As Quatrocentas Farsas do Diabo

The 400 Tricks of the Devil aka The Merry Frolics of Satan.

I guess I expected more out of this one from the title and some of the visuals are great but it's rather boring overall to me. We have the typical Melies-styled mechanically operated scenery which is neat to watch, the usual camera tricks where it appears people and furniture is to large for the trunks they are going into and out of and the fun imp frolics but this one seemed to be too long and drawn out in most of the scenes - for me it needed a bit faster paced scenes.

Worth watching in-spite of my mediocre review.

6/10

Good old Georges Melies shows his talents again with The 400 Tricks of The Devil. The story is of a group of travelers who are tormented by Satan in various ways. Not 400 but quite a numerous amount of tricks are played on them. The most famous part of this film is probably the scene with the horse and wagon. I say this because on YouTube it was the thumbnail image for every way to watch it and it's the poster on this site. Melies of course shows off his normal great special effects that he is known for, and I have found to be prominent in all of his films that I've seen with the exception of Why That Actor Was Late. Although not as good as say A Trip To the Moon, I still say to check it out if you're a big Melies fan.

A carriage pulled by a skeletal horse is making its way to hell. The man in the carriage has signed a deal with the devil and must face the music. The backgrounds and the carriage itself are great fun. Of course, it's really cruel and deals with that old time religion. I don't know what this guy did, but he ain't gonna like where he's going. There are some pretty solid pyrotechnics which make it fun.

This fantasy/horror feature has plenty of good visual effects, as you would expect from a Georges Méliès movie. It features quite a variety of backgrounds, camera tricks, and other devices from the French movie pioneer's seemingly endless bag of tricks. There isn't really much to the story itself, so it seems clear that the plot was mainly a vehicle to set up the special effects.

The story has the devil choosing to torment a couple of travelers, in a variety of imaginative ways and places. There is quite a bit of action, although most of it simply displays Méliès's camera skill, rather than advancing the story. This may well have been one of the features for which he wrote a narrative designed to be read when the feature was screened, since it isn't always immediately clear what the purpose is for some of the scenes. But in any case, the story logic is not supposed to occupy as much of the viewer's attention as are the interesting visuals.

The themes are similar to those in many earlier Méliès features, and he seemed to enjoy coming up with diabolical sights and bizarre antics. Since there isn't a lot of brand new material here, it probably doesn't rank among his best features, but it's another good demonstration of his creativity and skill.

Two men are in a carriage being pulled by a skeletal horse. Satan comes along and begins messing with them...pushing the carriage into a volcano and then tossing it into space (this version of space looks much like it did in the director's earlier effort, "Le Voyage Dans la Lune" (1902). Then, the men fall out of the carriage and fall to Earth--crashing through the ceiling of some mansion and ruining the dining room. Soon Satan arrives and pulls one of them into Hell, where imps and pretty girls run about the place. Soon, they attach the guy to a rotisserie and roast him...and the film ends.

This is an enjoyable but disjoint and occasionally confusing film. And, as usual, the director, Georges Méliès, plays the Devil. It's clever and fun....and similar to a few of his other films. Worth seeing but far from a must-see picture.