The Poor Little Rich Girl

If you had to pick a typical Mary Pickford film to understand her appeal in silent movies you should look no further than The Poor Little Rich Girl. In this the 24 Mary with the curls that audiences the world over loved, plays an 11-12 year old girl, neglected by her status conscious parents.

Not that the idea was anything new, but Mary does put it over quite well. Her parents Madlaine Traverse are caught up in their busy societal world and pretty much ignore their child. But when she accidentally overdoses on some medicine and hovers between life and death her parents wake up and smell the coffee.

One thing I found absolutely fascinating was that apparently as a punishment for misbehavior one was forced to wear the clothes of the opposite sex. That certainly raises some interesting questions about gender identity in American society in 1917. Mary is forced to wear boys clothes and when she goes out and meets a gang of street kids, she's questioned about her masculinity and really lashes out at her tormentors.

What makes the film really standout though for me is the fantasy world that director Maurice Tourneur created as Mary is in a coma fighting for her life. Given the times the special effects cinematography was wonderful for its time. Cecil B. DeMille couldn't have done better creating a view of how a child saw the world around her and the possible paradise she could have if she quit fighting for her own life.

Great special effects and a standout performance by Mary Pickford make The Poor Little Rich Girl a classic from the days when movies had no voice.

Wealthy ten-year-old Mary Pickford (as Gwen) lives in a beautiful mansion; she has everything she needs, except love. She must make an appointment to see her father (Charles Wellesley), who spends his time wheeling and dealing; and, she barely gets an opportunity to see her mother (Madlaine Traverse), who is busily attending to social duties. Her parents do not have time to spend with lonely Ms. Pickford; and, she is left in the care of unloving servants...

A lot of studio trickery helps to make Pickford believable as the fun-loving, independent and lonely little Gwendolyn; her age is not at all vague, as her 11th birthday is celebrated during the running time. You'll notice the large sets, and tall actors (standing on telephone books, no doubt) right away. Yet, finally, it's Pickford who pulls off the ruse. When she sits down for her tutoring, in close-up, Pickford makes the character a fully believable individual. The effort to make Pickford appear small adds to the film's surreal whimsicality.

Importantly, "The Poor Little Rich Girl" is the first of Pickford's adult portrayals of little girls. Her relative youth, and lack of "affected" mannerisms, is an early strength; she is fresh, and convincing. Later on, Pickford's portrayals suffered, as she employed stock muggings, pouts, and grimaces (to be fair, these were responsive to moviegoers increasing demand she remain in the "little girl" roles). Subsequently, the Pickford mannerisms were more cloyingly adopted by Shirley Temple, and others; for example, note how closely Pickford resembles Ms. Temple after she dons a boy's hat and clothes.

Director Maurice Tourneur and set designer Ben Carré help create the extraordinary, whimsical world "Gwen" inhabits. There are some "special effect" sequences, ending with a drug-induced delirium. Therein, Pickford dreams about the day's people and events; and, finally, she meets the beckoning figure of death, who invites: "Here, in the forest, dark and deep, I offer you, eternal sleep…" Maxine Elliott Hicks and Herbert Prior are among the more notable supporting players. Frequent Pickford writer Frances Marion does a fantastic job bringing story details together; she, Pickford, Mr. Tourneur, and Mr. Carré certainly created a monster.

********** The Poor Little Rich Girl (3/5/17) Maurice Tourneur ~ Mary Pickford, Maxine Elliott Hicks, Herbert Prior

Like so many of the silents, there is a powerful message here about family and the importance of family. Here is a little girl with everything money can buy except the time of her parents. They are so busy with making money and the social circuit they have no time for their little girl (Mary Pickford). As is also the case with so many silents, the cue cards make sure that we understand the points the makers want made. And as has been the case in so many other silents, the movie makes its points very well and did not need the extra cue cards to make them. Having said that, this is a very good movie. Early films could do a very good job of telling a story and making a statement. This one does indeed do both.

There is something of the Lewis Carroll in this quite touching story of a young girl "Gwen" (Mary Pickford) who lives with her wealth-obsessed father (Charles Wellesley) and her socially-obsessed mother (Madlaine Traverse) who indulge their daughter insofar as money allows, but who pretty much neglect her otherwise. Despite her best efforts to engage with her parents - the spirited eleven year old "Gwen" makes little progress so seeks friendship amongst the local (not exactly "suitable" children) culminating in quite an entertaining mud fight. When two of the servants at her home mix her medication, she becomes dangerously ill and the whimsical elements introduce themselves - she has some wonderfully surreal dreams of the life she might like to have had; avenges the ill-treatment of her governess, addresses the indifference of her parents (a potent scene with her father sitting by a dollar pill printing machine churning out note after note...) - all whilst the bed-side waiting parents have to completely reevaluate their own priorities. Pickford was mid-20s playing the diminutive child, and she does it with a plausible, tomboy-ish, innocence that carries the humorous elements of Eleanor Gates' play well. At times it is a little too far-fetched, but Maurice Tourneur keeps the focus on the underlying theme of familial incivism front and centre and effective whilst ensuring the steady pace keeps the whole thing enjoyable to watch.

With a good combination of a thoughtful story and entertaining scenes, this Mary Pickford vehicle works well and is pleasant to watch. Pickford is surprisingly convincing in portraying the "Poor Little Rich Girl", a character who is supposed to be less than half the age of the actress - some creative set design and Pickford's own charm and enthusiasm make it work.

Much of the film simply describes the world of young Gwen (Pickford), neglected by her parents and bullied by most of the servants, and thus lonely and unhappy despite living amidst material abundance. It picks up the pace as it moves along, and the best part is the dream sequence near the end - it is quite amusing, and also does a nice job of summarizing the themes of the story. The minor characters are worked into the story well, and a couple of them are entertaining in their own right.

When you put Pickford and her winsome style in a story like this, chances are good that it's going to be enjoyable to watch, and this is not an exception. It's a nice little film, and worth the trouble to find.