Oh, Doctor!

Oh Doctor (1917)

** 1/2 (out of 4)

Dr. Fatty gets in trouble when a woman he flirts with turns out to be a thief with his wife's jewelry on her mind. The best aspect is Buster Keaton playing Fatty's son and being constantly abused by daddy.

His Wedding Night (1917)

** (out of 4)

Fatty once again has to fight for the woman he wants to marry. Going through these films in order I've noticed that each one basically has the same storyline and always has a food fight. This is getting a tad bit boring but Buster Keaton has a small role and brings some laughs.

Out West (1918)

*** (out of 4)

Spoof of the western genre has Fatty Arbuckle landing in a small town being over run by thugs. Buster Keaton plays the timid sheriff. There are minor laughs throughout the film but it really works due to its wonderful charm and the fact that the spoofs work for westerns even made within the past few decades. There's some off colored racial humor, which might insult some.

Buster Keaton's fourth film and credited as containing his most animated facial expressions while playing Fatty Arbuckle's son appears in September 1917's "Oh Doctor!" Distribution company Paramount Pictures was so impressed with Arbuckle's Keystone Studio movies its executives offered Roscoe in late 1916 his own comedy studio under the name Comique Film Corporation as well as giving Fatty full control over his productions. Arbuckle agreed, and set up his studio on 318 East 48th Street, Manhattan (which is now an indoor parking garage). Arbuckle made 21 films from 1917 to 1919 under the Paramount umbrella, using the studio for interior filming while locating in New Jersey's countryside for his bucolic exterior sequences.

Keaton plays Arbuckle's son in "Oh Doctor!" a role which requires quite a range in visual expressions for the usually Stone Faced comedian. Fatty, meanwhile, plays in one of his standard adultery roles where he all too often wanders off the marriage path seeking variety. As a doctor, Roscoe is extra friendly to one particular female patient, who, with her husband, turn the tables to heist one of the doctor wife's prized necklaces. Arbuckle's disguise as a policeman to reclaim the necklace causes a great amount of on-screen amusement.

An impulsive doctor takes his small family to the horse track for a bit of front-row excitement. Overhearing a hot gambling tip, he dumps his savings into a losing bet and swiftly tumbles into the manipulative paws of a crooked married couple. This nasty pair does their best to remove him from what's left of his estate, though they're really just as fundamentally inept as their quarry.

I wasn't feeling this one. The plot is transparent from the start, the constant shifts in scenery limit the crew's opportunities for ad-libbed laughs and Buster Keaton is wasted in an ill-fitting role as the doc's irritating young son. The story gets more direction than usual, given the age, genre and format, but that comes at the expense of the free-wheeling humor that is Arbuckle and Keaton's mutual forte. Nobody bats a thousand.

A rare opportunity to see the great Stoneface Buster Keaton bawling like a kid as the put-upon son of Doctor Roscoe Arbuckle is the only reason to visit this otherwise below-par comedy. Arbuckle's character is the kind of perfidious bully possessing no redeeming features that would be the villain in most films, and yet he receives no kind of come-uppance. This might have been forgivable if the humour was of a high standard, but there is very little here to raise even a smile.

Though much of it is rather silly, "Oh Doctor!" has some good material too, and it is generally entertaining. The story is goofy and implausible, but it is told and played with verve by a pretty good cast. 'Fatty' Arbuckle plays a pretty disreputable character who is not really sympathetic, yet Arbuckle's good-natured energy is enough to make you hope that things will turn out all right for "Dr. Fatty". Buster Keaton's performance as the doctor's son (mostly a foil for 'Fatty') is rather interesting, because it is the exact opposite of the stoic manner that he adopted in his own later pictures - his performance here is even more exaggerated than in some of the other short features he made with Arbuckle.

The story hops around between a number of settings, and without a good cast it might not have worked very well. But the different settings do give rise to some worthwhile comedy material. There are a good number of Arbuckle/Keaton shorts that are better, but "Oh Doctor!" is still worth seeing if you enjoy the lively antics of Arbuckle & company.