Peter Pan

One of the Lost Boys warns the others: "The first who does not behave to Wendy like an American gentleman, I'll blood him severely!" And this is quite an amusing gag, indeed. The other two occurrences of the matter (I mean American chauvinism, or exceptionalism) in the film are less appropriate, useless and out of place, in my opinion: the Lost Boys, who would like to be pirates, refuse to accept the offer of becoming such because the ship would fly the pirate flag (the traditional black one with skull and crossbones) instead of the Star and Stripes, and in the end they lower the black one and put up the U. S. flag. These scenes are not particularly humorous and add nothing whatsoever to the plot.

I don't know (and I don't mean to investigate) if in the many literary works of the British novelist and playwright J. M. Barrie, who devised the character of Peter Pan, a similar treatment is reserved for the Union Jack (let me doubt it, being he a Scotsman...). But if he did it was just something natural to a man that loved his country; whereas the authors of the film either "translated" flags - in a completely motiveless motion (motiveless except for sheer chauvinism, of course) -, or invented the whole thing, for the same reason.

Having said that, I consider Peter Pan a (very) good movie. You see from the first few seconds of Peter's appearance that she is a girl, and this is in accordance with old theatre productions, in which the role of the "Principal boy" was traditionally played by a petite young woman. I loved Nana the dog.

This is a very entertaining adaptation of the story of "Peter Pan", and the production, particularly in the visual effects, is rather impressive for its time. The cast is a good one, with a lot of enthusiasm for their roles, and the whole movie has a lively pace to go along with the interesting story and plenty of good visuals.

Betty Bronson delivers everything that you could expect as Peter, and it's easy to see why J.M. Barrie himself chose her for the role. She has plenty of energy and a believably boyish appearance. The rest of the cast is also good, and in some cases (Virginia Browne Faire and Anna May Wong) you wish you could have seen more of them. It would be hard to think of a better Captain Hook than Ernest Torrance, who gives the role just the right degree of exaggerated villainy. In what seems to have been her first screen role, Mary Brian is appealing as Wendy.

It sticks mostly to the essentials of the familiar story, which is usually appealing to children while potentially quite interesting to adults, for different reasons. Peter's desire to remain a boy, and the offbeat nature of the fantasy world, make the story much more than a whimsical daydream.

The visual effects, particularly the 'flying' sequences, work very well for their time, and they must have been very exciting for the movie's original audiences. The Tinkerbell effect also works well despite its simple means. The fantasy story is combined with just enough reality (back at the Darling home) for it to fit together nicely.

"Peter Pan" is a movie and stage perennial, so there is no shortage of versions to choose from. But this one is very enjoyable, and it is certainly recommended for anyone interested in seeing a silent movie version of the story.

When it comes to pure entertainment, there are very few silent movies that come close to PETER PAN. This whimsical story is also exceptional because I think that adults would enjoy the film at least as much as kids. Why does the film deserve such praise? Well, the biggest reason is that for a movie made in 1924, it was amazingly modern for its time and it appears as if Paramount Studios spared little expense in bringing this J. M. Barrie story to the screen. One example are the flying sequences. In almost every instance, you could see no wires and the kids really looked like they were flying! Second, when they showed the home of Peter and the Lost Boys, it was a magical and wonderful place with giant mushrooms for chairs, glowing jack-o-lanterns as lights and the coolest beds I've ever seen. The place was a magical lair in every sense. Another example was when Hook's boat began to fly--it was a great scene. In fact, the more I think about it, there were many more wonderful scenes--too many to list here. The story just looked wonderful and had among the best set designs and stunts of any silent films and I would rank it among best best of the age, such as THE CABINET OF DR. CALIGARI, FAUST or WINGS. This was a top production in every sense--well, every sense but one. While I liked it, it was kind of silly to make Nana the dog and the crocodile people in costumes. Some might really think this is cheesy, but I really thought it was charming.

As for the story itself, it was super entertaining. The only problem I noticed and reason the movie does not earn a 10 were the embarrassing and unnecessary pro-USA comments throughout the film. While I am very happy and proud to be an American, this film was inappropriate in making everyone gung ho Americans--even though in the original, they were English. Four different times in the movie they made reference to this--such as the Lost Boys singing patriotic American songs when they were caught and another time when Wendy told her brothers to "act like proper American gentlemen". You would almost think the movie had been made during the war due to all these references, but it wasn't. Still, apart from this minor problem, it was a heck of a wonderful film.

This video was released by KINO International. The print was absolutely pristine and the accompanying music exceptional.

This film has a very stagy feel & it should because it was taken from the show as it was running on the stage in 1924 & filmed for the most part. There is only a sequence on the ocean which is an early example of how pirate films made much later would be like. While the sets are much the same on the ocean, the fantasy is left intact with children conquering bitter pirates.

The real fantasy of this film is how George Ali, in his only film role, makes a costumed dog seem so realistic. The special effects with the fairy, etc. are very obviously borrowed from the stage play. To me, the story here & the moral are more defined than the later Walt Disney animated version of the same story.

If you want to make a great home movie night, watch this film, then watch "Finding Neverland" starring Johnny Depp made years later. This silent is so well done, it makes the later film seem even better. The silent film actually enhances the enjoyment of Neverland as this film prefaces it very well.

All the acting in this silent is well done. This is an epic silent film.

I really didn´t know about that there is a silent movie PETER PAN. The only version I´ve ever seen was the Disney version which I always loved. Here in Germany we have a culture-channel on TV. There was a theme evening about PETER PAN. A biography about James Mathew Barrie and after that they showed the silent movie from 1924. I was blown away ! There is magic in it and the tragical side of Peter is deep in it. My english isn´t good enough to describe all I want to, bit this is one of my absolutely favourites. I voted "10".