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6,5/10
1,4 mil
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Adicionar um enredo no seu idiomaWhen her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon has to hold off a pair of ruffians who are bent on stealing the payroll fro... Ler tudoWhen her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon has to hold off a pair of ruffians who are bent on stealing the payroll from an arriving train.When her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon has to hold off a pair of ruffians who are bent on stealing the payroll from an arriving train.
Avaliações em destaque
A movie like this could only get away with a 7-out-of-10 rating today, considering its popularity at the time and its historical significance as a D.W.Griffith experience.
This short details a young girl who is operating a train stop when some bandits, or miscreants, or something, begin to threaten her. As she tries to hold them at bay, a train operator comes to the rescue.
Even by today's standards, the cutting of the film makes it relatively intense. Griffith claimed he invented a lot of techniques that he didn't, but perhaps the one thing it cannot be argued he invented is a director's style (auteurship). Early films didn't even have credits attached, and yet audiences recognized a Griffith film anyways.
The same holds today. This is a Griffith film, by and large. Whether it's worth the search to find and watch depends on your interest of the era, Griffith, or maybe silent films as a whole. Otherwise this film is nothing more than a research tool for film classes and cinephiles.
--PolarisDiB
This short details a young girl who is operating a train stop when some bandits, or miscreants, or something, begin to threaten her. As she tries to hold them at bay, a train operator comes to the rescue.
Even by today's standards, the cutting of the film makes it relatively intense. Griffith claimed he invented a lot of techniques that he didn't, but perhaps the one thing it cannot be argued he invented is a director's style (auteurship). Early films didn't even have credits attached, and yet audiences recognized a Griffith film anyways.
The same holds today. This is a Griffith film, by and large. Whether it's worth the search to find and watch depends on your interest of the era, Griffith, or maybe silent films as a whole. Otherwise this film is nothing more than a research tool for film classes and cinephiles.
--PolarisDiB
This film, nicely preserved with tints, is part of the "Treasures" 4-disc DVD set from the American Film Archives. It captures DW Griffith in the middle of his stint at American Biograph, and it demonstrates his developing skill with montage. I'm fond of Lonedale because it captures day-to-day life in a bygone era (for example, the secretary operating an early typewriter and the operation of steam locomotives).
The performances are by necessity done in broad strokes. Blanche Sweet, then a very mature-looking 15-year-old plays the story's heroine who bluffs her way out of a sticky situation.
This film is one of the highlights of the Treasures DVD set.
The performances are by necessity done in broad strokes. Blanche Sweet, then a very mature-looking 15-year-old plays the story's heroine who bluffs her way out of a sticky situation.
This film is one of the highlights of the Treasures DVD set.
The Lonedale Operator, which is about a young daughter of a rail operator (not on the train, at the nearby station) and how she has to fill in for her sick father (this after an opening where she, uh, flirts with some guy or something, I'm not sure), a couple of thieves plot to steal from the train and so she has to defend herself, albeit fainting for part of the time while the train has to deal with no operator.
It gets good in the second half, when the story actually fully kicks in and Blanche Sweet's fill-in train operator has to fend off a couple of thieves trying to break in (once again with Griffith, like the Lonely Villa and some other shorts he did with this theme of invasion). Sweet's wonderful, but the pacing felt off for me. Not one of the best nor worst, The Lonedale Operator, which features some fine color-tinting for some shots, is OKAY.
It gets good in the second half, when the story actually fully kicks in and Blanche Sweet's fill-in train operator has to fend off a couple of thieves trying to break in (once again with Griffith, like the Lonely Villa and some other shorts he did with this theme of invasion). Sweet's wonderful, but the pacing felt off for me. Not one of the best nor worst, The Lonedale Operator, which features some fine color-tinting for some shots, is OKAY.
Wow. It's hard to believe that Miss Blanche Sweet was fifteen when she was directed by the great D.W. Griffith in this Biograph production from 1911. Blanche, at such an early age, was not only extremely mature in terms her physique and baring, she was a remarkably accomplished actress. Her naturalistic acting translates well with modern audiences (at leased with all my friends to whom I've shown this movie). This film is a good one, suspenceful and atmospheric, but it's definatly not the best of Griffith's Biographs. It ranks pretty highly with the other work of his that I've seen. It is certainly aided by Sweet's performance, and also helpful the exemplary early use of "montage" which Griffith had been putting to use in his films as early as 1909. For a peak at what a great man like Griffith was doing before he made The Birth of a Nation (1915), Intolerance (1916) and Way Down East (1920), this is certainly one to take a good look or two at, just to get a peak at what the future had in store for cinema history.
If you were curious about train stations circa 1911, then "The Lonedale Operator" gives us a glimpse. "The Lonedale Operator" had love, technology, crime, and heroism.
The two lovebirds and stars were the Operator's Daughter (Blanche Sweet) and the Engineer (Francis J. Grandon). The Operator's Daughter had to take over operating duties for her sick father. Operating a train station, as was shown in this movie, was sending and receiving telegraphs and exchanging incoming and outgoing packages with the train.
The Operator's Daughter found herself in trouble when two thieves had her trapped and were attempting to break in and steal payroll money from the mining company. It was suspense and drama in the Lonedale train station.
Free on YouTube.
The two lovebirds and stars were the Operator's Daughter (Blanche Sweet) and the Engineer (Francis J. Grandon). The Operator's Daughter had to take over operating duties for her sick father. Operating a train station, as was shown in this movie, was sending and receiving telegraphs and exchanging incoming and outgoing packages with the train.
The Operator's Daughter found herself in trouble when two thieves had her trapped and were attempting to break in and steal payroll money from the mining company. It was suspense and drama in the Lonedale train station.
Free on YouTube.
Você sabia?
- CuriosidadesThe text of the first telegram is signed 'GWB', the initials of camera George William 'Billy' Bitzer.
- Erros de gravaçãoSince the movie was shot on an open-air set, the wind blows the paper's on the desk in the office as well as the clothes of the actors and Blanche Sweet's hair.
- ConexõesFeatured in Historia del cine: Epoca muda (1983)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Lonedale Operator
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração17 minutos
- Mixagem de som
- Proporção
- 1.33 : 1
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By what name was A Operadora da Lonedale (1911) officially released in Canada in English?
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