Dr. Jekyll and Mr. Hyde

This is the oldest version of "Jekyll and Hyde" in existence. The film stars James Cruze, who is most famous for his film "The Covered Wagon". It was made by Thanhouser Film C. and was released on January 16 1912. and clocks in at about 11 min. I may have took a star away due to the fact that it could have been longer(the 1913 version was 26 min. only a year later). Actually, in a 1963 interview, a stock crew member named Harry Benham who worked at Thanhouser, said that he portrayed Mr.Hyde in some scenes. When you watch the film you can tell them apart because James is taller and their Hyde makeup is slightly different.

The film starts off with Jekyll briefly talking with an elderly man apparently about drugs. Then Jekyll locks himself in his lab and tests his "potion" on himself. Immiediatly a dark haired taloned beast appears in the chair, looks in his mirror (he is slightly shorter than before mmmmmmmmm)takes the drug again and transforms back into Jekyll, and then begins to write something down.

Jekyll (with his wife a ministers daughter) meet each other in front of her house and talks with her father. The next scene shows Jekyll reading a book cries out in agony rushes into his lab and now Jekyll is Hyde, Hyde grabs his hat runs out into the street knocks down a little girl rushes back to his lab and transforms into Jekyll.

Jekyll is talking to his wife in the the park and then he suddenly runs away kneels down and in the next shot is Hyde. He runs back, tries to strangle her, her father comes (from nowhere) and Hyde kills him instead. Jekyll says to his wife he is "going away" and then he runs back to his lab, a card says his potion is gone now he must remain Hyde to the end. Hyde is in his lab now. He go's on a rampage destroying his lab looking for something. Police have tracked down Hyde and are breaking down the door. just as they are about to break the door down, Hyde takes a fatal dose of poison........... when the police come in Hyde is dead. THE END

Even though this version is short, it is still pretty good and recommended.

The 1920 version has John Barrymore transforming and twisting himself before your eyes, Lon Chaney style. The 1931 version had an on-screen transformation using a technique that turned out to be simple yet brilliant, and director Rouben Mamoulian kept the secret until his deathbed. But such secrecy would not be needed here, because Jekyll merely drinks the potion grabs his throat and poof! The film jumps and the same actor has now transformed into Hyde complete with makeup and different colored hair. Apparently in this version blonde = good Dr. Jekyll, brunette = evil Hyde.

There are intertitles that tell you what is going on, but even though you can see the actors speaking to one another there are no dialogue intertitles.

There is no "woman of the street" that Hyde is molesting in this version. And although he does cane somebody to death, the only other evil thing that he is shown doing is knocking down a toddler on the sidewalk! Oh, and Dr. Jekyll does not name his evil self Hyde. From the intertitles we are told that this is what the people of the village have dubbed Jekyll's evil self.

The title role is played by James Cruze, early silent actor and later a director into the talking picture era. He was later married to Betty Compson, the hardest working actress of the early talking era. But here one of the extras is Marguerite Snow, his first wife and mother of his only child.

The nearest I've come to reading Robert Louis Stevenson's original text of DR JEKYLL AND MR HYDE is via a Marvel comic book adaptation so I've no idea how well it compares to its source and can only judge it on its own merits and of the contemporary comparisons of cinema

Being only little over twelve minutes there is a brevity to the storytelling which doesn't harm it all and despite eliminating any complex character studies on the dark side of the individual that Stevenson might have included in his novel the story does bring a tight plot to screen

Director Lucius Henderson doesn't bring the jaw dropping visuals J Searle Dawley brought to the 1910 version of FRANKENSTEIN and you can easily guess how the transformation was achieved of Jekyll in to Hyde , one of stopping the camera , putting the make up on actor James Cruze and then having the camera run again . Very simple when you know how in 2013 but one that probably impressed an audience one hundred years ago

Of course if you want to be cynical you could claim that Cruze interpretation of Hyde is very hammy and unsubtle but let's not forget that method acting didn't exist in silent cinema and everything is melodramatic with an unwritten rule of the time that someone always has to to hold their hand to their forehead when emoting any strong feeling of surprise bus as I said you have to remember the context of when it was made

The oldest version of the classic Dr Jekyll And Mr Hyde. Earlier version of 1908 is lost. So here we have it, if you want to know the story in 12 minutes you will get it all.

Overall the story is very simple. Drug tested to transform. Not knowing the consequences the drug takes over the body of de doctor and he turns not knowing when. So finally they see Hyde running into the house of Jekyll. An overdose taken by Hyde so no one knows the secret.

Effects are simply done once after that it's just editing with a simple cut so on that part it's weak and to be famous you need special effects or creepy atmosphere but none of that appears. Hyde looks a bit funny too. Still a must see because it takes only 12 minutes of your life.

Gore 0/5 Nudity 0/5 Effects 1/5 Story 4/5 Comedy 0/5

This film is somewhat interesting for comparison to later screen adaptations, but it's probably not worth watching otherwise. It's only one reel, however, so it's not a waste of time, either. There's a lot of condensing of the story, of course, to fit the one-reel standard. (For the one-reel format, I tend to prefer the original scenarios to the adaptations, due to this subtraction.) The plot here is reduced to mostly just the transformations. The most interesting element, otherwise, is how they film those transformations. The first two are done with substitution-splicing (or stop-substitutions), but after that, the other ones are done with direct cuts, crosscutting scenes (i.e. scene of Jekyll cuts to spatially separate action, then cuts back to prior scene with Jekyll now as Hyde).

Additionally, one actor plays Jekyll and a different actor plays Hyde (at least in some scenes). I don't recall that being done in any other screen adaptations of Stevenson's novella. Thanhouser, at the time, gave sole star credit to the one playing Jekyll, James Cruze. Hyde is the meatier role here, though.