Reiniger's 'The Adventures of Prince Achmed' is a must-see for all film and animation enthusiasts.
From the "Arabian Nights" this is a German silent animated film (with music score and color tints). It tells the story of Prince Achmed and hid adventures when he gets on a flying horse. He falls in love with Princess Peri Banu, fights the evil Sorcerer and meets up with the Fire Mountain Witch (!!) and Aladdin (whose story is also told).
This was done in silhouette animation--they use cutouts instead of drawings and film them frame by frame moving each piece a little at a time--this took three years to complete!
It's truly incredible--the cutouts are incredibly detailed and the animation itself is flawless--the characters move very smoothly. The story moves briskly and the color tints and great music score just complement the animation perfectly. Sadly this is little known. Maybe with the restored version playing it will get the recognition it richly deserves.
A great film for the whole family--if the kids don't mind reading subtitles.
This was done in silhouette animation--they use cutouts instead of drawings and film them frame by frame moving each piece a little at a time--this took three years to complete!
It's truly incredible--the cutouts are incredibly detailed and the animation itself is flawless--the characters move very smoothly. The story moves briskly and the color tints and great music score just complement the animation perfectly. Sadly this is little known. Maybe with the restored version playing it will get the recognition it richly deserves.
A great film for the whole family--if the kids don't mind reading subtitles.
THE ADVENTURES OF PRINCE ACHMED pit him against the evil African Sorcerer in an attempt to rescue beautiful Princess Peri Banu from terrible peril.
German filmmaker Lotte Reiniger (1899-1981) was fascinated with cutouts and puppetry from childhood. After seeing a silent film by the great Georges Méliès as a teenager, she knew that movies would be her destiny. Reiniger loved make believe and would eventually make films on a whole series of fabulous characters, from Dr. Dolittle (1928) and Puss in Boots (1936) to Thumbelina (1954) and Hansel & Gretel (1955).
Reiniger's area of expertise was in silhouette animation. Using a pair of scissors, she produced amazingly elaborate images from black paper and then had them back-lit and photographed one frame at a time, moving the cutouts slightly each time, thereby producing the illusion of movement. Her masterwork, after three years of labor, was THE ADVENTURES OF PRINCE ACHMED, produced eleven years before Disney's SNOW WHITE, thus becoming the world's first animated feature film.
The movie tells an exciting story from the world of the Arabian Nights, full of magic, menace & monsters, and incorporates the tale of Aladdin and his love for Achmed's sister Dinarzade, thus giving the movie two valiant heroes instead of only one. The romantic exploits are slightly leavened with a touch of delightful decadence and good humor, exemplified by Achmed's few moments in the seraglio on the magical Isle of Waq Waq.
It is fascinating how these pieces of black paper can evoke an emotional response from the viewer. It is a testimony to the wonderful artistry of their creator, Lotte Reiniger, a woman who richly deserves to be more celebrated by those interested in cinema history.
German filmmaker Lotte Reiniger (1899-1981) was fascinated with cutouts and puppetry from childhood. After seeing a silent film by the great Georges Méliès as a teenager, she knew that movies would be her destiny. Reiniger loved make believe and would eventually make films on a whole series of fabulous characters, from Dr. Dolittle (1928) and Puss in Boots (1936) to Thumbelina (1954) and Hansel & Gretel (1955).
Reiniger's area of expertise was in silhouette animation. Using a pair of scissors, she produced amazingly elaborate images from black paper and then had them back-lit and photographed one frame at a time, moving the cutouts slightly each time, thereby producing the illusion of movement. Her masterwork, after three years of labor, was THE ADVENTURES OF PRINCE ACHMED, produced eleven years before Disney's SNOW WHITE, thus becoming the world's first animated feature film.
The movie tells an exciting story from the world of the Arabian Nights, full of magic, menace & monsters, and incorporates the tale of Aladdin and his love for Achmed's sister Dinarzade, thus giving the movie two valiant heroes instead of only one. The romantic exploits are slightly leavened with a touch of delightful decadence and good humor, exemplified by Achmed's few moments in the seraglio on the magical Isle of Waq Waq.
It is fascinating how these pieces of black paper can evoke an emotional response from the viewer. It is a testimony to the wonderful artistry of their creator, Lotte Reiniger, a woman who richly deserves to be more celebrated by those interested in cinema history.
7tavm
While I was at the East Baton Rouge Parish Library looking at various VHS tapes I could borrow, my eyes saw something that I've never heard of before called The Adventures of Prince Achmed. I looked at the back case and found out it was possibly the earliest full-length animated feature in existence and was directed by Lotte Reiniger in cutout silhouette. I must say, most of the images were pretty impressive with various color tints and use of detail in backgrounds and movements, all involving black construction paper. Certainly one of the most impressive sequences involved the battle of the evil sorcerer and Witch of the Fiery Mountains as they changed into various vicious animals in the fight to the death. While there's plenty of action here, it's not very fast paced which I guess is par for such a painstaking film that took three years to make involving such attention to dreaming of the big picture but if you allow your imagination to take hold, this could be one of the most enchanting experiences of your life! Definitely worth checking out for animation enthusiasts.
Lotte Reiniger's "The Adventures of Prince Achmed" is one of the most amazing achievements in the history of cinema. The first animated movie ever, Achmed was based on the ancient stories "Arabian Nights." It took her three whole years to make, shooting over 250,000 cardboard cutouts with the assistance of her husband Carl Koch.
The German silent film begins with the creation of a flying horse. The African Magician tricks Prince Achmed into flying the horse, hoping to rid the kingdom of Achmed's presence. But Achmed is able to control the horse, and flies off to an island, where he finds the beautiful princess Peri Banu. In order to win her heart he must defeat the Magician, the Chinese Emperor, and an army of demons, with the help of Aladdin and a mysterious witch.
The irony of this movie is that the German subtitles are subtitled in English. But don't let that throw you, this silent masterpiece is magnificent film-making at its best, and certainly a landmark in cinema.
The German silent film begins with the creation of a flying horse. The African Magician tricks Prince Achmed into flying the horse, hoping to rid the kingdom of Achmed's presence. But Achmed is able to control the horse, and flies off to an island, where he finds the beautiful princess Peri Banu. In order to win her heart he must defeat the Magician, the Chinese Emperor, and an army of demons, with the help of Aladdin and a mysterious witch.
The irony of this movie is that the German subtitles are subtitled in English. But don't let that throw you, this silent masterpiece is magnificent film-making at its best, and certainly a landmark in cinema.
Você sabia?
- CuriosidadesThe earliest feature-length animated film to have survived. Only two Argentinean films by Quirino Cristiani, both presumed lost, predate it.
- Citações
Title Card: Prince Achmed was young and brave and not afraid of any adventure.
- Versões alternativasIn 2013, the BFI created a new soundtrack. It supplemented the original score by Wolfgang Zeller with voiceover narration based on Lotte Reiniger's own translation of her German text, spoken by actress Penelope McGhie, plus some sound effects mixed by audio engineer Dan Larkin.
- ConexõesFeatured in Bewegte Bilder. Deutsche Trickfilme der Zwanziger Jahre (1975)
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- Faturamento bruto mundial
- US$ 100.156
- Tempo de duração
- 1 h 20 min(80 min)
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- Proporção
- 1.33 : 1
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