We Can't Have Everything

1918
1 h

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Adicionar um enredo no seu idiomaA married couple, each in love with another, attempts to unentangle themselves from their marriage in order to be with the one each truly loves. But the more they untangle one knot, the fast... Ler tudoA married couple, each in love with another, attempts to unentangle themselves from their marriage in order to be with the one each truly loves. But the more they untangle one knot, the faster more confusing knots appear.A married couple, each in love with another, attempts to unentangle themselves from their marriage in order to be with the one each truly loves. But the more they untangle one knot, the faster more confusing knots appear.

Direção
- Cecil B. DeMille
Roteiristas
- Rupert Hughes
- William C. de Mille
Artistas

Veja as informações de produção no IMDbPro

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7,0/10

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Direção
- Cecil B. DeMille
Roteiristas
- Rupert Hughes
- William C. de Mille
Artistas

2Avaliações de usuários

Veja as informações de produção no IMDbPro

Fotos5

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7,022

Avaliações em destaque

Single-Black-Male

Cecil B. DeMille and Ethnicity

The socio-economic issue of ethnicity still pops up in DeMille's films. In this one, he had Chinese servants serving tea in a caricature fashion. The set and costume designs have a Japanese strain to it, highlighting the fact that DeMille is obsessed with race, class and ethnicity.

Single-Black-Male

The New Novel

With the assistance of Jeanie Macpherson bringing all of her experience from working with D.W. Griffith, the 37 year old Cecil B. DeMille was able to bring this novel to life in a film that is part of a trilogy (Old Wives for New, Don't Change Your Husbands, etc). This was the start of DeMille's films being regarded as the new novel.